Tag Archives: LeAnn Rimes

Alice in Wonderland

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Alice in Wonderland is used to symbolise Monarch slaves who are used as prostitutes or sex slaves for hire (see Monarch slaves and Beta Kittens).

Alice in Wonderland is named after Alice’s Adventures in Wonderland, written by Charles Dodgson under the pseudonym Lewis Caroll. It is one of the most mystical and surreal works in literature, and is used as a reference book in the witchcraft performed to create Monarch slaves. ‘In wonderland’ refers to the permanent dissociative state in which Monarch slaves live.

The mascot/identifier of Alice in Wonderland is the rabbit and mirrors.

In the book, the White Rabbit represents Alice’s handler, and ‘going down the Rabbit Hole’ is a metaphor for ritual sodomy, which is used to open the pineal gland/spiritual doorway for demons to possess the Monarch slave. Theses demons control every aspect of the slave and become their alter personas.

Alice following the White Rabbit

Alice following the White Rabbit

Let’s take a look at how these slaves are presented:

Playboy magazine, used to advertise Beta Kittens. (Magazines are dual purposed. They serve as mindless materialism for the masses, and a Monarch slave craigslist for faceless Illuminists worldwide):

This is an American men’s magazine that features photographs of nude women. It was founded in Chicago in 1953 by Hugh Hefner and his associates. Playboy is one of the world’s best known brands, and in addition to the flagship magazine in the United States, special nation-specific versions of Playboy are published worldwide.

Pamela Anderson on the cover of Playboy magazine's January 2007 issue, the 11th time she has appeared on it (Pam has been on its cover 13 times)

Pamela Anderson on the cover of Playboy magazine’s January 2007 issue, the 11th time she appeared on it. Note the dollar $ sign on the crotch of her panties — a message to those in the know that Pam is available as a sex slave for a price

Playboy‘s iconic and enduring mascot is a stylised profile of a rabbit wearing a tuxedo bow tie, referred to as ‘Mr Playboy’. A running joke in the magazine involves hiding the logo somewhere in the cover art or photograph.

Playboy logo

Playboy logo

In an interview, Hefner explained his choice of a rabbit as Playboy’s logo to the Italian journalist Oriana Fallaci in Hugh Hefner: ‘I am in the center of the world,’ by Oriana Fallaci, LOOK magazine, January 10, 1967:

“The rabbit, the bunny, in America has a sexual meaning; and I chose it because it’s a fresh animal, shy, vivacious, jumping — sexy. First it smells you then it escapes, then it comes back, and you feel like caressing it, playing with it. A girl resembles a bunny. Joyful, joking. Consider the girl we made popular: the Playmate of the Month. She is never sophisticated, a girl you cannot really have. She is a young, healthy, simple girl — the girl next door… we are not interested in the mysterious, difficult woman, the femme fatale, who wears elegant underwear, with lace, and she is sad, and somehow mentally filthy. The Playboy girl has no lace, no underwear, she is naked, well-washed with soap and water, and she is happy.”

Some of these ‘Playmates’ are Monarch slaves:

 Linda Beatty on the cover of Playboy magazine's August 1976 issue

Linda Beatty as a Monarch butterfly on the cover of Playboy magazine’s August 1976 issue

White Rabbit as handler:

Cover for Playboy magazine's June 1967 issue

Sharon Kristie on the cover of Playboy magazine’s June 1967 issue, featuring the White Rabbit/handler keeping a watchful eye on the sex slave

Terry Ryan on the cover of Playboy magazine in December 1954

Judy Lee Tomerlin on the cover of Playboy magazine in June 1958

Beverly Kenney on the cover for the Beverly Kenney Sings for Playboys album

The White Rabbit/handler presenting his Sex Kittens on the cover of Playboy magazine's January 1973 issue

The White Rabbit/handler presenting his sex slaves (Deanna Baker, Lenna Sjooblom, Ellen Michaels, Linda Summers and Marilyn Cole) on the cover of Playboy magazine’s January 1973 issue

Nancy Jo Hopper on the cover of Playboy magazine in February 1964 — the White Rabbit is on her hand ~ handler

Margie Harrison on the cover of Playboy magazine’s June 1954 edition

Margie Harrison on the cover of Playboy magazine in January 1954 — two Margies symbolises duality/demonic possession

Then we have the Playboy Bunny, a waitress at the Playboy Club. The Playboy Clubs were originally open from 1960 to 1988. The Club re-opened a location The Palms Hotel in Las Vegas from 2006 to 2012.
Bunnies wore a costume called a ‘bunny suit’, inspired by the tuxedo-wearing Playboy rabbit mascot, consisting of a corset, bunny ears, a collar, cuffs and a fluffy cottontail.

Hefner and two Bunnies at the Playboy Mansion

Hefner and two Bunnies at the Playboy Mansion

The treatment of Playboy Bunnies was exposed in a piece written by Gloria Steinem and reprinted in her 1983 book Outrageous Acts and Everyday Rebellions. The article, published in 1963 in Show magazine as ‘A Bunny’s Tale’ (published in two parts, Part I and Part II.), detailed how women were treated at the Clubs — the exploitative working conditions of the Bunnies and the sexual demands made of them, which skirted the edge of the law.

Some of these ‘Bunnies’ are also slaves.

The Playboy Mansion is the home of Hefner in Los Angeles, California, where he likes to throw lavishly debauched parties/orgies, and where he lives with a number of women at a time. The mansion has 22 rooms, including a wine cellar, a game room, a zoo and aviary, a pet cemetery, tennis courts, a waterfall and a swimming pool area — including a patio and barbecue area, a grotto, a sauna, a bathhouse and a games house with two guestrooms equipped with only a bed, a ceiling mirror and a phone.
His image as a fast-living Lothario has done much to make success of the Playboy brand.

