Monthly Archives: February 2015

Hebrew Feasts

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Hebrew feasts or holidays are holy days decreed by Almighty Yahweh for the Israelites to observe (Leviticus 23)

Etymology of holiday:

From Old English haligdæg ‘holy day, consecrated day, religious anniversary; Sabbath’, from halig ‘holy’ (see holy) + dæg ‘day’.

There are seven Hebrew feasts:

Since we, the Gentiles, have now crossed over and worship the Living God, we are also expected to follow their ways. This means circumcising our sons at eight days old. (Eight is the number of rebirth or renewal. Being circumcised at eight days old marked one as having been reborn as Yahweh’s own. Circumcision marked one as belonging to Yahweh’s covenant people. It was a sign of Yahweh’s ownership and promises.)

What if the day of circumcision falls on the Sabbath?

The Scriptures tell us circumcision is allowed on the Sabbath, so as not to break the Law of Moses (John 7:23).

We should also celebrate their festivals:

Passover (Pesach) — Nisan 14-15
Unleaven Bread (Chag Hamotzi) — Nisan 15-22
First Fruits (Yom habikkurim) — Nisan 16-17
Feast of Weeks/Pentecost (Shavu’ot) — Sivan 6-7
Feast of Trumpets (Yom Teru’ah) — Tishri 1
Day of Atonement (Yom Kippur) — Tishri 10
Feast of Tabernacles (Sukkot) — Tishri 15-22

We should observe all the feasts decreed by Yahweh, with the exception of the Day of Atonement or Yom Kippur, but without sacrifices. Any food prepared is only to be eaten. Also, we are no longer required to slaughter a lamb for Passover, since the Lamb of God, Yahshua, the Perfect Sacrifice without blemish, was already offered up on the cross. We can slaughter any other creature that we are allowed to eat (see Meat man is allowed to eat and Birds’ eggs are FOETUSES).

This is clearly stated in the Book of Isaiah:

“He who slaughters an ox is like one who kills a person, and whoever offers a lamb is like one who cuts off a dog’s neck; whoever makes a grain offering is like one who presents pig’s blood, and whoever makes a memorial offering of frankincense is like one who worships an idol. They have chosen their own ways, and their soul delights in their abominations.” Isaiah 66:3

Yahshua, the Messiah, was to be the final blood sacrifice (Isaiah 53). No other sacrifice would be required or accepted after Him. The animal sacrifices under the Mosaic Law were intended to be of temporary duration, a temporary measure only. Yahweh’s intent was for there to be one final blood sacrifice, and that would be the sacrifice of the Messiah Himself. This, then, was the reason Yahshua had to die: to provide the blood sacrifice for sin once and for all. No longer would the Jews be burdened with the yearly sacrifices. All a person would need to do is to accept the Messiah’s death on his behalf and his sins would be forgiven. Yahshua the Messiah had to die to provide that atonement, for blood was the means of redemption (Leviticus 17:11)… ‘He who slaughters an ox is like one who kills a person’… not that killed the ox of his neighbour which, according to law, he has to pay for, or that killed one for food, which was lawful to be done, but that killed one and offered it as a sacrifice, not because it was blind or lame or had any blemish in it, and so unfit for sacrifice, or not rightly offered, under a due sense of sin and with repentance for it, but because all sacrifices of this kind are abolished in the times to which this prophecy belongs, Yahshua the great and Perfect Sacrifice having been offered up; and therefore to offer sacrifice was a great offence to Yahweh, it was as grievous to Him as offering their children to Molech, or as the murder of a man, and was indeed a trampling underfoot the Son of God, and accounting His Blood and sacrifice as nothing; ‘and whoever offers a lamb is like one who cuts off a dog’s neck’…the lamb for the daily sacrifice, morning and evening, or the Passover lamb, or any other, is no longer acceptable to Yahweh than if a dog, a very impure creature, was killed, his head cut off and offered on the altar; ‘whoever makes a grain offering is like one who presents pig’s blood’…the grain offering, made of fine flour, on which oil was poured and frankincense put (Leviticus 2:1), however rightly composed it might be, and offered according to law, yet now of no more esteem with Yahweh than blood, which was forbidden by the same law, even the blood of swine, which creature itself, according to the ceremonial law, was unclean and might not be eaten, much less offered up, and still less its blood (Leviticus 11:7-8; 17:10-11); ‘and whoever makes a memorial offering of frankincense is like one who worships an idol’…that offers it as a memorial of mercies, and by way of thankfulness for them, as if he gave thanks to an idol, which is nothing, and vanity and vexation in the world; sacrifices of such kind, be what they will, are reckoned as idolatry; ‘they have chosen their own ways’…which were evil and opposite to the ways of Yahweh, especially to the way of salvation by Yahshua; they gave heed to the traditions of the elders, continued the service of the ceremonial law and set up their own righteousness, in opposition to the doctrines, ordinances, sacrifice and righteousness of Yahshua; ‘and their soul delights in their abominations’…things which were detestable to Yahweh, as were their traditions, which were preferred to the Word of Yahweh, and by which they made it void; and their sacrifices being offered up contrary to His will and with a wicked mind, and their righteousness being imperfect and trusted in, to the neglect and contempt of the righteousness of His Son (Isaiah 65:3).

What is Yom Kippur all about?

Yom Kippur, or the Day of Atonement, is perhaps the most mysterious of all holy days given to Israel to keep.

It is widely taught by Christian leadership that this day is a foreshadowing of the Messiah’s atonement on the cross for mankind, yet the foreshadowing of this event is much more applicable to another day which Israel was to keep in remembrance, namely the Passover.

The bondage with which Israel served in Egypt is not unlike the bondage of the whole of humanity under Satan and his power.

The Angel of Death Who was sent to smite every first-born in Egypt is obviously counterpart to the fact that the wages of sin is death. The lamb’s blood which is applied to the doorposts is a direct foreshadowing of the covering of the Blood of Yahshua, which causes the Angel of Death to ‘pass over’ the Believer. Eating the lamb is mirrored in the words Yahshua spoke at the Last Supper, which itself was a Passover meal… “this is My Body…”

(Yahshua’s Body is also symbolised by the unleaven bread eaten during Passover and the Feast of Unleaven Bread, called ‘matzo’, or ‘matsoh’.)

The purpose of Yom Kippur, then, would reasonably stand for a different set of circumstances relating to atonement and cleansing.

The first action which is to be performed involves a bull. The bull is offered as a sacrifice for Aaron and for his own family personally.

“He is to cast lots for the two goats; one lot for Yahweh, and the other lot for the scapegoat.” Leviticus 16:8

The second action involves casting lots for two goat kids. Here is where, upon close examination, the ritual becomes very strange.

Lots are cast and one goat is selected randomly to be a killed sacrifice ‘for Yahweh’ to atone for the ‘uncleanness’ of the children of Israel.

The second goat is then designated as ‘for the scapegoat’ according to King James Version and most other English translations. This goat is to be let go alive into the desert after receiving upon its head all the ‘iniquities’ of Israel.

