Secrets of Fairytales


A fairy is an evil spirit. The word ‘fairytales’ derives from the hidden meaning behind these stories, which is known to these spirit beings and those who worship them — referred to in the occult world as the ‘initiated’ or ‘illuminated’ — but hidden from ordinary humans — referred to in the occult world as the ‘profane’ or ‘uninitiated’. Many of these tales present fairies/fairy godmothers as ‘helpers’ and ‘rescuers’.

Myths from Russia, Germany, Japan, China, Persia, Scandinavia, Africa, Australia, North American, South and Central America, Yugoslavia, Britian, France and other places have given rise to numerous folktales and fairytales, which have been adapted to various media for expression, from nursery rhymes to opera. Before the Brothers Grimm — Wilhelm and Jacob — gathered their collection of well-known German folk fairytales into a single written volume in the 19th century, these stories followed an oral tradition, passed down generations.

The earliest oral versions of the most popular (classic) fairytales, and in some cases the earliest print version, included stories of murder, cannibalism, incest, rape, and various other despicable acts.

Early collections of these tales often bore some semblance to modern fairytales, but it was not until 1634 that the first modern fairytales were recorded. Lo Cunto de le Cunti wrote Il Pentamerone (The Tale of Tales), also known as Lo Cunto de le Cunti. It is written in Neapolitan dialect. Volumes 1-3 appeared in 1634, followed by Volume 4 in 1635, and Volume 5 in 1636.

They were published posthumously, as Basile was dead by 1632. Due to difficulty in translating its dialect, the collection was not published in Italian until 1747, German in 1846, and English in 1848.
Il Pentamerone contains many tales that are directly related to many of today’s most popular stories, including Cenerentoa (Cinderella), Sun, Moon and Talia (Sleeping Beauty), Petrsinella (Rapunzel), and Gagliuso (Puss in Boots). Their existence in this collection, albeit in sometimes substantially different versions, shows that the tales did indeed exist in oral tradition and influenced Basile’s writing almost 400 years ago. With the exception of the few similar tales by Straparola, Basile provides the earliest known literary versions of many of today’s fairytales.

Shortly after Basile’s Il Pentamerone was published, The Tales of Mother Goose was published in 1697 by Charles Perrault in France and contained The Story of Sleeping Beauty, Little Red Riding Hood, Cinderella, Puss in Boots, and Tom Thumb. This was followed by Fairy Tales in 1705, which included several Basile stories, such as The Fair One With Golden Locks (Goldilocks).

By 1812, the Brothers Grimm had assembled their famous collection of stories in Grimm’s Fairy Tales, which contains 209 stories. Grimm’s Fairy Tales went through seven editions, as the brothers watered down the stories to make them more suitable for children. The brothers, who were Cabbalistic Jews, included spells, trances and drugs in their versions. Sleeping Beauty (or Little Brier-Rose) is put to sleep (a trance) and the trigger to wake her is a kiss on the lips. This is a reference to witchcraft; they substituted the word ‘hypnotise’ with ‘cast a spell’. (see Monarch slaves). While she is in a trance/asleep she is sexually abused.

Early versions of Sleeping Beauty bore a resemblance to our well-known modern version.

Sleeping Beauty and her Rapist

Wise men warned the great king that his daughter Talia was in grave danger – there was poison in the palace’s flax. A ban was put on flax, but, as expected, Talia still ran a splinter across her finger while spinning flax on the flax-spinning wheel. In great despair, the king placed her sleeping (or dead) body on a velvet cloth and left her in the forest.

Sometime later, a rich nobleman was hunting in the woods when he ran across the abandoned body of Sleeping Beauty. Far from planting a kiss, the nobleman instead raped her sleeping body, from which resulted a pregnancy.

Nine months later, Sleeping Beauty gave birth to twins, and named them Sun and Moon, and the forest fairies took care of them, while Sleeping Beauty continued her slumber. While placing the babies on Sleeping Beauty’s breasts, one of them mistook her thumb for a nipple and sucked out the poison splinter and Talia awoke from her deep sleep.

