The dome of the U.S. Capitol Building in Washington D.C. features in its occulus an incredibly significant painting that reveals the philosophical, spiritual and political aims of the founding fathers.
Note the massive circle behind former U.S. President George Washington:
The Apotheosis of Washington is a piece of artwork that appears inside the dome of the Capitol Building in Washington D.C.
According to Freemasonry, an apotheosis can be defined as ‘the exaltation of a subject to divine level’. It is ‘man realising he is a god already’, a soul manifesting as a body — or, in symbolic terms, a circle surrounded by a square.
Washington is seated on the clouds, with his feet on a rainbow, and behind him is the gateway, the vortex, the stargate to hell (the spirit world). The rainbow is also an interdimensional gateway or portal to the abyss/hell. Washington was a Freemason, who received his wisdom and knowledge through communication with demons and fallen angels.
Washington is surrounded by important figures of ancient paganism, which are intricate parts of the Masonic mysteries: Hermes, Poseidon, Vulcan, Freedom, Ceres and Minerva, who are meant to respectively represent commerce, marine, mechanics, war, agriculture and wisdom. The painting, however, hides an esoteric, alchemical meaning.
Alchemy is both a philosophy and a practice with an aim of achieving ultimate wisdom as well as immortality, involving the improvement of the alchemist as well as the making of several substances described as possessing unusual properties. The ultimate goal of alchemy is the achievement of the ‘Great Work’ which is the transmutation of base metals into gold or, esoterically, the transmutation of men into gods. The painting reflects this harmony between the elements of alchemy, which are air, fire, water and earth, and which are embodied respectively by Hermes, Vulcan, Ceres and Poseidon. George Washington himself is portrayed in a similar fashion as the figure of ‘Alchemy’ on the very esoteric Notre-Dame de Paris Cathedral (the cathedral is a monument celebrating Astarte, worshipped by Christians as Mary the mother of the Messiah):
‘The Great Work’ is the journey to be god-like and make something out of nothing. It is initiated with the first step being the alchemical Black Sun. The Black Sun is the first stage in the achievement of enlightenment or immortality, which is accomplished through the Philosopher’s Stone. The Philosopher’ Stone is believed to turn lead into gold, and the planetary association of Saturn to metal is lead.
The planetary association with the sun is gold, so turning Saturn into the sun is the alchemical process of the Philosopher’s Stone, based on metal transformation.
Hermetic traditions teach the existence of two suns, an invisible and etheric one made of pure ‘philosophical gold’ and the material one, the only one the profane can perceive, known as the Black Sun.
Sol niger (black sun) can also refer to the result of the first stage of the magnum opus in alchemy, the nigredo (blackening). The complete magnum opus (Great Work) ends with the production of gold. The magnum opus can also be understood in a mystic way.
Since turning lead into gold is symbolic of man attaining godhood, Monarch slave female celebrities have their hair dyed gold/blond (some of them are natural blonds) to represent the demons that possess them as being immortal.
They are also styled as Marilyn Monroe, an American actress famous in the 1950s and early 1960s.
In reality, Marilyn Monroe is a demon that shape-shifted to look like a woman; everything about her life is a fabrication (see Aliens are Demons!). Marilyn is the code name of this demon.
The name Marilyn is derived from ‘Mary’ and ‘Lyn’.
Mary means ‘rebelliousness’ (same as Mary/Astarte the mother of Jesus/Tammuz (see The Great Deception and Shroud of Turin).
Lyn is a short form of ‘Linda’ — the Spanish and Portuguese word for ‘beautiful’.
So Marilyn means ‘the rebellious, beautiful one’.
It was claimed that her real name was Norma Jean:
The female name Norma is a feminine of Norman, in which case it means ‘Of the North’ (see The truth about Santa Claus):
“Great is Yahweh, and greatly to be praised in the City of our God, in the mountain of His holiness. Beautiful for situation, the joy of the whole earth, is mount Zion, on the sides of the north, the city of the Great King.” Psalm 46:1-2
Jean is a Medieval English form of Jehanne, an Old French feminine form of Iohannes, the Latin form of the Greek name Ιωαννης (Ioannes), itself derived from the Hebrew name יוֹחָנָן (Yochanan) meaning ‘Yahweh is gracious’.
In both names (Norma and Jean) Satan is trying to usurp Yahweh as God.
Keep in mind that these women styled to resemble Marilyn are Monarch slaves (see Monarch slaves and Beta Kittens).
Let’s take a look at Monarch slaves used to symbolise alchemy or immortality:
Anna Nicole Smith
Michelle Williams; note the diamond cross earring (see The cross)
Monarch slaves are also photographed mimicking Marilyn Monroe, to represent how the demons that possess them mimic their voice and mannerisms and steal their identity:
Left: Taylor Swift, right: Marilyn Monroe
Anna Faris as Marilyn Monroe in The House Bunny
Britney Spears on stage
Left: Marilyn Monroe, right: Lindsay Lohan
Left: Angelina Jolie, right: Marilyn Monroe
Top: Mariah Carey, bottom: Marilyn Monroe
Left: Marilyn Monroe, right: Scarlett Johansson
Monarch slaves are photographed wearing clothes with images of Marilyn Monroe, to symbolise the demons that possess them:
Cara Delevingne (centre)
Kelly Clarkson on stage
Jay Z wearing a shirt with an image of Medusa, who was a witch, to symbolise his enslavement, bewitchment and demonic possession; and Beyoncé wearing a shirt with an image of Marilyn Monroe
Images of Marilyn Monroe in music videos and photoshoots also represent the demons that possess Monarch slaves:
Tinashe in the music video for the song In Case We Die
Milla Jovovich; the mask symbolises her ‘male alter’ or the demons that possess her (see Male alters). The colours purple and yellow signify dissociation and fear (see Dissociation/Fear). The guitar represents the music that is used to drive Monarch slaves insane; the leopard print carpet identifies her as a sex slave