The notion that both of these goats are sacrifices for moral transgression does not make a lot of sense. One is killed, the other released, but if the killed goat is sacrificed to atone for moral transgression, what then is the point of also loading those same sins onto a live goat which will depart into the desert?

The first of these goats makes an atonement because of the uncleanness of Israel, but the atonement is for the ‘Holy Place’. (‘In this way he will make atonement for the Most Holy Place because of the uncleanness and rebellion of the Israelites, whatever their sins have been…’ Leviticus 16:16)

As the first goat is randomly selected by lot for a personal Being, the Creator Yahweh — it follows, naturally, that the second goat is also selected for a being — rather than the way it reads in English ‘for the scapegoat’, as if the lot is selected for the goat.

If the second goat is not designated as belonging to an individual, we would expect the first to be described in like manner, such as: ‘One lot for the goat to be killed to Yahweh, and the other lot for the scapegoat’.

The incongruity of the English translation suggests that a name has been omitted here.

The word for scapegoat, given in Hebrew is ‘azazel’… the definition for which is given as ‘goat of departure, scapegoat’.
The claim of this definition is supposedly resting on the root words — ‘ez’, a word which is used for a she-goat in the singular, and ‘azal’: to disappear or depart.

There is no question that the given root of the word ‘azazel’ is flawed, and flawed in such a way that it’s almost impossible to imagine it being an honest error.

The word ‘ez’ is not itself a root definition, but goes back to the word ‘az’ which means ‘strong, powerful and fierce’. The use of the word for a goat came from the goat exhibiting these traits.

Furthermore, the word ‘azaz’, which also derives from ‘az’ and is clearly nearer the mark in reference to ‘azazel’, means ‘to harden oneself impudently’ or ‘to be strong in opposition against’.

The suffix ‘el’ is very common in Hebrew and is a word which literally means ‘Mighty One’ and can both refer to Yahweh or to an Angel.

Azazel, then, correctly translated, is ‘one who is impudently hardened against Yahweh’.

Azazel is a being… one who has his first Scriptural mention in a book outside of canon: Enoch, and so it begins to make some sense as to why pains would be taken to eliminate a canonical reference to a name which only appears elsewhere in books rejected from canon.

“Also Azazel taught men to make swords, knives, shields, breastplates, the fabrication of mirrors, and the workmaship of bracelets and ornaments, the use of paint, the beautifying of the eyebrows, the use of stones of every valuable and select kind, and all sorts of dyes, so that the world became altered. Impiety increased, fornication multiplied; and they sinned and corrupted all their ways.” Book of Enoch

Back to the first goat which was to be killed. The indication of the fact that the atonement took away some uncleanness from the children of Israel, in order that they might not be an affront to Yahweh in His Holy Place, brings up the question what manner of uncleanness might this be that is different from the iniquities which are placed upon the goat to be sent away.

Uncleanness here is the word tamah which is ‘to be contaminated or defiled’.

This word appears in numerous places to describe physical characteristics of uncleanliness. A woman in her menstrual cycle for instance, or someone who has a contagious disease is defined as tamah.

When it is understood that Yom Kippur, is in part, related to a fallen angel named Azazel, who numbered among rebels that physically polluted the human gene pool, it is more clear what a physical uncleanness might be which needs some amendment, at least spiritually, before the congregation can come before the Holy Place.

The nation of Israel was meant to preserve a pure human stock which was not to be mingled with the hybrid multitudes of other nations.

It still can not be expected that the congregation of Israel was completely pure of intermingling; indeed we are told several times throughout Scripture of the offspring of Abraham taking to themselves wives from other nations.

Yom Kippur is also a commandment to foreigners who live with Israel, in other words, that uncleanness which is assumed to be in some small part contaminating some of Israel is surely to be expected in a foreigner.

The verse should read:

“He is to cast lots for the two goats; one lot for Yahweh, and the other lot for Azazel.” Leviticus 16:8

An offering ‘for Azazel’ might strike Believers as very, very unseemly business for the people of Yahweh to be commanded to do.

The implication that this goat is a sacrifice to a fallen angel has kept most Believers from coming to terms with the meaning of Yom Kippur as it is stated in the Scriptures.

This is a misunderstanding though; the released goat is not meant as a gesture of worship or a sacrifice to the fallen angel, rather, it is meant as a means to convey the penalty of the sin which is upon Israel to the fallen angel.

In fact, the word which was used in English to replace Azazel’s name — scapegoat — has, to this day, preserved the true meaning of the ritual which was ironically hidden by the same word.

‘Scapegoat’ now means ‘to impart blame on a party other than the one who actually committed the transgression’.

The very reason that such a ritual should exist goes back to a single, little known sentence which was spoken by Yahweh to Enoch:

“All the earth has been corrupted by the effects of the teaching of Azazel. To him, therefore, attribute the whole crime.” Book of Enoch

It was this curse placed upon Azazel which became the foundational reason for conveying the iniquities of Israel to him. Azazel was cursed to pay the penalty for all the sin of Yahweh’s people.

Azazel, of course, does not represent the atonement for which the Messiah came. Azazel merely became the temporary object of Yahweh’s wrath for all that was done wrong by His people so that He could, instead of cursing them, bless them, until the Messiah came and forever removed the necessity for a ‘scapegoat’.

It is further made evident that Azazel is the focus of the second selected goat on Yom Kippur in that the goat was taken out into the desert to be set free.

The goat would not survive, it would surely die. We might assume it would die of thirst or starvation, but Israel so feared that the animal would return to them and, therefore, bring back with it their iniquities, that they often threw it into a canyon to ensure its death.

It is told in Enoch that the place they released the goat is also the place where Yahweh sentenced Azazel to imprisonment beneath the earth:

“Again, Yahweh said to Raphael, ‘Bind Azazel hand and foot, cast him into darkness; and opening the desert which is in Dudael, cast him in there. Throw on him hurled and pointed stones, covering him with darkness.” Book of Enoch

The blood of bulls and goats of course could never set sinners free eternally from the bonds of their sins; neither could visiting those sins on a fallen angel.

Perfect Justice is not served in either way, as the life of animals does not equate to the life of a human being, nor can a wicked angel be forced to carry the burden to any ultimate effect — himself having been a sinner who could not pay his own price.

For sin to be eradicated, it required nothing less than Yahshua, perfect and Almighty, to be our Passover Lamb.

(see The Great Deception, Shroud of Turin, Pagan gods, Pagan feasts, Adam means ‘Red Man’ and Who is the Neanderthal man?)

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Marionette

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Marionette is another name for Monarch slaves (also Dolls, Puppets and Zombies). Monarch slaves, who are demonically possessed, become puppets that are controlled by the evil spirits that possess them (see Monarch slaves, Duality/Black Mass and What are graven images?)).

The mascot/identifier of Monarch slaves is dolls, teddy bears, mannequins and puppets — dolls, teddy bears and mannequins represent the demons that possess Monarch slaves. Slaves become puppets that are fully controlled by demons. The bodyguards that always accompany slaves are actually their handlers or puppet masters.

Christina Aguilera

Christina Aguilera

Michael Jackson on the cover of Ebony magazine in December 1982 with the ‘alien’ from the film E.T. the ExtraTerrestrial. Aliens are demons, so the creature represents the demons that possessed Michael (see Aliens are Demons!)