Months later, the nobleman decided to return to the woods to have more sex with Sleeping Beauty’s body when, to his surprise, he found her awake. The nobleman confessed that he raped her, and they again had sex in the barn. He then returns home to his wife.

The nobleman’s wife found out about the sexual encounter and ordered the children to be kidnapped and cooked alive; the cook prepared the fiendish dish and served it to the nobleman for dinner. As he finished his meal, the wife boldly announced, “You are eating what is your own!”

But it turned out that the cook had a soft heart and, instead of cooking the children, he cooked a goat. Talia, the nobleman and their children then lived happily ever after.

Snow White and the Seven Dwarfs

Snow White, the little Princess, has a cruel stepmother, who is jealous of her. Snow White’s cruel step-mother is jealous of her and always keeps her in rags and in the background.

The cruel step-mother decides to send Snow White to the forest to be killed by one of her servants. However, the servant’s heart melts when Snow White begs for her life, so he leaves her in the woods where she finds a little house which she makes her home. The little house proves to be the home of the Seven Dwarfs. When the seven dwarfs come home from their work of digging gold, they discover  Snow White asleep on one of the beds. In the morning she tells her story, remains with them to keep house and cook their meals, and is very happy.

In the meantime, the cruel step-mother discovers Snow White is still alive so she starts off disguised as an old hag, with a poisoned apple for Snow White. She finds her in the house of the Seven Dwarfs and tempts her with the big, red luscious apple. Snow White can’t resist the apple, she takes one bite and falls, apparently dead.

When the Seven Dwarfs return, Snow White lies lifeless. They all bow their little heads in grief. Then suddenly a prince appears, kisses Snow White, and she comes to life. They are married and live happily ever after. The queen, the cruel step-mother, is swept away by a terrific storm.

Snow White is a Monarch slave. The queen is Snow White’s programmer, who sends Snow White ‘to the woods’ — a fantasy world (over the rainbow/through the looking glass), where she encounters seven dwarfs, who represent a safe haven since they live in the forest, hidden away. The dwarfs work underground, in a mine, representing the unconscious mind. The queen gives Snow White a poisoned apple and she falls into a deep sleep — she is put into a trance and the prince, who is Snow White’s new owner, awakens her with a kiss. The queen disappears since Snow White now has a new handler.

Etymology of kiss:

The word ‘kiss’ is derived from the French baiser (from Latin basiare), which means ‘to have sex’.

Monarch slaves are created during a Satanic ritual that involves ritually sodomising the slave in order to open up spiritual doors (pineal gland) for demons to possess the slave.

In the Disney version, Snow White is a metaphor for drugs, and the Seven Dwarfs are the symptoms of various stages of cocaine addiction: Grumpy, Sleepy, Grouchy, Dopey, Sneezy, Happy, and Doc (you go to the doctor to get treated for addiction). Cocaine is referred to as ‘Snow White’ or ‘White Snow’ or ‘White Lady’ or ‘Snow’ in slang.

In occult symbolism and popular culture,’White Horse’ is also a metaphor for heroin/mind-altering substances, and ‘White Pony’ is a metaphor for cocaine.


In this tale, Cinderella’s father remarried after her mother died. Her step-mother treated Cinderella with cruelty, forcing her to wait on her two daughter and perform menial chores. They took her beautiful clothes away from her, dressed her in an old gray smock, and gave her wooden shoes. She had to sleep by the hearth in the ashes. And because she always looked dusty and dirty, they called her Cinderella. One day it happened that the father was going to the fair, and Cinderella asked for the first twig that brushed against his hat on his way home. On his way home, as he was riding through a green thicket, a hazel twig brushed against him and knocked off his hat. Then he broke off the twig and took it with him. Arriving home, he gave Cinderella the twig from the hazel bush.

Cinderella thanked him, went to her mother’s grave, and planted the branch on it, and she wept so much that her tears fell upon it and watered it. It grew and became a beautiful tree.

Cinderella went to this tree three times every day, and beneath it she wept and prayed. A white bird came to the tree every time, and whenever she expressed a wish, the bird would throw down to her what she had wished for.

