A gate shares the symbolism of threshold as an entrance; communication; entry into a new life; communication between one world and another, between the living and the dead (demons). Gates and portals are usually guarded by symbolically ferocious animals such as lions, dragons, bulls and dogs.
The gate is associated with wisdom (Proverbs 8:3); kings sat in judgement at gates, probably as sacred places of Divine power.
A sun gate is a free standing door or an interdimensional portal through which evil spirits cross over from their spiritual world to our physical one. It is so-called because of its association with sun worship (see Sun worship).
In Egypt, sun gates are shown in the Book of the Dead as great pylons. The pylon was the large gate at the front of the temple. The walls of the pylon were decorated with carved and painted scenes of the pharaoh, gods and goddesses. In front of the pylon were obelisks and large statues of the pharaoh. It consisted of two tapering towers, each surmounted by a cornice, joined by a less elevated section which enclosed the entrance between them. The entrance was generally about half the height of the towers. Contemporary paintings of pylons show them with long poles flying banners.
In ancient Egyptian mythology, the pylon mirrored the hieroglyph for ‘horizon’ or akhet, which was a depiction of two hills ‘between which the sun rose and set’. Consequently, it played a critical role in the symbolic architecture of a cult building which was associated with the place of recreation and rebirth.
Every temple pylon was a sun gate, and sculptured and painted on the centre of its lintel was the red disc of the sun. Sun gates were generally ornamented with a winged globe.
This emblem in its full development was formed by the solar disc, supported on each side by the uraeus, the serpent which symbolised royalty:
The disc and its supporters are flanked by two wide-stretching wings with rounded fan-shaped extremities — the sun disc represents Satan as the winged Sun god; the devil is a fallen angel.
Sun gates around the world:
The four major stones are arranged in a giant ‘paddlewheel’ configuration which are oriented to the limits of the migration of the sun during the course of the year and also show the extreme positions of the rising and setting of the sun in its 18.6 year cycle (sun worship). The centre stone has two special features: First, the North Star (which in occultism represents Satan, as well as the Eastern Star, Morning Star and Evening Star) is always visible through a special hole drilled from the South to the North side of the centre stone; second, another slot aligns with the positions of the rising sun at the time of the summer and winter solstices and at the equinox:
Free standing doors or stargates (freestanding doors represent interdimensional portals/gateways, used by evil spirits to enter our world):
Monsters are demons. In the animated film, these evil spirits use these portals to enter children’s rooms through wardrobes, which, as well as mirrors, are also interdimensional portals.
Other portals/stargates (the earth was created perfect and whole; and these portals have been opened by humans over centuries):
The motto of the Great Seal is Eureka.
Etymology of Eureka: It is derived from the words reka and eu-.
reka: Slovenian and Russian word for ‘river’
Cognates: Dutch wrecken, English wreak, German rachen, Swedish vraka
Etymology: From Old Norse vreka (the v had disappeared already in Old West Norse)
reka (strong conjugation: rak-rakum-rekio)
Etymology of eu-: word-forming element, in modern use meaning ‘well, good’, from comb. form of Greek eus ‘good’, eu ‘well’ (adv.), also ‘luckily, happy’ (opposed to kakos), as a noun, ‘the right, the good cause’. In compounds the Greek word had more a sense of ‘greatness, abundance, prosperity’, and was opposed to dys-.
Eureka means ‘river of greatness, abundance and prosperity’. The prosperity of the royals, who are Nephilim, comes from the Underworld/Abyss (see Pagan gods and Pagan feasts)
When one says the word ‘Eureka’, he or she is invoking assistance from hell.
In the 2006 movie, The Lake House, starring Keanu Reeves and Sandra Bullock, the mailbox at the lake house was a mystical time bridging construct. Two people used it to correspond, across time, a span which remained fixed through most of the film. The mailbox is a stargate, a portal that facilitates interdimensional travel or communication. Documents come through the mail as transmitted through time; mail always takes at least a day from when it’s mailed to when it’s delivered, so it always comes from the past. (Always pray for protection before opening a mailbox.)
Between this realm and the heavens are boundary layers and bridging mechanisms. The realms are separated for good reasons that are appointed by the Creator.
These bridging mechanisms are called stargates or wormholes. (A wormhole, or Einstein-Rosen Bridge, is a hypothetical topological feature that would fundamentally be a shortcut connecting two separate points in space time that could connect extremely far distances such as a billion light years or more, short distances, such as a few feet, different universes, and in theory, different points in time. A wormhole is much like a tunnel with two ends, each in separate points in space time. For a simplified notion of a wormhole, space can be visualised as a two-dimensional (2D) surface. In this case, a wormhole would appear as a hole in that surface, lead into a 3D tube (the inside surface of a cylinder), then re-emerge at another location on the 2D surface with a hole similar to the entrance. An actual wormhole would be analogous to this, but with the spatial dimensions raised by one. For example, instead of circular holes on a 2D plane, the entry and exit points could be visualised as spheres in 3D space.)