The Bunnies/Playmates/Sex slaves:

Paris Hilton

Paris Hilton

Kate Moss, photographed by Mert Alas and Marcus Piggott for Playboy magazine's January/February 2014 double issue, in honour of the magazine's 60th anniversary

Kate Moss, photographed by Mert Alas and Marcus Piggott for Playboy magazine’s January/February 2014 double issue, in honour of the magazine’s 60th anniversary

Jenny McCarthy on the cover of Playboy magazine’s January 2005 issue; the leopard print identifies her as as a Beta Kitten/sex slave

Deanna Brooks, Playboy's Playmate of the Month in May 1998

Deanna Brooks, Playboy‘s Playmate of the Month in May 1998

Arnold Schwarzenegger - Playboy Magazine Cover [Japan] (January 2004)

Arnold Schwarzenegger on the cover of Playboy magazine [Japan] in January 2004

Darine Stern on the cover of Playboy magazine in October 1971

Jean Parker and Mary Carlisle circa 1930s

Donna Michelle on the cover of Playboy magazine’s May 1964 edition

Rihanna in her music video for the song S&M

Reese Witherspoon in Legally Blonde

Reese Witherspoon in the film Legally Blonde

Bo Derek on the cover of Playboy magazine in March 1980

Bo Derek on the cover of Playboy magazine in March 1980

Madonna at the 'Model as Muse: Embodying Fashion' Costume Institute Gala, held at The Metropolitan Museum of Art on May 4, 2009, in New York City

Madonna

Madonna Cosmopolitan Hungary magazine May 2015

Madonna on the cover of Cosmopolitan Hungary in May 2015

Nicki Minaj in the music video for Pills N Potions

Hugh Hefner's ex-girlfriend, Holly Madison

Holly Madison

Carmen Electra, who rose to fame on the pages of Playboy

Carmen Electra

Rachel McAdams in the film Mean Girls

Rachel McAdams in the film Mean Girls

Kelly Ripa

Kelly Ripa

Kathy MacDonald on the cover of Playboy magazine in March 1969

Sally Fields on the cover of Playboy's magazine March 1986 issue

Sally Field on the cover of Playboy magazine’s March 1986 issue; note the balloons

Kim Kardashian on the cover of Playboy magazine's December 2007 issue

Kim Kardashian on the cover of Playboy magazine’s December 2007 issue

Kendra Wilkinson on the cover of Playboy magazine's December 2010 issue

Kendra Wilkinson on the cover of Playboy magazine’s December 2010 issue

Padma Lakshmi Playboy France in July 2000

Padma Lakshmi on the cover of Playboy France in July 2000

Bruce Willis

Bruce Willis

La Toya Jackson on the cover of Playboy magazine's March 1989 issue

La Toya Jackson on the cover of Playboy magazine’s March 1989 issue; the diamond earring symbolises the demons that possess her. The star shape represents Satan ~ star is a metaphor for angel

Drew Barrymore on the cover of Playboy magazine's January 1995 issue

Drew Barrymore on the cover of Playboy magazine’s January 1995 issue. Drew has lifted up her T-shirt to reveal a butterfly tattoo below her navel, symbolising her demonic possession

 Dorothy Stratten on the cover of Playboy magazine's June 1980 issue; note the Monarch butterfly on her sleeve

Dorothy Stratten on the cover of Playboy magazine’s June 1980 issue; note the Monarch butterfly on her sleeve, symbolising her demonic possession

Dita Von Teese

Dita Von Teese

Tara Reid on the cover of Playboy magazine's January/February 2010 issue

Tara Reid on the cover of Playboy magazine’s January/February 2010 issue

Valerie Perrine on the cover of Playboy magazine's August 1981 issue

Valerie Perrine on the cover of Playboy magazine’s August 1981 issue

Anna Nicole Smith on the cover of Playboy magazine's February 2001 issue

Anna Nicole Smith on the cover of Playboy magazine’s February 2001 issue. Anna is wearing diamonds, symbolising the demons that possess her

Anna Nicole Smith

Shirley Temple

Shirley Temple

Levai Adrienn on the cover of Playboy Russia magazine's June 2011 issue

Levai Adrienn on the cover of Playboy Russia magazine’s June 2011 issue

Garcelle Beauvais on the cover of Playboy magazine's August 2007 issue

Garcelle Beauvais on the cover of Playboy magazine’s August 2007 issue

Nadya Ruchka on the cover of Playboy magazine Russia's October 2012 issue

Nadya Ruchka on the cover of Playboy Russia magazine’s October 2012 issue; the bracelets represent prison bars/enslavement

Kristi Cline, Tishara Cousino and the White Rabbit on the cover of Playboy magazine's February 2002 issue

Kristi Cline, Tishara Cousino and the White Rabbit on the cover of Playboy Japan magazine’s February 2002 issue

Lana Turner

Lana Turner

Poster for the reality series Girls Next Door, which focuses on the lives of Hefner's girlfriends who live with him at the Playboy Mansion

Kendra Wilkinson, Holly Madison and Bridget Marquardt on the poster for the reality series Girls Next Door, which focuses on the lives of Hefner’s girlfriends who live with him at the Playboy Mansion. Hefner is standing in the background, representing the handler or ‘unseen hands’ that manipulate Monarch slaves; he is wearing sunglasses to portray his deceptive nature

Jessica Rabbit

Jessica Rabbit, whose husband Roger Rabbit is her handler/abuser

Jessica Rabbit and Roger Rabbit in the 1988 animated film Who Framed Roger Rabbit?

Laura Richmond as Jessica Rabbit on the cover of Playboy magazine's November 1998 issue

Laura Richmond as Jessica Rabbit on the cover of Playboy magazine’s November 1998 issue. She is wearing a maroon dress; any shade of purple represents dissociation/madness. Her arms are forming the Masonic compass and square, and she is symbolising the ‘Eye of Horus’

Katy Perry as Jessica Rabbit

Katy Perry as Jessica Rabbit

Jessica Biel as Jessica Rabbit in a Saturday Night Live sketch

Jessica Biel as Jessica Rabbit in a Saturday Night Live sketch

Heidi Klum as Jessica Rabbit

Heidi Klum as Jessica Rabbit

Diana Dors as Jessica Rabbit

Sasha Pivovarova as Jessica Rabbit, photographed by Camilla Akrans

Sasha Pivovarova as Jessica Rabbit, photographed by Camilla Akrans

Viagra (Tatyana Kotova, Meseda Bagaudinova, Albina Dzhanabayeva), also known as Nu Virgos

Viagra (Tatyana Kotova, Meseda Bagaudinova, Albina Dzhanabayeva), also known as Nu Virgos

Goldie Hawn on the cover of Playboy magazine in 1985

Goldie Hawn on the cover of Playboy magazine’s January 1985 edition

Goldie is wearing red high heels. In The Wizard of Oz (1939), Dorothy’s ruby slippers are the keys to the unlocking of stargates. The ruby slippers represent the free will of Monarch slaves that is stolen from them after they become insane, which then enables the witches to ritually sodomise the slaves to facilitate the opening of the pineal gland/spiritual portal, and invoke demons to possess them.