This story is about witchcraft. The hazel bush is a witch hazel bush — Cinderella becomes a witch, practising a ritual based on three key magical principles:

  • Decide on a goal
  • Visualise the end result
  • Focus your intent, or will, to manifest that result

The white bird that grants her wishes represents Satan as the white dove (see The Great Deception).

The Princess and the Frog

The Princess and the Frog

Cover for the children’s book The Princess and the Frog

The princess represents Europa, Noah’s great-granddaughter, and the frog represents the quinotaur, an amphibious half-bull, half-fish creature, which kidnapped and raped her (see Pagan gods).

Beauty and the Beast

The Beast represents Beauty’s handler, who is abusive and cruel. Her father sells her to the Beast and Beauty is turned into a Monarch slave using torture and demonic possession. The prince or ‘Prince Charming’ is also her handler.

Prince Charming

This is a character who appears in some fairytales. He is the prince who comes to the rescue of the damsel in distress. This classification suits most heroes of a number of traditional folk tales, including Snow White, Sleeping Beauty and Cinderella, even if in the original story they were given another name, or no name at all.

These characters are often handsome and romantic, a foil to the heroine, and are seldom deeply characterised, or even distinguishable from other such men who marry the heroine. Prince Charming is a witch — a charm is an incatation or magic spell, which he uses to gain control over his victims.

Little Mermaid

A mermaid is an ancient aquatic hybrid that survived the flood. The story is a salute to the fallen angels who created these, and other, hybrids (see Transhumanism and Cyborgism and Who is the Neanderthal man?).

The Adventures of Pinocchio

This tale of a stubborn marionette’s quest to become a real boy was originally written in 1880 by Freemason Carlo Lorenzini, as Storia di un Burattino (Story of a Marionette), also called Le Avventure di Pinocchio, and published weekly in Il Giornaledei Bambini — the first Italian newspaper for children.

In 1883, Le Avventure di Pinocchio was published in Italy. The moral of ‘being good’ and ‘not lying’ is really about a man’s search for wisdom and enlightenment. The man (Pinocchio) becomes a Freemason initiate (illuminated) and is sodomised by the Master Mason (Geppetto) as part of his initiation, and so becomes a ‘real boy’.

Pinocchio’s nose ‘grows’ as he climbs up the Freemasonic ladder. Etymologically, the word nose derives from Old English næs, and from here we get naze, which means ‘promontory’ or ‘headland’, very close in meaning to Cyrano’s ‘peninsula’. It does jut out and command attention and one’s sense of self in the world is often greatly affected by it. This is what happens when Pinocchio becomes a Freemason.

The Shoemaker and the Elves

The elves help the shoemaker by designing and making beautiful shoes for him at night while he and his wife sleep. The shoemaker becomes a rich man from the sale of these shoes. Elves are helpers in witchcraft, demonism and the occult — they are evil spirits.

A host of supernatural beings and spirits who exist between earth and heaven… Fairies (elves) are fall angels. When God cast Lucifer from heaven, the angels who were loyal to Lucifer plunged down toward hell with him. — Rosemary Ellen Guiley, The Encyclopedia of Witches and Witchcraft, p. 115

Some fairies (elves) were said to suck human blood like vampires. — Rosemary Ellen Guiley, The Encyclopedia of Witches and Witchcraft, p. 116

Guiley also writes that elves ‘love to visit new born babies of mortals and will not hesitate to steal’ — The Encyclopedia of Witches and Witchcraft, p. 116

Helena Petrovna Blavatsky, a Russian occultist, writes that elves are ‘disembodied spirits’ used in ‘magic and sorcery’ and are ‘the principal agents in… seances’. — HP Blavatsky, Isis Unveiled, Volume I, p. 262

Elves are also called ‘trolls’:

…the word troll comes from the Old Norse word for demon and is defined by some sources as a ‘devil’: a person of great wickedness or maliciousness… Of course, Santa has his elves too. — Cathy Burns, Masonic and Occult Symbols Illustrated, p. 67

Elf: A small, often mischievous creature considered to have magical powers. Although some of these creatures may appear cute on the surface, all of them are nonetheless demonic entities that have their origins in the occult world. — Cathy Burns, Masonic and Occult Symbols Illustrated, p. 67