These dimensional portals are pictured in the Scriptures in various ways, with three examples being when Enoch was taken up into heaven by the Angels:
“When Enoch had spoken to the people, Yahweh sent out darkness to the earth, and there was darkness and it covered those men standing with Enoch, and the Angels took up Enoch up to the highest heaven, where Yahweh is; and He received him and placed him before His Face, and the darkness went off from the earth, and light came again. And the people did not see or understand how Enoch had been taken, and praised Yahweh, and found a scroll in which was written: The Invisible Yahweh; and all went to their homes.” Book of Enoch
When Elisha watched Elijah ascend into heaven in a whirlwind, and when the disciples watched Yahshua ascend into heaven, disappearing out of sight in a cloud (see Where do we go when we die?).
Almighty Yahweh has control over the realms, and access between them, but He has granted a season when these mechanisms may be exploited by the adversary. This matter of controlling access between realms is critical to the ancient dragon’s plans.
As with other aspects of his plan, even the dark secrets of stargates are darkly concealed in the ways of ancient times. It is steganography, from one perspective, yet there is also a supernaturalism that provides further cover for the messaging system and a controlling influence to facilitate the objectives.
The psychopomp known as Charon, Anubis, Mercury, Hermes, Hermanubis or Yutu (Jade Rabbit) is often symbolised in the context of a transit. Psychopomps (from the Greek word ψυχοπομπός — psuchopompos, literally meaning the ‘guide of souls’) are creatures, spirits or deities whose responsibility is to escort newly deceased souls from earth to the afterlife. The Silver Gate is the middle of the Duat, which is the Underworld in Egyptian terms, and the psychopomp is the escort of the dead and the other gods in transit.
The ancient gateways to the underworld called the Golden Gate and the Silver Gate are exploited and used to transport demons from hell into our physical world as Moonchildren, as well as conjuring them to assist them in magic rituals, séances, to decipher ancient texts, and to possess human beings, clones and zombies to drink human blood, wreak havoc and apply dissolved human protein on themselves to help them rebuild their physical bodies (see Clones and Zombies and Making of a Moon Child).
Taurus and Gemini are adjacent zodiac signs, and between them is the region known to the ancients as the Silver Gate; the Golden Gate lies between Scorpio and Sagittarius; the sun is often represented as the Golden Gate and the Moon as the Silver Gate — the Golden Gate Bridge in San Francisco, California, is a sun gate/interdimensional portal, its red colour is red sun symbolism (the red sun has the geometrical form of a torus, which is a homonym and code for Taurus, the constellation which the sun traces a path through in circuiting the heavens); the Golden Jubilee Bridges in London, England, are also symbolic of the Golden Gate.
911 is a Silver Gate symbol, which is sometimes identified as the Ninth Gate, and the numeral 11 illustrates a graphic of one or two pillars/columns. Space-time linking constructs.
Counting from Virgo as the first sign of the zodiac, Taurus is the ninth constellation. Taurus is the bull — Apis or Molech, who is Satan.
Twin Towers are a Gemini symbol, twin skyscrapers, reaching from the earth into the heavens. Timing and time itself are key factors in the stargate operation and ritual. Whenever Satanic rituals are performed on 9/11, the Ninth Gate or Silver Gate portal is opened, and demons come from hell to earth, and are able to manifest physically for the life span of a human being, either male or female. Some of these evil spirits shape-shift into babies or children and are raised in Freemasonic families as biological offspring, usually the first-born child.
In the U.S., the national number for urgent emergencies is 911: also a Silver Gate symbol. This number is used in the midst of trauma, as a harvesting ritual — negative energy (pain, distress) is harnessed by the demons to strengthen them.
The Ninth Gate is part of the De Umbrarum Regis Novum Portis, or The Nine Doors To the Kingdom of Shadows, called the Nine Gates for short. Delomelanicon, a grimoire written by King Solomon, reveals the secrets of opening all Nine Gates, or stargates, to hell.
911 symbolism if featured in films:
Scene: New York City Detective John McClane (Bruce Willis) sits anxiously along side a Businessman (Robert Lesser) in a plane bound for Los Angeles. In an attempt to allay his fears about air travel the Businessman sparks off a conversation wherein each relates the amount of experience they have in their respective fields.
Dialogue: Businessman: You don’t like flying, do you?
John McClane: What gives you that idea?
Businessman: You want to know the secret to surviving air travel? After you get where you’re going, take off your shoes and your socks. Then you walk around on the rug barefoot and make fists with your toes.
John McClane: Fists with your toes?
Businessman: I know. I know. It sounds crazy. Trust me. I’ve been doing it for nine years. Yes, sir. Better than a shower and a hot cup of coffee.
John McClane: OK. [The plane stops. Passengers rise, start to take down overhead luggage. McClane does this, but as he opens the door above, the businessman blanches seeing McClane’s Baretta Pistol peeking out from his jacket. Recognising the look, McClane smiles reassuringly] It’s OK. I’m a cop. Trust me. I’ve been doing this for eleven years.
Twin pillars — Silver Gate
Notice that the column on the left not only has a serpent encircling a globe, but notice also that the globe itself has wings. H.G. Wells is quoted as saying that the winged globe is “…to become the symbol of the New World Order when it overtly rules the world.” — Fritz Springmeier, The Watchtower & the Masons, Portland, Oregon, 1992, p. xi