 Joan Severance on the cover of Playboy magazine's November 1992 issue

Joan Severance on the cover of Playboy magazine’s November 1992 issue

Natalie Imbruglia for PETA; him represents her male alter/demons that possess her

Sam Faiers as Alice in Wonderland alongside the Mad Hatter and The Queen of Hearts (both represent demons), photographed for the July 2014 issue of HOT HOT magazine

Shannon Tweed Playboy January 1990

Shannon Tweed on the cover of Playboy magazine in January 1990

Khloé Kardashian

Ten-year-old Thylane Loubry Blondeau, photographed by Sharif Hamza for the December 2010/January 2011 issue of Vogue Paris. Cadeaux in French means ‘gift, present, treat’.  Note the chains on her shoes, symbolising enslavement

Lena Hardt, photographed by Emma Summerton for Grey magazine

Lena Hardt, photographed by Emma Summerton for Grey magazine

Joan Collins on the cover of Playboy magazine's December 1983 issue

Joan Collins on the cover of Playboy magazine’s December 1983 issue

Lily Cole Playboy France magazine's October 2008 edition

Lily Cole on the cover of Playboy France magazine’s October 2008 edition

Dolly Parton on the cover of Playboy magazine's October 1978 issue

Dolly Parton on the cover of Playboy magazine’s October 1978 issue

Nastassja Kinski on the cover of Playboy magazine's May 1983 issue

Nastassja Kinski on the cover of Playboy magazine’s May 1983 issue

Diana Lynn

Diana Lynn making the ‘Shhh… signal’, which is the hand sign for demonic possession, symbolising victims can’t speak/are spiritually bound/silent

Jessica Stam in a photoshoot from the April edition of Numéro China

Jessica Stam in a photoshoot from the April 2015 edition of Numéro China; the rabbit represents the handler/programmer.

Balloons symbolise the Monarch slave as a vessel or receptacle to receive the demons that possess them

Etymology of balloon:

(chemistry) A round vessel, usually with a short neck, to hold or receive whatever is distilled; a glass vessel of a spherical form.

Alcoholic beverages such as brandy, whisky, rum or arrack are called spirits and are obtained by distillation of wine — demons are spirits.

Kirstie Alley in A Bunny's Tale

Kirstie Alley in A Bunny’s Tale

Betty White

Betty White

Will Ferrell

Will Ferrell

Carol Willis on the cover of Playboy magazine's July 1970 issue

Carol Willis on the cover of Playboy magazine’s July 1970 issue. Carol is underwater. This is the Monarch slave’s experience — a constant feeling of being trapped underwater and unable to break free

LeAnn Rimes

LeAnn Rimes

Maki Onuki, photographed by Dean Alexander

Maki Onuki of The Washington Ballet, photographed by Dean Alexander

Lady Gaga on the cover of Neo2 magazine's September 2009 issue. Photo by Olivier Rauh

Lady Gaga on the cover of Neo2 magazine’s September 2009 issue

Alber Elbaz, photographed by Tim Walker in Paris 2009 (appeared in the New Yorker)

Alber Elbaz, photographed by Tim Walker in Paris 2009 (appeared in The New Yorker)

Steve Martin

Steve Martin

Cintia Dicker

Cintia Dicker

Christopher Walken

Christopher Walken

Binx Wilson by Sølve Sundsbø,

Binx Wilson, photographed by Sølve Sundsbø; the colour purple signifies dissociation/madness

Ondria Hardin, photographed by Karl Lagerfeld

Ondria Hardin

Ewan McGregor, photographed by Alexi Lubomirski

Ewan McGregor, photographed by Alexi Lubomirski

Anna Faris on The House Bunny poster

Anna Faris on The House Bunny poster

Michèle Morgan in 1951

Michèle Morgan in 1951

Jon Hamm

Jon Hamm

Susan Hayward

Susan Hayward

Megan Fox

Megan Fox

Paloma Faith

Paloma Faith

Natalia Vodianova on the cover of Tatler magazine in May 2011

Natalia Vodianova on the cover of Tatler magazine in May 2011

Janis Hansen

Janis Hansen

Marc Jacobs

Marc Jacobs

Miley Cyrus leaving ABC studios after Jimmy Kimmel Live in Los Angeles, U.S., in August 2015

Miley Cyrus leaving ABC studios after Jimmy Kimmel Live! in Los Angeles, U.S., in August 2015

Audrey Kitching

Audrey Kitching; the pink hair identifies her as a prostitute/Pink Panther, the pink and black hair symbolises duality (see Pink Panther and Duality/Black Mass)

Elsa Peretti, photographed by Helmut Newton

Elsa Peretti, photographed by Helmut Newton; note the cigarette

Zooey Deschanel

Zooey Deschanel

Rosie Huntington-Whiteley

Rosie Huntington-Whiteley

Emma Watson

Emma Watson

Victoria Beckham

Victoria Beckham

Beyoncé; note the clock

The clock alludes to the White Rabbit/handler who keeps checking time (demons travel through time and space from their spiritual realm to get to our physical realm) and who led Alice down the rabbit hole (ritual sodomy) into Wonderland/dissociation (demonic possession):

Alice in Wonderland White Rabbit

Blue Ivy Carter

Blue Ivy Carter (Beyoncé’s daughter); the white rabbit represents her handler

Rita Ora

Rita Ora

George Reeves

George Reeves; the white rabbit represents his handler

Daria Werbowy Flare Canada magazine September 2009

Daria Werbowy, photographed for Flare Canada magazine in September 2009

Kourtney Kardashian

Kourtney Kardashian

Kendall Jenner

Kendall Jenner

Kylie Jenner Fault magazine

Kylie Jenner on the cover of Fault magazine

Brooklyn Decker

Brooklyn Decker

Ariana Grande

Ariana Grande

Britney Spears

Chrissy Teigen

Chrissy Teigen

Nina Agdal and Robin Marjolein

Nina Agdal and Robin Marjolein

Lana Del Rey

Lana Del Rey

Katy Perry

Katy Perry

Naomi Campbell by David LaChapelle

Naomi Campbell as a ‘Chocolate Bunny’, photographed by David LaChapelle

Naomi Campbell on the cover of V magazine

Nadja Auermann, photographed by Richard Avedon for Versace in 1994

Nadja Auermann, photographed by Richard Avedon for Versace in 1994

Mariah Carey, Nick Cannon and their children Moroccan Scott and Monroe

Doutzen Kroes

Nicole Scherzinger

Irina Shayk

Irina Shayk

Meghan Collison, photographed by Terry Tsiolis for Vogue Russia, November 2007

Meghan Collison, photographed by Terry Tsiolis for Vogue Russia, November 2007

Helen Flanagan

Renée Zellwegger in the film Bridget Jones Diary

Magdalena Berus

Magdalena Berus, photographed for Fiasco magazine

Nicole Richie

Nicole Richie

Ola Rudnicka by Boe Marion for Vogue Netherlands April 2014

Ola Rudnicka, photographed by Boe Marion for Vogue Netherlands in April 2014

Kelly Brook

Dakota Fanning

Dakota Fanning

Sharon Stone on the cover of Playboy magazine’s December 1992 issue

Phoebe Tonkin

Candice Swanepoel

Bridget Marquardt

Bridget Marquardt

Krysten Ritter

Olympia Valance

Doe Deere

Doe Deere; the purple hair and lipstick signify dissociation

Helena Schröder Vogue Hellas January 2010

Helena Schröder on the cover of Vogue Hellas in January 2010

Samantha Fox

Samantha Fox; the guitar is a phallic symbol, and also represents the music used to drive her insane