 L'Wren Scott

L’Wren Scott

Paris Hilton, photographed for Elle magazine

Lindsey Wixson, photographed for Vogue Italia

Amy Schumer GQ August 2015 wearing the Princess Leia slave outfit from Return of the Jedi. C-3PO

Amy Schumer, photographed for GQ in August 2015, wearing the Princess Leia slave outfit from Return of the Jedi. C-3PO and Chewbacca represent the demons that possess her; the chain is a symbol of her enslavement. C-3PO’s finger in her mouth signifies oral sex

Jimmie Walker with the Talking J.J. Doll

Jimmie Walker with the Talking J.J. Doll (his character/alter persona on Good Times)

Marla Gibbs Doll

Marla Gibbs Doll

Sugarbabes

Sugarbabes (Siobhán Donaghy, Mutya Buena and Keisha Buchanan)

Kerli

Kerli

Jaleel White as Steve Urkel with a dummy look-alike

Jaleel White with a dummy look-alike

Adam Levine, GQ

Adam Levine, photographed for GQ magazine

Megan Fox

Megan Fox with a look-alike mannequin

Megan Fox

Megan Fox

Kesha

Kesha with doll paper cut-outs; the green hair identifies her as an aquatic hunter, the blue hair identifies her as a hacker and the purple hair represents dissociation/madness. Note the All-Seeing Eye on her palm and the skull and crossbones on her wrist. The striped cushion: stripes signify Monarch slaves multiple alter personas, which are the demons that possess them; the necklace and red string are amulets

Matthew MacFadyen

Tom and Bill Kaulitz on the cover of L’Officiel Hommes magazine in November 2014

Robert Downey Jr, photographed for Esquire magazine

Robert Downey Jr, photographed for Esquire magazine

Eliza Dushku

Eliza Dushku; the gun identifies her as an assassin

 Angelina Jolie, photographed for Vanity Fair magazine in July 2008

Angelina Jolie, photographed for Vanity Fair magazine in July 2008; the mannequin heads represent the demons that possess her. The blue wig identifies her as a hacker, the wig with an orange tint identifies her as a cryptanalyst and the green wig identifies her as an aquatic hunter

Angelina Jolie

Angelina Jolie, left, and a look-alike doll, right

Britney Spears photographed for Rolling Stone magazine; note the stuffed rabbits (see Alice in Wonderland)

Audrey Marnay, photographed by Tim Walker Vogue Italia magazine’s October 2011 edition

Katharine Ross Stepford Wives (1975)

Katharine Ross in The Stepford Wives (1975)

Mariah Carey and Nicki Minaj

Mariah Carey (Mimi represents the demons that possess Mariah) and Nicki Minaj. The butterflies represent the demons that possess them

Avril Lavigne

Avril Lavigne as a doll

 Justin Timberlake has a tattoo on his right leg that depicts a marionette wreathed in flame, and wrapped up in red ropes

Justin Timberlake with a look-alike marionette; Justin also has a tattoo on his right leg (inset) that depicts a marionette wreathed in flame (representing the burning sensation experienced during demonic possession), and wrapped up in red ropes (Justin is a Monarch slave possessed by demons that control him). The green star on top represents Satan ~ star is metaphor for angel, Satan is a fallen angel

Lady Gaga as a doll in a dress made up of Hello Kitty toys

Lady Gaga as a doll wearing a dress made up of Hello Kitty toys (see Beta Kittens), which represent the demons that possess her

George Michael

Ashley Ladies' Code Hate You

Chi Bi Na, known by her stage name Ashley, in the music video for Ladies’ Code’s Hate You

EunB Ladies' Code Hate You

Go Eun Bi, known by her stage name EunB, in the music video for Ladies’ Code’s Hate You

Sojung Ladies' Code Hate You

Lee So Jung, known by her stage name Sojung, in the music video for Ladies’ Code’s Hate You

Zuny Ladies' Code Hate You

Kim Joo Mi, known by her stage name Zuny, in the music video for Ladies’ Code’s Hate You

RiSe Ladies' Code Hate You

Kwon Ri Sae, known by her stage name RiSe, in the music video for Ladies’ Code’s Hate You

Karl Lagerfeld

Martin Short with an Ed Grimley doll

Martin Short with an Ed Grimley doll (his character on Saturday Night Live, which represents the demons that possess him)

Milla Jovovich

Milla Jovovich as a doll

Alexa Yudina, photographed by Giovanni Squatriti for Elle Italia

Alexa Yudina, photographed by Giovanni Squatriti for Elle Italia

Candice Bergen's look-alike doll in Boston Legal, named 'Shirley Schmidt Ho' after her character Shirley Schmidt. The doll represents Candice's Sex Kitten alter persona

Candice Bergen in American series Boston Legal with a life size look-alike inflatable doll, right, named ‘Shirley Schmidt-Ho’ after her character Shirley Schmidt. ‘Ho’ is slang for ‘whore’. The doll identifies Candice as a sex slave

A promotional image for Germany’s Next Top Model; their being packed in a crate labelled ‘CARGO’ signifies the models, who are mind control slaves, being shipped off all over the world as couriers, sex slaves, interpreters, etc

A promotional image for Germany’s Next Top Model; their being packed in a crate labelled ‘CARGO’ signifies the models, who are Monarch slaves, being shipped off all over the world as couriers, sex slaves, interpreters, etc. The colour yellow symbolises the constant state of fear Monarch slaves live in (see Dissociation/Fear)

Leonardo DiCaprio

Coco Rocha

Coco Rocha as a doll

Huguette Clark at four or five years old; the dolls represent the demons that possessed her

Huguette Clark

Huguette Clark

Doe Deere

Doe Deere with a look-alike doll; the blue hair identifies her as a hacker

Margarita Babina

Margarita Babina; the mannequin heads represent the demons that possess her

Ginger Rogers in the film Magnificent Doll

Ginger Rogers in the film Magnificent Doll

Kate Moss, photographed for Alexander McQueen

Kate Moss with a look-alike doll, photographed for Alexander McQueen; note the masks, which also represent the demons that possess Kate

Kate Moss by Ellen von Unwerth Vogue Italia, 1992

Kate Moss, photographed by Ellen von Unwerth for Vogue Italia, 1992

Britt Ekland

Britt Ekland

Miley Cyrus with a look-alike doll

Mary Jane Russell

Kiris Pyrhonen, photographed by Tim Walker Vogue Italia magazine’s October 2011 edition

Esther Rolle

Shirley Temple with a look-alike doll

Shirley Temple with a doll and teddy bear

Beyoncé in the music video for Diva

Hands represent handlers that control and own Monarch slaves:

Mimi Rogers on the cover of Playboy magazine’s March 1993 edition; note the hands on her breasts (handlers)

Sasha Luss photographed by Patrick Demarchelie for Vogue Russia's January 2014 edition

Sasha Luss photographed by Patrick Demarchelie for Vogue Russia’s January 2014 edition; note the hands beneath her breasts (handlers). The lips around her neck signify a ‘kiss’, which represents ritual sodomy used to open the pineal gland and install demons in Monarch slaves