Elves: Living beneath the surface of the earth, they have ties to the world of the dead; these ‘little people’ are often thought of as inhabitants of the underworld (hell). — Hans Biedermann, Dictionary of Symbolism, p. 107

These elves often appear to children and even play with them. The moment an adult comes on the scene, the elves disappear… if a person wants their help, he must apply to their chief, the devil himself. This, however, would cost a person his salvation. The idea these spirits are demonic in origins is in accordance with the Bible. — Kurt Koch, Occult ABC, p. 82, 83

Leprechauns, fairies, pixies, imps, trolls, gnomes, twinkies, sylphs, dryads, kelpies, sprites, lares and elves are all demons, who shape-shift into these forms to be able to approach children.


The Hunchback of Notre Dame

This is the story of Quasimodo, a hunchback, who falls in love with a beautiful gypsy, Esmeralda. Hunchbacks are a result of genetic mutation caused by the corruption of our DNA by fallen angels in the pre-flood world, and by aquatic hybrids in the post-flood world. Gypsies are also hybrids resulting from this mutation.

Dick Whittington and his Cat

Richard Whittington and his cat, from The New Wonderful Museum, and Extraordinary Magazine, London, 1808

This is a fairytale — developed into a pantomime — about Richard Whittington, four-time mayor of London between 1397 and 1419, famed for his cat’s ‘ratting abilities’. Whittington did not own a cat, and the story is really about his mistress/Sex Kitten, Ann, a Monarch slave who made him a fortune by hiring her out to other men as a sex slave.

Puss in Boots

The Master Cat, or Puss in Boots by Charles Perrault, is the story of a miller whose only inheritance to his three sons was his mill, his donkey and his cat.
The ‘cat’ is really a Sex Kitten or sex slave. His youngest son inherited this slave, and she made him a very rich man.

Jack and the Beanstalk

This story is about Jacob, the son of Isaac, who dreamt about a stairway to Heaven (Genesis 28:10-15), known as Jacob’s Ladder in the occult world. In occult symbolism, the number 6 represents the soul of man, and the number 7 represents spiritual perfection. Thus, in Freemasonry, as the initiate climbs ‘Jacob’s Ladder’ toward godhood, the number 13 represents rebellion, apostasy, defection, corruption, disintegration and revolution (6+7=13). 13 occurs first in Genesis 14:4.

Jack is Jacob, and the beanstalk represents the stairway, while the bag of gold, the singing golden harp and the goose that lays golden eggs represent Yahweh’s promises to Jacob; his Divine inheritance and that of his offspring (the land of Canaan, numerous posterity and protection from Yahweh, the God of Heaven and Earth).

The cutting down of the beanstalk symbolises the separation of the Israelite’s from their God and Creator, because they turned away from Him and worshipped foreign/pagan gods. As a result, Yahweh no longer communicates with them directly, through prophets and judges — symbolised by the giant being unable to come down to earth (although, of course our Heavenly Father is NOT an ogre!).

Robin Hood

Robin Hood is Yahshua, our King, Saviour, Master and Messiah. His Merry Men represent Yahshua’s disciples; and Little John, the most prominent of them, is John, the beloved of Yahshua’s disciples.
Yahshua and His disciples travelled the world during His three years of ministry, to preach to the Gentiles, that is how they became incorporated into English folklore. Yahshua and His disciples would take the money donated to them by the rich and share it with the poor.

Peter Pan

Peter Pan is a character in the book Peter Pan, also known as Peter Pan; or the Boy Who Wouldn’t Grow Up, written by Scottish author J.M. Barrie as a 1904 play and a 1911 novel

Peter Pan alludes to the satyr Pan — in Greek mythology, Pan is the insatiable Arcadian god of lust and magic who seduces men and women with his pipes and wantonness, the symbol of the libido in its sexual aspect, vagrant male sexuality, the personification of undisciplined procreation in nature. Peter is slang for ‘penis’, so Peter Pan means ‘Penis god’.