Doris Day

Doris Day

Fearne Cotton and Holly Willoughby

Lara-Stone-Glamour-Spain-December-2015-

Lara Stone, photographed for Glamour Spain magazine’s December 2015 issue

Romy Schneider, Playboy Magazine [Italy] (August 1980)

Romy Schneider on the cover of Playboy Italy magazine’s August 1980 edition

Cara Delevingne Garage magazine

Cara Delevingne on the cover of Garage magazine

Karen Elson photographed by Steven Meisel for Vogue Italia

Karen Elson, photographed by Steven Meisel for Vogue Italia

Bernie Mac Life magazine

Bernie Mac on the cover of Life magazine

Shakira

Shakira

Toni Braxton

Toni Braxton

Holly Robinson Peete

Holly Robinson Peete

Lindsay Lohan Playboy

Lindsay Lohan on the cover of Playboy magazine’s January/February 2012 edition

Kim Kardashian

Kim Kardashian

Sandra Kubicka

Sandra Kubicka

Kate Upton

Kate Upton

Ahn So-hee photographed for Elle magazine

Ahn So-hee photographed for Elle magazine

Suri Cruise

Suri Cruise

Nick Jonas, photographed for Out magazine in May 2016; the stuffed tigers identify him as a prostitute; the stuffed dogs identify him as a courier; the teddy bear represents the demons that possess him (see Marionette)

Gloria Steinem

Gloria Steinem

Steel Panther

Steel Panther (Ralph Saenz (Michael Starr), Darren Leader (Stix Zadinia), Travis Haley (Lexxi Foxx), and Russ Parrish (Satchel))

Eva Ionesco as Alice in Wonderland by Irina Ionesco in 1970 appeared in Vogue Nippon November 2007

Eva Ionesco as Alice in Wonderland, photographed by Irina Ionesco in 1970; appeared in Vogue Nippon’s November 2007 issue. The owl represents Satan and it’s symbolising the ‘Eye of Ra’

Amanda Holden

Amanda Holden

Amber Smith on the cover of Playboy magazine in  March 1995; the colours purple and yellow signify dissociation and fear (see Dissociation/Fear)

Selma Blair

Selma Blair

Leola Bell

Leola Bell

Through the Looking-Glass, which represents the Monarch slave going mad :

Alice Through the Looking Glass Alice perched on the mantel, longing to escape into the shadow world, photographed by Annie Leibovitz for Vogue magazine

Alice Through the Looking Glass: Natalia Vodianova, photographed by Annie Leibovitz for Vogue US magazine in December 2003

Elle Fanning as Phoebe in Wonderland

Elle Fanning as Phoebe in Wonderland (2008)

Robbie Williams in the music video for You Know Me, where he listens to music, and starts drifting off (dreaming is often used as a symbolic dissociation mechanism) and into dissociation (through the typical showbiz mirror with lights around it, which flash on and off as he dissociates/climbs through the mirror into Wonderland

Robbie Williams in the music video for You Know Me, where he listens to music, and starts drifting off (loud, incessant music is used to drive Monarch slaves insane, then they are drugged (dissociation) and ritually sodomised for demons to possess them. Note the showbiz mirror with lights around it, which flash on and off — ‘the lights are on, but no one’s home’ is slang for insanity

Robbie Williams in the music video for You Know Me2

robbie williams

Whitney Houston I'm Your Baby Tonight

Whitney Houston in the music video for I’m Your Baby Tonight. Note the circular mirror on the right, the spirals (denoting descent into madness) on either side of the window, and the light and dark floor signifying duality

Whitney Houston I'm Your Baby Tonight2

Whitney walks over to the mirror — the hand on the other side represents the demons that have been invoked to possess her, which become a slave’s alter personas

Whitney Houston I'm Your Baby Tonight3

Whitney and her reflection mirror each other against the mirror, symbolising duality: demons mimic a Monarch slave’s voice and mannerisms, stealing the slave’s identity

Whitney Houston I'm Your Baby Tonight4

Whitney climbs through the mirror into Wonderland — symbolising her being subdued with drugs after becoming mad, then being possessed by demons that bind her spiritually

Whitney Houston I'm Your Baby Tonight5

Morten Harket in the music video for A-ha's Take on Me

Morten Harket in the music video for A-ha’s single Take On Me.

Morten is trapped inside a comic book — Wonderland/dissociation, after being driven insane and possessed by demons which bind him spiritually.

A girl in a café reading it falls in love with him and manages to enter his world — the girl represents the demons that possess Morten and ‘enter his world’ or his body.

Morten is trapped ‘through the looking glass’, symbolising his dissociation or madness.

The girl later escapes back into the real world — after demons possess the slave, they mimic their voice and mannerisms and steal the slaves’ identity; they are the ones that interact with the outside world.

The blurring of reality and fantasy

The demonic possession of Morten Harket

Morten tries to break out of the fantasy world

Morten tries to break free of demonic possession and leave the fantasy world/dissociation/Wonderland, symbolised by his throwing himself against the walls

A-ha Take On Me5

He finally breaks out and enters the real world

He is drugged and subdued, ritually sodomised and more demons invoked to possess him, and he returns to his former state of dissociation

Guinevere Van Seenus and Robert McKinnon for Kenzo Paris

Guinevere Van Seenus and Robert McKinnon (entering into a state of madness) in and advertisement for Kenzo Paris

Size distortion, which represents the Monarch slave descending into madness:

Peaches Geldof as Alice in Wonderland, photographed for Company magazine

Nicki Minaj

Beyoncé in the video for her song Kitty Kat

Beyoncé in the video for her song Kitty Kat

Jack Black in Gulliver's Travels

Jack Black in Gulliver’s Travels

Natalia Vodianova, photographed by Annie Leibovitz

Natalia Vodianova, photographed by Annie Leibovitz for Vogue US in December 2003

Ekaterina Volkova by Timur Artamonov for Elle Russia March 2010

Ekaterina Volkova, photographed by Timur Artamonov for Elle Russia in March 2010

Amanda Seyfried Vogue Italia July 2002

Amanda Seyfried, photographed for Vogue Italia’s July 2002 edition

Pink flamingos appear in Lewis Caroll’s book, and are used to symbolise Alice in Wonderland. Ancient Egyptians considered this creature to be a living representation of their god Ra. Ra is Satan — demons are the offspring of the devil and fallen angels ~ pink flamingos represent demonic possession.