Juliette Binoche on the cover of Playboy France

Juliette Binoche on the cover of Playboy France; note the hands on either side of her arms (handlers). Sans interdits is French for ‘nothing prohibited’. Juliette is a sex slave or Beta Kitten

 Marion Cotillard on the cover of W magazine's December 2012 edition. Note the 'invisible' hands on her shoulders and waist (handlers)

Marion Cotillard on the cover of W magazine’s December 2012 edition. Note the ‘invisible’ hands on her shoulders and waist (handlers)

Aline Weber by Txema Yeste for Tush Magazine Fall 2013

Aline Weber, photographed by Txema Yeste for TUSH magazine Fall 2013. Note the hands on her face (handlers)

Sanja Miletic for Vogue Hellas February 2012

Sanja Miletic, photographed for Vogue Hellas in February 2012; the hands represent her handlers

Zhou Dongyu

Zhou Dongyu (photographed left for iLook magazine); the hands represent her handlers. Blue and yellow are the colours of dissociaton/fear (see Dissociation/Fear)

Kylie and Kendall Jenner, holding the hands of two invisible, shadowy men, representing the sinister unseen handlers controlling their lives

Kylie and Kendall Jenner, holding the hands of two invisible, shadowy men, representing the unseen handlers controlling their lives

Janet Jackson on the cover of Rolling Stone magazine

Janet Jackson on the cover of Rolling Stone magazine; note the hands on her breasts (handlers)

Magdalena Frackowiak, photographed for Exhibition magazine; the hands represent handlers

Sinitta Touch Me (All Night Long)

Sinitta on the cover of her single Touch Me (All Night Long); the faceless men represent her handlers

Maryna Linchuk by Ellen von Unwerth Vogue Turkey December 2010

Maryna Linchuk, photographed by Ellen von Unwerth for Vogue Turkey in December 2010; note the golden hands (handlers)

Anna Mariya Urajevskaya Vogue

Anna Mariya Urajevskaya, photographed for Vogue magazine; the hands represent her handlers

Masha Novoselova by Txema Yeste for V Magazine Spain, April 2010

Masha Novoselova, photographed by Txema Yeste for V magazine Spain, April 2010. Note the extra pair of hands (handlers), and the bruises on her thighs (abuse)

Tyra Banks

Tyra Banks; note the hands with the All-Seeing Eye (handlers). The stripes represent the demons that possess her; the necklace is an amulet; the long black nails are talons, representing the demons that possess her

Lina Zhang, photographed by Julia Noni for Vogue Russia September 2013

Lina Zhang, photographed by Julia Noni for Vogue Russia, September 2013; the extra pair of hands represent her handlers. The sapphires identify her as an assassin

Jason Derulo Talk Dirty

Jason Derulo on the cover of his album Talk Dirty; the hands represent his handlers

Frida Gustavsson Elle Sweden photographed by Andreas Sjodin

Frida Gustavsson on the cover of Elle Sweden, photographed by Andreas Sjodin; the hands represent her handlers, the cut-out eyes and pictures of Frida signify her alter personas, which are the demons that possess her

Katy Perry Harper's Bazaar

Katy Perry, photographed for Harper’s Bazaar. The hand represents her handlers, the broken glass fragments are symbols of her shattered/fragmented mind — insanity

Katy Perry on the cover for the single Bon Apétit. The hands represent her handlers. The fruit is code for her madness — fruity is slang for ‘eccentric or crazy’

Katy Perry performing at the 2017 Met Gala; the hands represent her handlers

Laura Branigan in the music video for Self Control

Laura Branigan in the music video for Self Control; the masked man undressing her symbolises her handlers

Kate Moss Vogue Paris

Kate Moss on the cover of Vogue Paris; the hands represent her handlers

Michael C. Hall; the hands represent his handlers

Clueso on the cover of the single Keinen Zentimeter

Clueso on the cover of the single Keinen Zentimeter (No Centimeter); the hand represents his handlers

Tom Cruise — the hands on his mouth represent his handlers silencing him through demonic possession in a Satanic ritual (see Silence symbolism)

Susan Kelly on the cover of Playboy magazine in May 1961; the hands represent her handler

Rita Lee on the cover of Playboy magazine in January 1978; the hands represent her handler

Betelgeuse

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Betelgeuse is used to identify Monarch slaves who are cryptanalysts (see Monarch slaves).

Masons, magicians and Illuminati revere in particular the orange star, Betelgeuse — the second brightest in the constellation of Orion. This is the ninth brightest star in the night sky and, most unusually, is visible from any place on earth at one time or another in the course of the year. This bright star represents Nimrod or Satan (see Halloween and Betelgeuse and Pagan feasts).

Betelgeuse

Monarch slaves are possessed by demons that can decipher, translate and analyse coded information and data. These slaves are known as cryptanalysts.

Cryptanalysis (from the Greek kryptόs, meaning ‘hidden’, and analýein, meaning ‘to loosen’ or ‘to untie’) is the study of analysing information systems in order to study the hidden aspects of the systems. Cryptanalysis is used to breach cryptographic security systems and gain access to the contents of encrypted messages, even if the cryptographic key is unknown.

These slaves are hired out to clients who desire to decode faxes, emails, recordings retrieved from bugging devices and intercepted phone calls.

The mascot/identifier for cryptanalysts is orange hair:

Kristen Stewart on the cover of Interview magazine

Kristen Stewart on the cover of Interview magazine in February 2015

Cher

Cher

Soulja Boy

Soulja Boy

Lady Gaga

Lady Gaga

Hayley Williams

Hayley Williams

Pixie Geldof

Pixie Geldof

Michael Clifford (5 Seconds of Summer)

Michael Clifford (5 Seconds of Summer)

Andrej Pejic

Nicki Minaj

Nicki Minaj

Vivienne Westwood

Vivienne Westwood

Willow Smith

Jared Leto

Jared Leto

Kimberly Michelle

Kimberly Michelle

Vanessa Williams in the music video for Happiness

Lily Allen

Lily Allen with horns on her head (see The Music Man)

Cover for Faith Evan's single Gone Already

Cover for Faith Evan’s single Gone Already

Rumer Willis

Rumer Willis

Dennis Rodman

Metals and Jewels

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Metals and Jewels are used to identify Monarch slaves (see Monarch slaves).

Metals represent prison bars, which symbolise Monarch slaves’ enslavement. Metals can be from bronze to platinum.

Monarch slaves are identified by the precious gemstones they wear:

Amethyst symbolises demonic possession or the installation of demons to become the alter personas.

Ruby identifies prostitutes or sex slaves.

Emerald identifies drug mules.

Sapphire identifies assassins.

Diamonds symbolise the demons that possess Monarch slaves. Crystals, rhinestones and diamanté may be used in place of diamonds.