Peter Pan and Tinkerbell

Peter Pan and Tinkerbell — Tinkerbell is a fairy ~ fairies are demons

Peter Pan is Satan; he flies across the skies. Satan wants to be like Yahweh Almighty and deceive mankind into worshipping him (see Symbolism of Superheroes, The truth about Santa Claus, Sun worship and The Great Deception):

“How you have fallen from heaven, Lucifer, son of the morning! You have been cast down to the earth, you who once laid low the nations! You said in your heart, ‘I will ascend to the heavens: I will raise my throne above the stars of Yahweh; I will sit enthroned on the mount of assembly, in the sides of the north. I will ascend above the tops of the clouds; I will be like the Most High.” Isaiah 14:12-14

“There is none like the God of Jeshurun, Who rides across the heavens to help you, and on the clouds in His Majesty.” Deuteronomy 33:26

Satan is the prince of ‘the power of the air’.

“In which you used to live when you followed the ways of this world, and of the prince of the power of the air, the spirit which is now at work in the children of disobedience.” Ephesians 2:2

In Peter and Wendy, by the same author, Wendy Moira Angela Darling is a girl who falls in love with Peter, she represents Satan’s human wife Astarte. Tinkerbell represents Tammuz, their first-born son.

Hansel and Gretel

Hansel and GretelHansel and Gretel, the children of a poor woodcutter, are taken into the woods and abandoned by their father, at the order of their evil step-mother after an immense famine settles over the land and there’s not enough to eat. They get lost and are unable to find their way back home, and they encounter a cannibalistic witch living in the woods in a house constructed of cake and confectionery.

In the fairytale, the witch is simply wants to cook and eat the children. She is a cannibal, but her attempt to cook them is also her attempt to initiate them into the craft — in shamanic initiation narratives, one emerges as a shaman after being killed and cooked; a psychic experience. (Psychic experiences of initiates being cooked up by magical entities have been reported worldwide, from the Australian Aboriginals, to the Inuit people of the North Pole, and Siberia.)

The central practice of shamanism is journeying. One journeys through an ecstatic state to other worlds — known as astral projection. Shamans employ various technologies to make ecstatic journeys: chanting, drumming, dance, fasting, all night vigils, or the ingestion of hallucinogenic plants. Shamanic practice can be done individually or communally.

Hansel is locked up in a cage and fed to fatten him up for eating. Gretel seems to be the witch’s apprentice — she isn’t locked up like her brother, but she’s made a slave. Gretel is fed nothing but crawfish, and crab shells. Originating in ancient Mesopotamia, and working its way through Egypt, Greece, and Rome, the image of the shellfish has always been associated with the Moon, which is why the astrological sign of Cancer is ruled by it. Given the natural association of the moon to witchcraft, Gretel’s shellfish diet is preparing her to fulfill the initiation, however, the siblings refuse. Gretel pushes the witch into the fire and refuses to be initiated, and become a witch like her. They kill the witch.

Therefore, Hansel and Gretel are able to achieve the same results of magical enlightenment without having to experience initiation, by killing the witch. Hansel and Gretel are now witches and able to talk to animals after killing the witch — Gretel is able to talk to a swan, and both of them were able to miraculously, considering how lost they were before, find their way home. These are the results of completing the magic journey.

Little Red Riding Hood

The story revolves around a girl called Little Red Riding Hood. She is named after the red hooded cape/cloak that she wears. The girl walks through the woods to deliver food to her sickly grandmother (wine and cake depending on the translation). In the Grimms’ version, her mother had ordered her to stay strictly on the path.

Little Red Riding Hood is also about shamanic initiation. She wears a red cape — red is the colour of occult initiation; she journeys to the woods; she is almost killed by the wolf, but saved by a huntsman. Her mother warns her not to stray from the path, which is symbolic of the path of occult initiation entailing forbidden knowledge of magic that leads to ‘enlightenment’.


Aladdin is King Solomon, who used his wisdom to communicate with the lower beings. The magic carpet represents his astral projection, through which he travelled the world. (During astral projection, one falls into a demonic-induced trance and is then mentally transported to wherever they wish to go; and is able to see and psychically communicate with others in a similar state. IT IS IMPOSSIBLE FOR THE SPIRIT TO LEAVE THE BODY UNLESS DEATH OCCURS. But the demons convince them that this is what happens.) The lamp represents his introduction to Freemasonry; the genie represents the demons that assisted him.