Beyoncé in the music video for Party

Beyoncé in the music video for Party

Selena Gomez in Disney's Princess Protection Program

Selena Gomez in Disney’s Princess Protection Program

 Nastya Kusakina, photographed by Lena Manakai for Elle Kazakhstan in December 2015

Nastya Kusakina, photographed by Lena Manakai for Elle Kazakhstan in December 2015

Demi Lovato Complex magazine October 2015 pink flamingo

Demi Lovato, photographed for Complex magazine in October 2015

William Shatner and James Spader as flamingos in the American series Boston Legal

'Alice in Wonderland’ with John Galliano as the Queen of Hearts, Alexis Roche as the King of Hearts and Natalia Vodianova as Alice, photographed by Annie Leibowitz for Vogue magazine's December 2003 edition

‘Alice in Wonderland’ with John Galliano as the Queen of Hearts, Alexis Roche as the King of Hearts (both represent demons) and Natalia Vodianova as Alice, photographed by Annie Leibowitz for Vogue magazine’s December 2003 edition

Camille Rowe ELLE France March 2013

Camille Rowe, photographed for Elle France magazine in March 2013

Jennifer Lawrence; the parrot identifies her as an interpreter

Amanda Seyfried playing flamingo croquet, photographed by Mark Seliger for Vogue Italia

Amanda Seyfried playing flamingo croquet, photographed by Mark Seliger for Vogue Italia magazine

Catherine Deneuve, photographed by David Bailey for Vogue magazine in 1968

Catherine Deneuve, photographed by David Bailey for Vogue magazine in 1968

Mélodie Monrose in Harper's Bazaar Nevember 2013

Mélodie Monrose, photographed for Harper’s Bazaar magazine’s November 2013 edition

Kotuleva Yulia Gennadevna Harper's Bazaar Indonesia June 2009

Kotuleva Yulia Gennadevna, photographed for Harper’s Bazaar Indonesia in June 2009

 

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Monarch slaves

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In witchcraft, there is a technique used to create undetectable total slaves. Victims are dehumanised and debased — they are drugged and subjected to Satanic Ritual Abuse (SRA), then extreme torture and trauma, using verbal, physical and sexual abuse.

Within the occult world, the entire study of demonology is wrapped around the geometric shapes that serve as focal points for demons (such as made by crystals and pyramids), and the portals by which demons can enter the human body. A demon has to be materialised (conjured) to enter into a body/possess a slave. Geometric shapes which are believed to attract demons are placed in the room where the witchcraft is being conducted.

There are Kabbalistic grades within Freemasonry. Sex slaves are used by the higher and more occult Masonic rites. These sex slaves are subjected to all types of perverse magical rituals. The Kabbalah teaches intercourse with demons (Monarch slaves are given to demons for their sexual gratification).

Theurgy is the skill or ability to invoke demons variously called angels of light or genii or elemental spirits. Demons come with a price and that price is blood. Satanism and Luciferianism and other similar blood cults are cults that require blood to be sacrificed to pull in demons. For instance, blood may be taken from both the tongue and the genital area and mixed in a certain ceremony to invoke a particular demon (called ‘spirit cooking’). Demons are not bought with gold or silver, they are bought with blood.

Some spirits are invoked by placing alcoholic enemas into the child; these children get totally intoxicated, some to the point that they die from the ceremony. An example of an important ritual for the victim is the baptism of the victim to Satan; Satan may be called Set in the ritual. There are variations to this ceremony, so a victim’s personal baptism may vary in some or all of the details.

This is an actual variation of the ritual performed on Monarch slaves:

The victim is stripped and given a purple robe, then he/she is placed inside a pentagram, and an altar, then a nude woman or child is brought forward. A horse or jackal is inscribed with the word ‘nebebka’ on the neck of forehead. Then the animal is sacrificed to whatever name the group is using for Satan (such as Set or Saman). The abdomen of the animal is split open completely, and the liver removed, then the four spirits of the four watchtowers are invoked. The slave being baptised is smeared with fat from the dead animal, and then a demon is summoned by ringing a bell to possess the slave. The slave is then placed into the animal’s belly. A part of the raw liver is given to the child and the rest eaten by the group.

The slave is then baptised by blood. A cut called the ‘Devil’s Seal’ is placed on the slave’s left hand, on the armpit or on the upper part of the head. This in Kabbalism is the ‘Mark of Foundation’. The priest reads out the Book of Satan and the Book of Names and the victim repeats after the priest. In this way the priest ritually gives the victim a new name.

The Dance of Hod (Glory — the sphere on the bottom left of the C Tree of Sephiroth) is then began in a circular motion by the cult, to oppose Netsah (Victory — the sphere on the bottom right of the tree). The priest of the coven will then dismiss the demon(s) he has conjured. Sometimes the ritual is performed with a child sacrifice instead of an animal, and sometimes it is done in conjunction with another ritual, such as that of All Hallow’s Eve.

To empower demonic possession, special rings which have been dipped in the blood of sacrificed victims are given to the slave. The rings are used as focal points to ensure the continued demonisation of the slave. Some examples of this would be a Blue Topaz ring, a Black Onyx ring or a Diamond ring. Slaves are also given amulets to wear to reinforce demonic possession, such as crosses, winged discs, feathers, rosaries, birds, bird’s wings, eyes, charm bracelets, beads, gemstones, pentagrams, etc.

Witches force the slave to make blood covenants, contracts, oaths and to shed innocent blood. What various witchcraft and Illuminati slaves experience is Satan drawing blood from their left hand, and causing them to write in their own blood a formal contract entering his service in the Great White Book; an important Illuminati document.

After the Satanic Ritual Abuse is completed, slaves are imprisoned in a room with bright lights, playing incessant loud music and transmitting radio waves, and forced to watch horror movies and pornography.