Let’s take a look at some of the celebrities who are Monarch slaves:

Amethyst:

Natasha Poly

Natasha Poly

Zoe Saldana

Zoe Saldana

Halle Berry

Halle Berry

Taylor Swift

Taylor Swift

Anna-Mariya Urazhevskaya

Anna-Mariya Urazhevskaya

Diane Kruger

Diane Kruger

Debra Messing

Debra Messing

Sofia Vergara

Sofia Vergara

Gayle King

Gayle King

Drew Barrymore

Drew Barrymore

Katy Perry

Katy Perry

Jennifer Garner

Jennifer Garner

Ruby:

Shilpa Shetty

Shilpa Shetty

Elizabeth Taylor on the cover of Vanity Fair magazine

Elizabeth Taylor on the cover of Vanity Fair magazine

Uma Thurman

Uma Thurman

Helen Mirren

Helen Mirren

Heidi Klum

Heidi Klum

Lisa Haydon

Lisa Haydon

Emerald:

Angelina Jolie

Angelina Jolie

Monica Bellucci

Monica Bellucci

Bianca Balti

Bianca Balti

Sofia Vergara

Sofia Vergara

Lisa Haydon Verve magazine March 2014

Lisa Haydon with green gemstone rings on the cover of Verve magazine in March 2014

Lily Marinho

Lily Marinho

Kim Kardashian

Kim Kardashian

Maria Menounos

Maria Menounos

Naomi Campbell

Naomi Campbell; the necklace is a serpent

Sapphire:

Carla Bruni for Bulgari

Carla Bruni for Bulgari

Sofia Loren

Sophia Loren

Jessica Chastain

Jessica Chastain

Jessica Simpson

Jessica Simpson

Keira Knightley

Keira Knightley

Kathy Bates

Kathy Bates

Diamond:

Scarlett Johansson

Scarlett Johansson

Halle Berry

Halle Berry

Tamara Ecclestone on the cover of Playboy magazine in May 2013

Olga Kurylenko

Madonna

Madonna

Madonna

Madonna in a still for the 1985 Material Girl music video

Nicole Kidman

Nicole Kidman

Angelina Jolie

Angelina Jolie

Paris Hilton Come Alive

Paris Hilton on the cover of the single Come Alive

Britney Spears

Britney Spears

Anne Hathaway

Anne Hathaway

Naomi Campbell on the cover of Vogue Russia

Naomi Campbell on the cover of Vogue Russia

Jennifer Lopez Brave

Jennifer Lopez on the cover of the album Brave

Natalie Portman

Natalie Portman

Carrie Underwood

Carrie Underwood

Cover for Rihanna's single Diamonds (In the Sky)

Rihanna on the cover of the single Diamonds (In the Sky) — the diamonds symbolise the demons that possess Rihanna; the (usually) blue colour of the sky symbolises our spiritual side ~ ‘in the sky’ refers to her spiritual binding. The lightning bolt signifies the electroshock slaves are subjected to when they fight their demonic possession and their madness manifests

Jennifer Garner

Jennifer Garner

Eva Herzigová on the cover of Harper’s Bazaar Czech magazine’s November 2012 edition

Mariah Carey

Mariah Carey

Cara Delevingne

Amy Adams

Amy Adams

Iman

Iman

Beyoncé Dangerously In Love

Beyoncé on the cover of the album Dangerously In Love

Rita Ora

Rita Ora

Iggy Azalea

Iggy Azalea

Monica Bellucci

Monica Bellucci

Padma Lakshmi

Padma Lakshmi

Metals:

Angélique Kidjo on the cover of the album Oyaya!

Drew Barrymore

Drew Barrymore

Rihanna

Rihanna

Rachel Weisz for Bulgari-2012-Fall

Rachel Weisz for Bulgari 2012 Fall Campaign; note the serpent design (see The Serpent who is the Dragon), Rachel is also symbolising the ‘Eye of Horus’

Naomi Watts

Naomi Watts

Beyoncé

Beyoncé; note the cross

Solange Knowles on the cover of FashizBlack magazine

Solange Knowles on the cover of FashizBlack magazine

Smurf

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Smurfs are used to symbolise Monarch slaves who are hackers, who break into computer systems and access classified information. These could be local or foreign governments, corporations or even personal systems (see Monarch slaves).

Monarch slaves are possessed by demons who are able to crack open safes and vaults in order to steal soul gems, rare coins and stamps, maps, blueprints, letters (or other documents), photographs, video and audio recordings, family heirlooms or very old, priceless jewellery or items with occult significance, from banks or homes.

The Smurfs is a Belgian comic and television franchise created by the Belgian comics artist Peyo (pseudonym of Pierre Culliford) in 1958:

Somewhere in a deep enchanted forest lives a small community of blue elf-like creatures, who live in mushroom shaped houses. The Smurfs live in peace and harmony under the great leadership of Papa Smurf. Their greatest enemies are an evil wizard named Gargamel and his equally Smurf-obsessed cat, Azrael.

Smurfs

The Smurfs are based on elves, who are demons (see Aliens are Demons! and Secrets of Fairytales). They are more than a hundred Smurf characters, and Smurfette is the only female Smurf (however, demons are all MALE).

Like the evil spirits that possess Monarch slaves, the work of the hackers is destruction. The mascot/identifier of hackers is blue hair:

Katy Perry

Katy Perry

Cher Lloyd

Cher Lloyd

Adrien Brody

Adrien Brody

Doe Deere

Doe Deere

Miley Cyrus

Miley Cyrus

Karrueche Tran

Jade Thirlwall

Jade Thirlwall

Nicki Minaj

Nicki Minaj

Tallulah Willis

Tallulah Willis

Hilary Duff

Hilary Duff

Liza Minnelli

Liza Minnelli

Amber Rose

Amber Rose

Gwen Stefani

Gwen Stefani

Marc Jacobs

Marc Jacobs; the diamond earrings symbolise the demons that possess him

K. Michelle

K. Michelle

Joe Jonas

Joe Jonas

Gigi Hadid on the cover of Vogue Italia in November 2015

Gigi Hadid on the cover of Vogue Italia in November 2015. The aquamarine (blue beryl) rings identify her as an assassin (see Metals and Jewels)

Adam Lambert

Adam Lambert

Patricia Arquette

Patricia Arquette

Chloë Grace Moretz

Chloë Grace Moretz

Rihanna

Rihanna

Kylie Jenner

Demi Lovato

Demi Lovato

Lil' Kim

Lil’ Kim

Kelly Ripa

Kelly Ripa

Joel Madden

Joel Madden

Jared Leto

Jared Leto

Son Ga-In

Tameka 'Tiny' Cottle-Harris

Tameka ‘Tiny’ Cottle-Harris

Kelis

Michael Clifford (5 Seconds of Summer)

Michael Clifford (5 Seconds of Summer)

Eli Maiman (Walk the Moon)

Eli Maiman (Walk the Moon)

Juliette Lewis

Juliette Lewis

Niall Horan (One Direction)

Niall Horan (One Direction)

Kate Hudson

Kate Hudson

Blac Chyna

Blac Chyna

Chris Brown

Revisiting the Holocaust

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The Holocaust was the systematic, bureaucratic, state-sponsored persecution and murder of millions of Jews by the Nazi regime and its collaborators. ‘Holocaust’ is a word of Greek origin, from the word holocauston, meaning ‘a completely (holos) burnt (kaustos) sacrificial offering’.

This was a burnt offering to Molech or Moloch, the bull-headed god of the Canaanites. Molech is Satan.