King Solomon was able to summon demons and command them to do his will — this only leads to enslavement by demons, as eventually their will becomes your own, and you end up serving them. Solomon could speak in birds’ and serpents’ languages (which are also taught at Hogwarts School of Witchcraft and Wizardry in the Harry Potter series). His folly was in marrying foreign wives, who worshipped pagan gods, and he also fell into the trap of this evil practice.

As a result of the influence of these evil beings, Solomon introduced the Freemason society into his kingdom, using the stolen knowledge they taught him. (Freemasonry first existed in the pre-flood world and was revived in the post-flood world by King Nimrod.)

There is a book known as The Lesser Key of Solomon, a handbook of sorcery used by magicians, which contains names, seals and functions of demons, purported to be the same as those the king conversed with, as well as a collection of orations or prayers which are interspersed with magical words, exquisite drawings, and figures illustrating how to conjure evil spirits.

The Wonderful Wizard of Oz

The occultist L. Frank Baum, a member of the Theosophical Society (which is connected to Freemasonry, Satanism and Lucis Trust) was inspired by a spirit (fallen angel or demon) who gave him the ‘magic key’ to write the The Wonderful Wizard of Oz, a fairytale incorporating the ancient wisdom of the Mystery Religions, which came out in 1900.

The moral of the book is that we must rely upon ourselves, for we alone have the power to save ourselves — this was part of Satan’s lie in the Garden of Eden; that man can become like God. Dorothy is taken from her home in Kansas to the Land of Oz by a cyclone — the word ‘cyclone’ derives from the Greek word kyklon which means ‘moving in a circle, whirling around’. It is a spiral, representing a wormhole or stargate. Oz is ‘the land down under’, which is to say, Dorothy is transported to the underworld realm of the dead through the Silver Gate.

Kansas is home to Stull Cemetery, which is an interdimensional portal (gateway to Hell). Superman, who is a representation of Satan, grew up in Kansas.

This circle that carried off Dorothy to Oz represents a snake (Satan, who is behind the evil of Monarch slaves). The Land of Oz is a reference to hell, as seen in the written classic texts of John Milton. The Wizard of Oz refers to Osiris, Egyptian god of the afterlife, the underworld and the dead (Satan); and the Land of Oz is the Land of Osiris.

Dorothy’s three companions, the Lion (courage), Tin Man (purity) and the Scarecrow (intellect), represent the physical, emotional and mental attributes we will achieve incarnation, according to the teachings of Theosophy:

There is no danger that dauntless courage cannot conquer; there is no trial that spotless purity cannot pass through; there is no difficulty that strong intellect cannot surmount. — John Algeo, The Wizard of Oz: The Perilious Journey, The Quest Summer 1933. Wheaton, Il.: Theosophical Society in Amer., p. 53

The book’s message is that Dorothy and her companions have the ability to save themselves if only they rely on their own powers through the good Witch of the South (there is nothing good about witchcraft, both white and black magic are sourced from evil spirits). Dorothy appears to be a harmless and simple little girl, but it is she who kills both the wicked witches of East and West. Tin Man seems to lack a heart, but he is so full of sentiment that he is always weeping, the Cowardly Lion takes brave action whenever it is required, the Scarecrow seems to lack brains, but he has all the ideas for the company. The Wizard seems to be great and powerful, but he is actually a humbug (a humbug is a hypocrite; humbug also means deceptive or false talk or behaviour ~ the wizard is Satan who is the father of lies). Oz seems to be a glorious and delightful land and Kansas dry, dull and gray, but Oz is fantasy and Kansas is real (Monarch slaves live in a constant state of dissociation and fear). Kansas is black and white, while Oz is in colour.

Dorothy has a dog, Toto — Toto represents her intuition which she loses when she becomes mad.