Radio waves are quite different from the acoustic waves our ears detect. However, it is possible for radio waves with frequencies within or near the spectrum of hearing to produce electrical effects within our bodies or mechanical vibrations from the surrounding environment to be sensed as sound. High-power Extremely Low Frequency (ELF) radio frequency (RF) with electric field levels in the low kV/m range are known to induce perceivable currents within the human body that create an annoying tingling sensation. These currents will typically flow to ground through a body contact surface such as the feet, or arc to ground where the body is well insulated.

 Natalie Portman, holding a radio, symbolising radio waves used to torture Monarch slaves

Natalie Portman holding a radio, symbolising radio waves used to torture Monarch slaves

Torture is also conducted through double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with hallucinogens which alter certain cerebral functions (such as LSD).

In 1958, Freemason Dr Patrick Flanagan invented a device he called the Neurophone, an electronic nervous system excitation instrument that transmits sound through the skin directly to the brain. It can successfully programme suggestions directly through contact with the skin. The skin (the largest organ of the integumentary system, which consists of hair, nails, nerves and exocrine glands) contains more sensors for heat, touch, pain, vibration, and electrical fields than any other part of the human anatomy.

This instrument is used in the torture of Monarch slaves.

When they become mad as a result of this treatment, they are ritually sodomised for spiritual doors to open and allow in demons that are invoked from hell to possess them and control them (demonic possession is accompanied by a burning sensation). These demons become their alter personas that mimic their voice and mannerisms, and carry out their missions.

Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies. Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually.Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies. Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually.

The Cranberries’ song titled Zombie talks about Monarch slaves (The Cranberries are Monarch slaves) — the violence that leads to silence is the torture that drives Monarch slaves insane, who are then silenced by the spiritual binding of demonic possession.

‘It’s not me’ means that the Monarch slave has been replaced by the demons that possess him or her.

‘It’s not my family’ refers to the legion of demons that possess and control Monarch slaves. The fighting refers to the constant spiritual battle between Monarch slaves and the demons that possess them.

The crying refers to the screams of Monarch slaves when they ‘wake up’ and are fighting their demonic possession. These are the screams of a lunatic.

The bombs exploding symbolises the process of becoming insane.

Nineteen-sixteen (1916) — in occult symbolism, the number 19 symbolises the unit being established between the multiplied parts and by an act of reciprocal solidarity, or legion of demons invoked; the number 16 is considered as the final number of the emanation, it represents the incarnation completed, or demonic possession:

Zombie

Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken

But you see it’s not me
It’s not my family
In your head, in your
Head they are fighting
With their tanks and their bombs
And their bombs and their guns
In your head,
In your head they are cryin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey, oh
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou

Another mother’s breakin’
Heart is taking over
When the violence causes silence
We must be mistaken

It’s the same old theme since nineteen-sixteen
In your head,
In your head they’re still fightin’
With their tanks and their bombs
And their bombs and their guns
In your head, in your head they are dyin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey
Oh, oh, oh, oh, oh, oh, oh
Hey, oh, ya, ya-a

Whenever Monarch slaves fight their demonic possession and their lunacy manifests, they become wild and are drugged, then subdued with electrocution using the Electrocardiogram (EEG) machine and the electroconvulsive therapy (ECT) machine, then ritually sodomised to open up spiritual doors for more demons to possess them. These demons spiritually bind the slave (see Duality/Black Mass and Roman Holiday).

EEG Skull Caps that are able to read your brain waves for MK ULTRA projects

EEG Skull Caps that used to electrocute Monarch slaves to subdue them when they fight their demonic possession

There is no such thing as mind control programming, Monarch slaves are driven COMPLETELY INSANE and it is impossible to manipulate them mentally.

Monarch slaves are named after the Monarch butterfly (Danaus plexippus) –which represents the demons that possess them.

Monarch butterfly

Monarch butterfly

The techniques go back to ancient Babylon, Persia, Greece, Rome and Egypt to the ancient mystery religions, and further back — to antediluvian times and the knowledge taught to mankind by the fallen angels. The alter personas of a Monarch slave are different demons.

Titles used to refer to the various techniques of a Monarch slave are steeped in demonism: Alice in Wonderland symbolises ritual sodomy, Wizard of Oz symbolises Satan, Mickey Mouse symbolises witchcraft (see Looney Tunes), Smurf symbolises demons, Betelgeuse symbolises Satan, Peter Pan symbolises Satan, Frog symbolises the aquatic hybrids created in the pre-flood world by the fallen angels that taught post-flood mankind the forbidden knowledge stolen from heaven.

Some labels used to symbolise Monarch slaves are Beta (Sex slave or prostitute), Delta (special agents or elite soldiers/assassins, Theta (Psychic warfare or the use of thought energy to kill someone at a distance, and Omega (Self-destruct).

(Keep in mind that the REAL handlers and masters are: DEMONS, FALLEN ANGELS and SATAN. Even those who are not Monarch slaves; such as the Freemasons/Illuminati, including the bloodline families, are still slaves. As long as you are serving demons/fallen angels you will always be enslaved, no matter how rich and powerful you are. ANYONE can be a slave/handler: Lawyers, doctors, journalists, astronauts, scientists, teachers, news anchors, actors/actresses, musicians, writers, poets, dancers, engineers, mechanics, waiters/waitresses, shopkeepers, athletes, politicians, presidents, prime ministers, royalty, soldiers, even homeless people; all used to further the Illuminati’s evil agenda.)

Slaves are sodomised to open spiritual doors for demons to possess them. After that they live in a permanent state of dissociation and fear. The rabbit hole is a metaphor for the rectum, and traversing it with ritual sodomy has been the standard means of creating Monarch slaves for thousands of years. In Alice’s Adventures in Wonderland, Lewis Carroll’s white rabbit has a pocket watch he keeps checking (demons travel through time and space from their spiritual realm to get to our physical realm). He was in and out of the rabbit hole, as the psychopomp Hermes, and Anubis, and his going in and out of the rabbit hole signifies sodomy.

Masks represent the demons behind which the slave’s spirit is isolated. The slave’s spirit is detached and isolated inside, behind the demons who interface with the outside world. These demons mimic the slave’s persona and steal the slave’s identity. Monarch slaves are identified by a wide array of odd names — code names for the different alters or demons.

This is why Monarch slaves are able to converse in multiple languages, even ancient languages, known to demons.

Monarch  slaves are driven to madness by their torture, before demonic installation — the demons then have complete control of the slaves and turn them into robots, so even if a slave were to be delivered from their demonic possession, they would be dysfunctional maniacs because they are completely mad. This is why whenever they are fighting their demonic possession in a spiritual battle against the demons — they become wild; destructive, aggressive, self injurious and maniacal.