The Sun god Molech or Moloch was worshipped by Canaanites and honoured by the sacrifice of children, in which they were caused to pass through or into the fire (causing to pass through the fire denoted primarily going through the fire without burning, a februation or purification through fire, by which the children were consecrated to Molech; a kind of fire baptism, which preceded the sacrificing).

The Canaanites made huge bronze statues of this god in the shape of a man with a bull’s head; these hollow statues were heated and filled with children who were roasted inside the idols as offerings to Molech (some statues of Molech were formed with arms stretched out to receive the children to be sacrificed, who were laid in the arms of the heated statue and burned). Molech is also worshipped as an owl.

Molech statue

Molech statue

Child sacrifice to the god Cronus, who is Molech, was practised in Carthage, Tunisia. According to Greek historian Diodorus Siculus:

“There was in their city a bronze image of Cronus extending its hands, palms up and sloping toward the ground, so that each of the children when placed thereon rolled down and fell into a sort of gaping pit filled with fire.” –– Bibliotheca Historia

(After an abortion, the foetus is burnt or incinerated — the burnt offering to Molech is recreated, century after century.)

The ritual and theology of burning people alive is Babylonian, Phoenician and Ugarit in origin, and a particular theology that continued with Phoenician/Samaritan/Sadducee priest-kings from the time of Baalbek through to Carthage, then Tyre, Jerusalem and Scythopolis in the worship of Ba’al/Molech.

(Approximately 86 kilometres northeast of the city of Beirut in eastern Lebanon stands the temple complex of Baalbek. Situated atop a high point in the fertile Bekaa Valley, the ruins are one of the extraordinary and enigmatic sacred places of ancient times. Long before the Romans conquered the site and built their enormous temple of Jupiter, there stood at Baalbek the largest stone block construction found in the entire world. This stone block was a black cube.

The cube is considered the building block of all nature, and the five solids of the ancients labelled as the ‘Pythagorean solids’ include a tetrahedron (pyramid), cube, octahedron, icosahedron, and dodecahedron.

The most basic form of the cube is the square. This represents solidarity: a perfection that is static, earthly, and material. It suggests dependability, honesty, shelter, safety. It is even realised as a sacred symbol today by the Freemasons/Illuminati when they stand on an oblong square (cube) during particular rituals to the Worshipful Master:

Worshipful Master

Worshipful Master

(Times Square in New York, U.S., Place de la République in Paris, France, and the Red Square in Moscow, Russia, are all cubes.)

Another reason the cube is considered the building block of nature is because the ancient Greeks believed that the element of earth was comprised of cube shaped particles; given their stability of the shape.

A cube is made up of six identical squares. In occult symbolism, the square means control, two or more squares mean absolute control; and a black square symbolises the knowledge of controlling the dark and negative energies. (The Ka’aba in Mecca, Saudi Arabia, where pilgrims go yearly, is a black cube.))

Three of the most important religious words associated with the doctrine of human sacrifice by burning are Holocaust, Tophet and Immolate.

The term Holocaust has always meant the specific ritual of murdering innocent human beings as animals as defined by the ancient Phoenician/Samaritan/Sadducee/Punic religion to Molech and his name variances. Because these priest-king family bloodlines have traditionally considered all other human beings as ‘sheep and cattle’, the word Holocaust is frequently and deliberately misinterpreted as ‘only applying to animals’.

The word Holocaust fell out of general use for almost 1,400 years until it was famously resurrected by Pope Pius XII, the Vatican and the Roman Cult as the official and legal description of the World War II mass human sacrifice.

To ensure the word continued to be used, the Vatican and Jesuits ensured that laws were enacted to make ‘Holocaust Denial’ a crime — in other words, to deny that the 18 million innocents of World War II were not burnt alive as a sacrifice to Molech is a criminal offence. In rcent years, the Vatican has funded the Holocaust Denial movement to ensure the word remains one of the most controversial and evil words still in use.

The Hebrew word Tophet is also an ancient and inportant religious word used by the Sarmatian (Jewish) priests to describe the actual location of their sacred ceremonies where they burned ‘heretics’ and innocents. The word means ‘burning place’ exclusively in refrence to human sacrifice.

The Latin word Immolate (from Latin immolatus, past participle of immolare: ‘to sacrifice’, originally ‘to sprinkle with sacrificial meal’ (from assimilated form of in- ‘into, in, on, upon’ and mola (salsa)- ‘meal’), related to molere: ‘to grind’) is a word created by Pope Innocent III (1198-1216) in his creation of the official doctrine of Satanism to religiously murder hundreds of thousands of ‘heretics’ according to the revised strategy of the Sarmatian practice of human sacrifice. The word means ‘to sacrifice, kill as a victim by fire’, and is the most specific-purpose designed word to describe this kind of evil sacrifice.

The Bohemian Club in the U.S. has an Annual Summer Encampment, a two-week retreat for the super-rich and powerful that has been held for more than 100 years at the 2,700-acre Bohemian Grove in Monte Rio, about 112 kilometres north of San Francisco in Sonoma County.

Bohemian Grove

Bohemian Grove

The annual gathering near the Russian River, which was first held in 1879, starts with the ‘Cremation of Care’ or ‘Cremation to Care’ ritual, a dedication to Care or Kare, another name by which Molech is worshipped. Members also perform several plays, and gourmet food and expensive wine are plentiful. While the club was formed in 1872 by a group of San Francisco journalists, the male-only club now bars journalists from membership to protect the group’s privacy. Membership is coveted, and people routinely wait 10 or 15 years before gaining admittance. There are currently about 2,700 members.

The motto ‘Weaving Spiders Come Not Here’ is a line from William Shakespeare’s A Midsummer Night’s Dream. As the spider weaves its web, so we too weave our lives. Thus spiders symbolise creation, an aspect that has no place in the grove, which exists for the purpose of destruction; destruction is the opposite of creation.

The Bohemian Grove is fiercely guarded. With its high-powered clientele, coveted privacy and Kabbalistic rituals, the Bohemian Grove has prompted considerable suspicion. It is an exclusive elitist hideaway of Washington statesmen and other prominent personalities.

2002 Greek 1 euro coin depicting Molech

2002 Greek 1 euro coin depicting Molech

Some may dismiss their behaviour as immature, even pitiful, acted out by emotionally disturbed individuals, and not worth attention. However, this is actually where ‘the governing elite’ gather to take part in bizarre, Satanic rituals; not merely drunkenness — unbounded use of alcohol and drugs with vague homosexual tones — but reported activities much more serious; kidnapping, rape, paedophilia, illegal detention of children, sodomy and ritual murder. Investigation is blocked under the 1947 National Security Act.

For decades, there have been vague rumours of weird goings on in Bohemian Grove in more remote parts of its 2,700 acres. Reliable reports claim Druidic-like rituals — druids in red hooded robes marching in procession and chanting to the Great Owl (Moloch) — a funeral pyre with ‘corpses’ (scores of men work in the Bohemian Grove as servants, so this party is fairly well established). Interestingly, and very significantly, the roads and trails around the government buildings at Capitol Hill in Washington DC, when seen from the air, form a shape remarkably similar to the shape of the owl used in the ceremony ‘Cremation of Care’:

owlDC

An article in a local community newspaper, The Santa Rosa Sun, reported on the Cult of Canaan and the legend of Moloch in place at the Bohemian Grove. The Moloch Pagan Cult of Sacrifice is human sacrifice.