(In the book, Dorothy falls asleep in a field of poppies — opium, codeine, morphine, heroine, darvocet, percocet, oxycontin, demerol, vicodin, to name a few, are all derived from Opium poppy, a sedative plant — thos represents the permanently dissociative state in which Monarch slaves live. In the film, Dorothy becomes unconscious, the world begins spinning and then she sees disjointed pictures. Later, she says, “My! People come and go so quickly.” These ‘people’ represent the demons or alter personas that control Dorothy.)

Professor Marvel uses a crystal ball (for divination) which he claims was used by the priests of Isis, Egyptian goddess of magic and life.

Elvira Gulch is a woman who owns half of the county where Dorothy lives in Kansas, she is shown later in the Land of Oz transformed into a witch. The Illuminati elite lead double lives — presenting themselves as respectable members of society, but in reality are Satanists who practise human sacrifice, murder and cannibalism.

Dorothy kills the Wicked Witch of the West with a sharp blow to the forehead with the witch’s staff. In Satanic rituals to transfer power, a Matriarch (or Mother of Darkness) will kill the person in a position of authority with a strike on the forehead with a special mace/staff and then put on their slippers. Red slippers are used as a symbol of authority at the Matriarch level of witches. (Dorothy wears red shoes.)

Oz is shaped like a mandala with the Emerald City at its centre — an impassable barrier, four-sided, four symbolic colours, the circle and its centre (sun worship symbolism). The route that Dorothy follows in Oz has the shape of a ‘T’ with its three points defining an inverted triangle. The Emerald City symbolises a fraudulent world, since it was not really green in truth. It was a make believe thing that pretended to have value. It also symbolises American currency/dollar (green paper), since it wasn’t as valuable as everyone had thought. Green is also the fourth point of the Eastern Star, and Satan’s colour. (There is an Emerald City on the moon.) The Yellow Brick Road represents gold, the perfect metal, considered to be Divine and the source of wisdom by the Illuminati. It is the path to illumination.

The book is full of Satanic activity and Satanic thinking, and the story was chosen in the late 1940s to be used in the Illuminati’s trauma-based witchcraft to create Monarch slaves.

Judy Garland, who had been programmed at an early age, was chosen to act as Dorothy. Judy’s later husband and handler, Mickey De Vinko, was a Satanist and the chief assistant to Roy Radin, a rich Satanist who worked with the Illuminati, and who controlled the Process Church covens, which had as members mass murderers Berkowitz and Charles Mason (a Monarch slave). There are also several members of the Carr family, who are also tied to both De Vinko and Radin’s Process Church.

The 14 books of the Wizard of Oz series are: The Wonderful Wizard of Oz, The Land of Oz, Ozma of Oz, Dorothy and the Wizard in Oz, The Road to Oz, The Emerald City of Oz, The Patchwork Girl of Oz, Tik-tok of Oz, The Scarecrow of Oz, Rinkitnk in Oz, The Lost Princess of Oz, The Tinman Woodsman of Oz, The Magic of Oz and Glinda of Oz.

The Illuminati have built large Wizard of Oz theme parks (similar to those of Disney) to double as torture centres, such as the MGM complex in Las Vegas. The parks are used to in the creation of Monarch slaves.

Wizard of Oz is about the search for illumination, which is found by following the ‘Yellow Brick Road’ to Emerald City. The Nome King represents the ruler of the demons in hell.

Alice’s Adventures in Wonderland

Alice’s Adventures in Wonderland (and its sequel Through the Looking-Glass) was written by Charles Lutwidge Dodgson (an English writer, mathematician, logician, Anglican deacon, and photographer) under the pseudonym Lewis Caroll. It is one of the most mystical and surreal works in literature. Beyond its impact on modern culture and art, the book has influenced the occult world — Satanist Aleister Crowley required that his magicians read both books.

The themes of dissociation, confusion and many other psychological aspects are present in Alice’s Adventures in Wonderland. The inspiration for the tale originated from Dodgson’s relationship with a minor named Alice Liddell, who was a Monarch slave.

Alice Liddell, photographed by Dodgson

Alice Liddell, photographed by Dodgson

Dodgson and Alice kissing

Dodgson and Alice kissing

Alice’s abuse began with her father, Oxford University Vice-Chancellor Henry Liddell (from 1870-1874), who was also the Dean of Christ Church (where Dodgson met Liddell and his family), and who allowed her to be used by men. Henry Liddell and Charles Dodgson were Alice’s handlers.