The 27 Club is a a myth created by Monarch slave handlers. There is no mystery as to why a certain number of celebrity Monarch slaves die at the age of 27 — these slaves die while being electrocuted to subdue their madness when it manifests as they are fighting their demonic possession. It is simply a coincidence that a number of celebrity slaves have died at the age of 27.

Wigs, hair cuts, changing hair colour and eye colour are used to symbolise a slave’s different alter personas or the demons that possess them.

Lady Gaga with a wig

Lady Gaga with a wig; the necklaces are amulets

Charlize Theron

Charlize Theron with long hair, left, and shorter hair, right (see Roman Holiday)

Jennifer Lopez with her natural hair colour, left, and with blonde hair, right

Jennifer Lopez with brunette hair, left, and blonde hair, right

Paris Hilton

Paris Hilton with brunette, blonde and red hair, all symbolising her alter personas/demons (Paris’ hair is naturally dirty-blonde)

Kanye West with his natural eye colour, left, and with blue contact lenses, right, to identify his alter persona

Kanye West with his natural eye colour, left, and with blue contact lenses, right

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right, to identify her alter persona

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right

As different demons take over the Monarch slave, there is an almost imperceptible facial distortion, and the face is slightly altered with each switch.

 Beyoncé; the demons that possess her can be seen in the distortion on her face

Beyoncé; the demons that possess her can be seen in the distortion on her face

In some instances, the eyes of the demons are visible during the switch:

Oprah Winfrey

Oprah Winfrey

Michelle Obama

Michelle Obama

Barack Obama

Barack Obama

Patricia Velasquez Eyes and Face Shift on the show Arrested Development

Patricia Velasquez on the American sitcom Arrested Development; note her teeth and facial distortion

Nicki Minaj

Nicki Minaj

Many of the celebrities we idolise are Monarch slaves and can be identified by symbols evident in their dressing, music videos, movies and the brands they promote/advertisements. When we idolise them, we are really idolising the demons that possess them, which enable them to perform; a good example of this is Michael Jackson, whose gravity defying dance moves are a result of the demons that controlled him from within. Whenever you watch movies with Monarch slaves or listen to their music and watch the videos, you are condoning this barbaric, Satanic practice (see The Music Man and Movies and Magic).

The butterfly is the mascot/identifier of Monarch slaves. The agenda of the Illuminati is to use these slaves to colonise our minds through the media:

Muse Drones

Album cover for Muse’s Drones; an unseen handler controlling a slave

A drone is someone who follows a schedule and doesn’t change it — a slave with no free will of their own, used to brainwash the public into mindlessly following orders, adhere to ideologies and uncritically obey laws; thereby creating more drones.

The noun’s original meaning is used in context with ‘social’ insects such as bees, which are ordered into a hive structure. In an insect hive, drones are the workers – the ones gathering food, building the hive — in short: maintaining the hive, controlled by the queen, or driven by some common instinctual fellowship and hierarchical order.

Tattoos are put on celebrities who are Monarch slaves as hexes to bind them spiritually/keep them in line when they begin to fight their demonic possession (then they are required to attend ‘rehabilitation’ for electrocution and more demonic installation). These tattoos are etched on by shamans, who chant ancient incantations and burn incense to facilitate the spiritual binding of the tattoos.

(Amy Winehouse’s song Rehab is about her fighting her demonic possession, and a prelude to her her subsequent sacrificing.)

Celebrity charity boards/foundations are fronts for prostitution, human trafficking and drug peddling.

Just as the Monarch butterfly is the mascot/identifier of Monarch slaves, there are other mascots to identify slaves:

Dogs for Couriers/Wizard of Oz

Cats for Prostitutes/Beta Kittens

Rabbits and Mirrors for Prostitutes/Alice in Wonderland

Mickey Mouse Ears for Spies/Mickey Mouse

Guns, knives and swords for assassins/Delta

Gun or knife held to the self for suicide/Omega

Blue hair for hackers/Smurf

Orange hair for cryptanalysts/Betelgeuse

Green hair for aquatic hunters/Frog

Grey hair for psychic assassins/Theta

Red hair for prostitutes/Sex slaves

Pink hair for prostitutes or sex slaves/Pink Panther

White glove for no free will/Peter Pan

Bird cages, cages, chains, dog collars and buckles for enslavement

Marionettes, puppets, dolls and mannequins for enslavement

Purple for dissociation or madness

Blue and Yellow hair for dissociation/fear

Black and White for duality or demonic possession

Black and Red for sacrifice/Black Mass

Blue and Red for duality or demonic possession

(see Wizard of Oz, Beta Kitten, Alice in Wonderland, Peter Pan and Mickey Mouse)

The Disney Channel constantly makes announcements encouraging parents to take their children for auditions. During recruitment, they target mainly children from single-parent and abusive homes, since the parents overworked and will often be relieved to have the child taken off their hands and into the custody of a ‘mentor’ (handler).

Here are some of the places where the Monarch butterfly appears:

Cover for Mariah Carey's album Butterfly

Cover for Mariah Carey’s album Butterfly. The butterfly belly chain is an amulet

Advertisement for Mariah's Luscious Pink perfume

Advertisement for Mariah’s Luscious Pink perfume

Mariah's butterfly tattoos

Mariah’s butterfly tattoos

Mariah Carey I Want To Know What Love Is

Mariah Carey in the music video for I Want To Know What Love Is (2009)

Mariah Carey I Want To Know What Love Is2

Album cover for Emiliana Torrini's Merman

Emiliana Torrini on the album cover for Merman

Hilary Duff

Hilary Duff

Erykah Badu

Jacquelyn Jablonski Vogue Russia October 2012

Jacquelyn Jablonski, photographed for Vogue Russia magazine’s October 2012 issue

Abbey Lee Kershaw in Russian Vogue

Abbey Lee Kershaw in Vogue Russia

Miranda Kerr

Miranda Kerr

Barbara Palvin

Barbara Palvin

Anne Vyalitsyna at the 2011 Victoria's Secret Fashion Show

Anne Vyalitsyna at the 2011 Victoria’s Secret Fashion Show

Karlie Kloss

Karlie Kloss

Ana Beatriz Barros

Ana Beatriz Barros

Gigi Hadid at Victoria's Secret Fashion Show 2015

Gigi Hadid at Victoria’s Secret Fashion Show 2015

Devon Windsor at the 2014 Victoria's Secret Fashion Show

Devon Windsor at the 2014 Victoria’s Secret Fashion Show

Heidi Klum wearing a Monarch butterfly bracelet; the ring is an amulet

Heidi in an advertisement for LG phones

Heidi in an advertisement for LG phones

Poster fo Michael Jackson's Immortal world tour

Poster for Michael Jackson’s Immortal world tour; bursting from Michael are butterflies, which represent the demons that possess him

Monarch Butterfly topiary on Michael's Neverland Ranch

Monarch butterfly topiary on Michael’s Neverland Ranch, Santa Barbara County, California, U.S.