An observer and near victim has described the Bohemian Grove’s inner hideaways, the closed sanctum, even the decor at secret locations, places where no outsider goes (or servants according to sources). Apparently there is an UNDERGROUND lounge (sign spelled U.N.derground), a Dark Room, a Leather Room and a Necrophilia Room.
Also, he reported: “Slaves of advancing age or with failed programming were sacrificially murdered at random in the wooded grounds of Bohemian Grove and I felt it was only a matter of time until it would be me.”

The Bohemian Grove demonstrates an attraction to the ceremonial practices of the occult, that is, adoration of destruction, blood and the barbarity of the sacrifice of children. This is a resort devoted to blood sacrifices.

Cremation of Care bonfire

Cremation of Care bonfire

The bonfires were previously called ‘bailfires’ or ‘Ba’alfires’, referencing fires for the god Moloch/Ba’al, to whom children aere sacrificed.

The Nazis believed that the Jews, deemed ‘racially inferior’, were an alien threat to the so-called German racial community. During the era of the Holocaust, German authorities also targeted other groups because of their perceived ‘racial inferiority’: Roma (Gypsies), the disabled, and some of the Slavic people (Poles, Russians and others). Other groups were persecuted on political, ideological, and behavioural grounds, among them Communists, Socialists and Jehovah’s Witnesses, homosexuals and trade unionists.

By 1945, the Germans and their collaborators killed two out of every three European Jews as part of the ‘Final Solution’, the Nazi policy to murder the Jews of Europe (most European Jews lived in countries that Nazi Germany would occupy or influence during World War II ), 200,000 Roma; and at least 200,000 mentally or physically disabled patients, mainly Germans, living in institutional settings, in the so-called Euthanasia Programme. Between two and three million Soviet Prisoners of War were murdered and died of starvation, disease, neglect or maltreatment. The Germans targeted the non-Jewish intelligentsia for killing and deported millions of Polish and Soviet civilians for forced labour in Germany or in occupied Poland, where these individuals worked and often died under deplorable conditions.)

Modern-day Germans are the Canaanites (see Pagan gods).

Nerve agents were administered in gas chambers to render people unconscious for easy transportation to large cremation ovens, where they were burned alive — the sacrifice by fire.

Cremation Oven Room at Auschwitz

Cremation Oven Room at Auschwitz

The Shutzstaffel (SS, Knights of the Sedes Sacrorum, also known as Blackshirt; German: ‘Protective Echelon’) were the black-uniformed elite corps and self-described ‘political soldiers’ of the Nazi Party. These were in charge of the mass murders.

Founded by Adolf Hitler in April 1925 as a small personal bodyguard, the SS grew with the success of the Nazi movement, and, gathering immense police and military powers, became virtually a state within a state.

The origins of the SS can be traced to Rome and the Catholic Church.

As a military order of the Roman Catholic Church, the Knights of the Sedes Sacrorum (SS) were bestowed by the legal orders of the Roman Pontiff on behalf of the Christian Mother Church to wage constant ‘Holy Inquisition’ against all ‘heretics’, including assassinations, torture and counter-intelligence, ‘to protect the name of the Holy Roman Catholic Church’ and directly represent the interests of the Holy See as its primary order of the Holy Knights — the SS (Sedes Sacrorum (Latin for ‘Holy Seat’) or Holy See, is the seal of the Vatican City State). By the beginning of the 20th century, there were less than a few hundred SS soldiers still assigned to the Holy Inquisition.

However, upon the appointment of Jesuit priest Fr. Heinrich Himmler S.J. (Society of Jesus) in 1929 to the Nationalsozialistische Deutsche Arbeiterpartei (NSDAP), or the Nazi Party, in Germany, a new Nazi SS (Knights of the Sedes Sacrorum) army of several hundred thousand was created by 1939 to wage the single greatest massacre ever undertaken by the Roman Cult or the Jesuit Order (a shadow group of blood-thirsty Satanists, which controls the Catholic Church, and is involved in child sacrifice, burning people alive, demonic worship and absolute celibacy of its lowest priests), with over 18 million innocent people burned alive in ovens in Russia and Poland between 1939-1945.

The Jesuit Order is an almost 500-year old covert operations, geo-political, male-only organisation, structured as a secret military operation — demanding secret oaths and complete obedience to each direct superior, which is ultimately the Superior General (often nicknamed the Black Pope, since he dresses in black and ‘stands in the shadow’ of the ‘White Pope’).
The Society of Jesus — as they are officially known — was originally used by the Vatican to counter the various Reformation movements in Europe, to which the Vatican lost much of its religious and political power.

265th Pope Joseph Ratzinger and 30th Jesuit General Adolfo Nicolás

265th Pope Benedict XVI and 30th Jesuit General Adolfo Nicolás — the White Pope and the Black Pope

35th Jesuit general congregation at the Vatican in 2008

35th Jesuit general congregation at the Vatican in 2008

Absolute-temporal-ruling power has always been the Vatican institution’s primary objective.

The Jesuit Order is since 1814 in complete control of the obscenely wealthy Vatican institution (and its Catholic clergy hierarchy) and presently also controls various other organisations together with the Military Order of Malta, such as:

• the United Nations
• NATO (North Atlantic Treaty Organization)
• European Commission
• Council on Foreign Relations
• all central banks
• numerous societies and cults, such as the Opus Dei

Order of Malta

Order of Malta

It is also important to note that the Jesuit-controlled Vatican is since 1929 being cast (and accepted) as a sovereign microstate called Vatican City, with its own:

• Head of State and cabinet (the Holy See, which consists of the Papal non-hereditary monarchy and the Curia)
• Central bank (Vatican Bank)
• Jurisdiction rules (Canon Law, Admiralty Law)
• Some 147 international agreements (diplomatic treaties which were formerly called Concordats or Lateran Treaties, which grant the Vatican special national privileges)
• Large radial underground network of secret archives (estimated at 84 kilometres of shelving space), and a large collection of ancient art works in the Vatican Museums
• Universal Inquisition office (headed by the American William Levada since 2000), an Italian police force and a Swiss military guard consisting of only Catholic single males with Swiss citizenship and Swiss military training

Furthermore, note that the Jesuit Order, the Catholic clergy and the Military Order of Malta (and many of the other Papal and Royal military orders) have an extremely patriarchal culture.

This type of rigid social structure is one of the main aspects of fascistic groups.

“The Jesuits have no women. They have no love of a woman. Because to have a wife, to have a woman, means you have an allegiance to your wife and family, and you cannot obey the General. That’s why they will never be married, and that’s one of the great keys to their success.” — Eric Jon Phelps, author of Vatican Assassins

Some of its priest members have taken the fourth secret oath in which killing a ‘heretic’ is not considered a crime. The ranks of Jesuits are thinning: From 36,000 members at the order’s zenith in the mid-1960s, to 26,000 in 1983, to 23,000 in 1995. The Jesuits are geographically organised by 91 provinces, which each belong to one of 10 assistancies around the world.