Of principal importance is that these books were written by a mathematician. Mathematics is a divine science, not because of its abstractions but because of what its study does to the consciousness.
The basis of a real or spiritual psychology is found in the fact that man must create the substance of his own consciousness, and that unless he does this his consciousness is borrowed from his associates and his environment, and as a result he is in constant bondage to these factors.

The fundamental equilibrium of nature is that everything returns to its own state, or retreats eventually within its own being or consciousness.
All goes back to consciousness, so the foundation of creation is idea. When the processes of apparent change are completed, everything involved returns to its original state. Man recognises this in his mental and creative processes, as in the necessity of starting from fixed foundations of understanding, and science at last sees this same striving for equilibrium through nature.

Therefore, in the book, the constant replacement of the key is symbolic, as is the constant closing of the door to the little garden. The symbolism of the table: The glass suggests consciousness, and the three legs suggest activity, substance and form. In life man, by his own efforts, must hold all things in manifestation.

‘Going down the Rabbit Hole’ is a metaphor for taking drugs; as is eating the ‘magic’ mushroom. Alice is drugged so that she can dissociate and enable her handler (Dodgson) to abuse and programme her — invoke demons to possess and control her. The White Rabbit represents the programmer/handler who sodomises the slave. Going down the rabbit hole is code for sodomy.

‘Looking Glass’ is the Victorian name for a mirror, which is actually a piece of glass with a foil back in which you can see your reflection. Reflections are reproductions, with a difference, of the real world. They’re the opposite, or backwards version, of normal things. Through the looking glass Lewis Caroll plays with different kinds of reversal, reflection and opposition. Sometimes it’s time that seems to work backwards, such as when the White Queen bleeds first and then pricks her finger. Sometimes it’s distance, such as when Alice has to walk toward Looking-Glass House in order to get away from it. Sometimes cause and effect are themselves reversed, such as when Alice and the Red Queen have to run in order to stay still.

Alice in Wonderland is about a young girl dissociating from the trauma of sexual abuse into an alternate reality (her different sizes in the book represent the process of dissociation), but is also about a young girl maturing into puberty. When Humpty Dumpty tells Alice, who is seven-and-a-half, that she should ‘have left off at seven’, he is mirroring Dodgson’s thoughts, who would have preferred that Alice remain a cute little girl (he was a paedophile) and never grow up.

Alice has a cat named Dinah. The cat doesn’t physically exist in the book, but Alice talks about her many times, especially about the fact that she is good at hunting and killing animals. Dinah is Alice’s Sex Kitten alter, and also an allusion to Alice as a prostitute or sex slave for hire.

King Midas

The Greek mythology of King Midas, who was able to turn anything he touched into gold, is about alchemy. Alchemy is the medieval forerunner of chemistry, which is concerned with the transmutation of matter, in particular with attempts to convert base metals into gold, or find a universal elixir.

Lwanda Magere

This is a Luo (of Kenya) folktale about a great warrior whose body was made of hard rock. Lwanda could not be killed or even wounded in battle, until the Nandi — with whom the Luo were in constant conflict and whose many warriors were felled by Lwanda’s spear — decided to send the most beautiful of their girls to him as a second wife, as a sign of goodwill. One day Lwanda fell ill during his first wife’s absence (who always nursed him back to health), and the medicine man prescribed herbs to be rubbed on him. To his second wife’s surprise, Lwanda asked her to make cuts on his shadow and administer the herbs. After seeing blood flow from the cuts, she finally learned the secret of his strength, and crept out in the night to relay the information to her people.
The Nandi then planned an attack and Lwanda was killed by a spear that struck his shadow.

Lwanda’s body represents the soul, which is a mass of energy that can only be destroyed by its Creator — Yahweh Almighty (see The Body, the Soul and the Spirit); the shadow represents every man’s Achilles’ heel, by which the evil forces work to destroy us and eventually cause our downfall.


2 responses »

  1. Pingback: Secrets of Fairytales | only1barbi's Blog

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