Monarch slaves are used to access information stored in the universe, which is known as ‘time travel’ (see Monarch slaves).
Slaves retrieve the Akashic records (a term coined in the late 1800s from akasha or ākāśa, the Sanskrit word for ‘sky’, ‘space’, ‘luminous’, or ‘æther’), a compendium of thoughts, events, and emotions believed by Theosophists to be encoded in a non-physical plane of existence known as the astral plane; a life force recording both the past and future of human thought and action.
The universe keeps a record of everything, and that is how the Law of Karma is applied.
Alice A. Bailey wrote in her book Light of the Soul on The Yoga Sutras of Patanjali – Book 3 – Union Achieved and Its Results:
“The akashic record is like an immense photographic film, registering all the desires and earth experiences of our planet. Those who perceive it will see pictured thereon: The life experiences of every human being since time began, the reactions to experience of the entire animal kingdom, the aggregation of the thought-forms of a karmic nature (based on desire) of every human unit throughout time. Herein lies the great deception of the records. Only a trained occultist can distinguish between actual experience and those astral pictures created by imagination and keen desire.”
Surveillance in the present as well as gaining whatever insight may be gleaned about the past and future is coveted information. The psychopomp — Yutu or Jade Rabbit, Hermes, Hermanubis, Mercury, Anubis — escorts the slaves; while the goddess or witch facilitates the transit. Ritual sodomy is performed on the slaves to open the pineal gland and facilitate the ‘time travel’.
(see Secrets of Fairytales, Pagan gods, Pagan feasts and Sinister Sites: At Your Service)
Columns/pillars are symbols of time travel, because of the assigned meaning that goes back to ancient times, where heaven and earth are seen as connected by columns, and also transited.
The mascot/identifier of Time Travel is the camera.
A camera is like a time machine in that it captures moments of life that can be looked back on or replayed.
Let’s take a look at celebrity time travellers:
Angelina Jolie with a large format camera
Joseph Gordon Levitt
Barack Obama, photographed by White House photographer Pete Souza
Charles Bronson. Charles acted in an American 1950s television crime drama, Man with a Camera
Matt Damon and Ben Affleck
Jacqueline Kennedy. Water (or a beach/river bank/shore/sand (sands of time)) is a metaphor for time — we travel across water bodies; Jackie is on a boat: time travel
George Harrison, on a beach
Robert Plant and Jimmy Page
Johnny Depp with a Polaroid camera. A Polaroid camera is one that the instant you take a picture, it ‘prints’ the picture out immediately directly from the camera, or in this case, the slave (see The Cloud)
Kate Moss. Trains (and cars, cable cars, buses, bicycles, baskets, gondolas, whirlwinds, elevators/lifts, phone booths, terrariums) are vehicles that make particular reference to dimensional transport
Diane Kruger. She is in a hotel — she has travelled and is taking pictures; the open book represents the Akashic records
Son Ga-In, photographed for Elle Korea
Brigitte Bardot, on a beach
Sophie Ellis-Bextor on the cover of her album Shoot From The Hip
Emily Blunt. Mirror images signify alter personas or the demons that possess Monarch slaves
Tom Hanks on the cover of LIFE magazine. Eight is the occult number of rebirth, transformation and power: Tom was transformed into a Monarch slave; ‘looks back’: the camera/Tom as a time machine. Also note the number 12 inside the red border: it is the occult number for time. Above it is an arch, symbolising a portal/interdimensional gateway (time travel)
Heath Ledger with a Polaroid camera
Debbie Harry; the cardboard cutouts and photographs represent the demons that possess her. The shadow is her handler
will.i.am on the cover of Fortune magazine
Brad Pitt. He is wearing a watch, which measures time, and standing on a beach
James Dean; note the two pillars/columns
Topher Grace on the cover of DA MAN magazine
Drew Barrymore, on a beach
Julie Harris in the 1955 film I Am A Camera
John Lennon with a camera; John is seated between two mirrors parallel to each other (note all the words are reversed), creating infinite reflections, which represent the demons that possessed him
Cheryl Cole on the cover of Glamour UK magazine’s December 2012 edition
The number 22 as 11+11 is a representation of pillars/columns. Space-time linking constructs.
Justin Bieber performing at Fashion Rocks 2014 on September 9, 2014 in New York, United States. Justin has a tattoo in Roman numerals: I IX VII V ~ 1+9+7+5=22
As mentioned above, trains, cars, cable cars, buses, bicycles, baskets, gondolas, whirlwinds, elevators/lifts, phone booths, terrariums… signify dimensional transport vehicles and dimensional containers:
James Corden inside a phone booth, the word ‘hotel’ is cut off so that it reads ‘otel’ ~ Leto, Greek goddess of motherhood and modesty — the goddess that facilitates the transit. The psychopomp is signified by the suitcase, which is Hermes retro (see Sun Gates)
Alex Winter and Keanu Reeves in Bill and Ted’s Excellent Adventure, where they travel through time in a phone booth. The tagline reads: Time flies when you’re having fun.