The Vatican-Jesuit-Masonic crusades, up to our present time, show their criminal ‘full-spectrum dominance’ doctrine is effectuated all over the world by:

• War, genocide and depopulation (examples: Canadian natives genocide between 1880-1984, the Vatican managed Serbian genocide during WWII with an ongoing U.S. court case, and the Shia Muslim genocide in Iraq with over 1.2 million deaths)
• Political subversions
• Economic slavery
• Poor quality nutrition, healthcare and housing
• Government propaganda (via education, media, science, and religion)
• Suppression of sovereignty, consciousness and spirituality

Masonic cities

The Vatican-Jesuit-Masonic network operates mainly out of the following cities:

• Vatican City, Rome, Italy (religious centre and sovereign state since 1929)
• City of London, London, United Kingdom (economic centre and sovereign state since 1649, owned by the City of London Corporation)
• District of Columbia (which includes Washington D.C.), United States (military centre)
o The ‘District of Columbia Act of 1871’ turned D.C. into a municipal corporation. Congress has the supreme authority over the city and the federal district, with its own special constitutional amendment since 1961. Furthermore the District of Columbia is judicially governed by the Lex fori (Latin for ‘the laws of a forum’; a legal term used in the conflict of laws used to refer to the laws of the jurisdiction in which a legal action is brought) as opposed to Lex causae (Latin for ‘law of the cause’; the law which has precedence, where there is a conflict of laws, to dispose of an action)
o The Jesuit bishop John Carroll was probably the richest man in America in the late 1700s. Carroll allowed funding to construct D.C. (which is nicknamed ‘Rome on the Potomac’). The owner of the land used to be Francis Pope and his priest was Jesuit Andrew White
o Washington D.C.s original name was Rome, Maryland, and a branch of the Potomac River was called Tiber Creek, which was named after the Tiber river in Rome. Like Rome, Washington D.C. has 7 hills, whose names are: Capitol Hill, Meridian Hill, Floral Hills, Forest Hills, Hillbrook, Hillcrest, and Knox Hill
o Other masonic elements in this city: Jesuit Georgetown University, the Masonic street layout and monuments, and the 2008 World Conference of Masonic Grand Lodges
• Other important cities: Geneva, New York, Brussels, Paris, the various microstates, Luxembourg, Strasbourg, Moscow, Hong Kong (aristocratic, Masonic, corporate and political networks)

The holocaust is the single largest event of Satanic mass human sacrifice by fire in concentration camps shaped in the form of a giant 300-mile wide pentagram of evil.

The German SS were disbanded at the end of World War II, with the Roman Scroll of the SS being handed to the United States SS (Secret Service/Sedes Sacrorum) by 1945. The U.S. SS was officially created into a military/spiritual force after the assassination of President William McKinley in 1901. After the staged gun fight outside Blair House in 1950, the U.S. SS have had absolute protection of the U.S. President.

The Jesuit Skull and Crosbsones was incorporated by Himmler into the military insignia of the Schutzstaffel.

Himmler with Skull and Cross Bones emblem on his peaked cap

Himmler with Skull and Crossbones emblem on his peaked cap

Skull and Bones logo; the number 322 is very symbolic: 3+2+2=7; 7 is the number of Divine perfection

Yale University’s Skull and Bones fraternity logo; the number 322 is very symbolic: 3+2+2=7; 7 is the number of Divine perfection

The Skull and Crossbones is an ancient symbol with a powerful, hidden meaning. It is an ancient instrument used by sorcerers to gain spiritual power. Today, it is a symbol warning of danger or poison, however, in its true, esoteric meaning, it is a symbol of unimaginable power and spirituality.

As with the lucky number 13, we have been tricked out of understanding this symbol’s true meaning (see 2015).

The great unknown secret behind the Skull and Crossbones is that it is not a symbol of death, but of life (just like the number 13).

“… a symbol of mortality and death. As the means for inciting the mind to contemplation… the Skull and the Cross Bones are used in the Chamber of Reflection.” — Albert Mackey (1807-1881), Secretary General of the Supreme Council of the Ancient and Accepted Scottish Rite for the Southern Jurisdiction of the United States

Yahweh Almighty created man as a Divine being, a second angel on earth:

“I conceived a cunning way to say, I created man from invisible and visible nature, of both are his life and death and image, he knows speech like some created thing, small in greatness, and again great in smallness, and I placed him on earth, a second angel; honourable, great and glorious, and I appointed him as a ruler to rule on earth and to have My wisdom; and there was none like him on earth of all My existing creatures.”

Because we cannot see that our true nature is Divine, the same as the nature of the universe, we live cut off from this wisdom — first by the veil that separates the material world from the invisible spiritual world, and second by the occult elite; the powers that be who rule the world, in an effort to keep the masses down, disempowered and ignorant as to the true nature of human existence.

“The Skull and Cross Bones are a continual reminder that the spiritual nature obtains liberation only after the philosophical death of man’s sensual personality.” — Albert Pike (1809-1891)

In past centuries, soldiers were taught the true meaning of the Skull and Crossbones to help prepare them for battle. German armies used the Skull and Crossbones many times.

In the image below we see the Totenkopf, a German word for the deathman’s head (Skull and Cross Bones). It consists usually of the skull and the mandible of the human skeleton. It can also include two crossed longbones (femurs).

August von Mackensen, German field marshal in hussar full dress prior to 1914, with the Totenkopf on his fur busby

August von Mackensen, German field marshal in hussar full dress prior to 1914, with the Totenkopf on his fur busby

Why the Jews?

The Jews/Israelites were Yahweh Almighty’s chosen people, His first-born son, His treasured possession and His inheritance; and so a very special nation:

“And you shall say to Pharaoh, ‘This is what Yahweh says: Israel is My son, My first-born.” Exodus 4:22

“To Yahweh your Father belong the heavens, even the highest heaven, the earth and everything in it. Yet Yahweh set His affection on your fathers and loved them, and He chose you, their offspring, you above all people, as it is this day.” Deuteronomy 10:14-15

“For you are a people holy to Yahweh your Father; Yahweh your Father has chosen you out of all the people on the face of the earth to be His people, His treasured possession. Yahweh did not set His affection on you and choose you because you were more numerous than other people, for you were the fewest of all people. But it was because Yahweh loved you, and kept the oath He swore to your fathers that He brought you out with a Mighty Hand and redeemed you from the land of slavery, from the power of Pharaoh king of Egypt.” Deuteronomy 7:6-8

“I will gather all nations and bring them down to the valley of Jehoshaphat. There I will put them on trial for what they did to My inheritance, My people Israel, because they scattered My people among the nations and divided up My land.” Joel 3:2

The Israelites were blessed through their father Abraham, who was chosen by Yahweh (Genesis 12:1-3), Abraham was the beginning of the Hebrew/Israelite nation (Genesis 14:13). Israel/Jacob was Abraham’s grandson and Isaac’s son, with whom Yahweh established a covenant (Genesis 17:19-21).