Cover for Michael's single Butterflies

Cover for Michael’s single Butterflies. The colours black, white and red symbolise Black Mass and Duality; and the butterfly is partly a mirror image of a facial profile, representing duality

Cover for Taylor Swift's debut album

Cover for Taylor Swift’s debut album

Cover for Mylene Farmer's single L'Histoire D'une Fée C'est ... (The Story of a Fairy Is...)

Cover for Mylene Farmer’s single L’Histoire D’une Fée C’est… (The Story of a Fairy Is…)

Alizée

Alizée

Uma Thurman

Uma Thurman

Amber Anderson in the Madly Kenzo advertisement

Amber Anderson in a Madly Kenzo advertisement

Salma Hayek

Salma Hayek

salma-hayek-tattoo

Beyonce with a Monarch Butterfly covering her left eye, symbolising the 'eye of horus'

Beyoncé with a Monarch butterfly covering her left eye, symbolising the ‘Eye of Horus’

Carla Bruni on the cover of Elle magazine

Carla Bruni on the cover of Elle magazine

Katy Perry

Katy Perry

Drew Barrymore

Drew Barrymore

Drew Barrymore on the cover of Jane magazine in September 1997

Drew Barrymore on the cover of Jane magazine in September 1997

Take That (Gary Barlow, Howard Donald and Mark Owen)

Take That (Gary Barlow, Howard Donald and Mark Owen); note the cross, and the sun denoting sun worship (see The cross and Sun worship)

Mel B on the cover for the single For Once In My Life

Naomi Campbell

Naomi Campbell

Joanna McCormick on the cover of Vogue magazine in July 1957

Paris Hilton at NBC’s Access Hollywood Golden Globe Party in 2004

Paris Hilton

Michelle Obama painting a Monarch butterfly on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C.

Michelle Obama painting a Monarch butterfly on a mural on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C., U.S.

 Bronze statue of a young Barack Obama holding a Monarch butterfly, in Indonesia. Obama, a Monarch slave, was groomed from childhood to be the first Black American president

Bronze statue of a young Barack Obama holding a Monarch butterfly, Menteng Park, Jakarta, Indonesia, celebrating Obama as a Monarch slave

Poster for the film Mama

Jessica Chastain in the film Mama

Brandy Norwood

Brandy Norwood

A masked Mia Farrow at Truman Capote's Black and White Ball in 1966

A masked Mia Farrow at Truman Capote’s Black and White Ball in 1966

Jean Shrimpton, photographed for Elle magazine circa 1960

Mohammad Ali, whose symbolic 1964 quote "Float like a butterfly, sting like a bee, your hands can't hit what your eyes can't see" became his trademark

Muhammad Ali, whose symbolic 1964 quote “Float like a butterfly, sting like a bee. Your hands can’t hit what your eyes can’t see” became his trademark. This is coded language that means Muhammad Ali, who was insane, was not the real boxer since he ‘can’t see’, so the fighting was being conducted by the demons (butterflies) that possessed him

Shia Labeouf

Shia LaBeouf

Cover for Justin Timberlake's album The 20/20 Experience

Cover for Justin Timberlake’s album The 20/20 Experience

Madonna

Madonna

Queen Latifah

Queen Latifah

Twiggy on the cover of Vogue magazine

Twiggy on the cover of Vogue magazine

Shakira

Shakira

James Corden with fake tattoos, photographed for WSJ magazine in March 2016

Harry Styles

Dolly Parton on the album cover for Love Is Like A Butterfly

Francesco Gabbani

Azealia Banks

Azealia Banks making the ‘Shhh… signal’, which is the hand sign for demonic possession, symbolising victims can’t speak/are spiritually bound/silent

Album cover for Janis Joplin's Rare Pearls

Album cover for Janis Joplin’s Rare Pearls; note the sun (sun worship) and the All-Seeing Eye on the car’s bonnet

Jenni Rivera

Jenni Rivera

Will Ferrell, photographed by Mark Seliger for New York Magazine

Will Ferrell, photographed by Mark Seliger for New York Magazine

Gemma Ward, photographed for Vogue Paris, October 2005

Gemma Ward, photographed for Vogue Paris, October 2005

Britney Spears

Britney Spears

Martha Stewart on the cover of the special annual Halloween issue of her magazine

Martha Stewart on the cover of the special annual Halloween issue of her magazine

André 3000

André 3000

LeAnn Rimes

LeAnn Rimes

The Very Best Of Deee-Lite

Album cover for The Very Best Of Deee-Lite

Mae West

Mae West

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff butterfly

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Moa Åberg by Camilla Akrans for Vogue Italia March 2013

Moa Åberg, photographed by Camilla Akrans for Vogue Italia in March 2013

Natasha Poly by Txema Yeste

Natasha Poly, photographed by Txema Yeste for Vogue Russia

Tisha Campbell-Martin in the Steel Here music video

Tisha Campbell-Martin in the Steel Here music video

Anastacia

Barbara Palvin, photographed for Vogue magazine; the emeralds identify Barbara as a drug mule, the diamonds represent the demons that possess her (see Metals and Jewels)

Lady Gaga at the Museum of Contemporary Art

Lady Gaga performing at the Museum of Contemporary Art

Lina Zhang by Julia Noni for Vogue Russia September 2013

Lina Zhang, photographed by Julia Noni for Vogue Russia, September 2013

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Farrah Fawcett releases a live Monarch butterfly in commemoration of comedian Rodney Dangerfield's one year anniversary death at the comedian's home in West Hollywood, California, October 5, 2005

Farrah Fawcett releasing a live Monarch butterfly from a designer box

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Mo'Nique

Mo’Nique

Tom Felton

Tom Felton

Janelle Monáe

Janelle Monáe, photographed for Teen Vogue in 2010. Janelle is wearing a bow tie, which in French is nœud papillon — ‘butterfly knot’. She is wearing black and white, symbolising duality/demonic possession. The reference to Tim Burton movies, which are horror films, symbolises the horror movies used to  drive her mad

Rihanna with a bow tie

Rihanna with a bow tie, which in French is nœud papillon — ‘butterfly knot’. The leopard print identifies her as a Beta Kitten, the three rows of rhinestones that form the knot and the diamond earring represent the demons that possess her; the black and white stripes signify duality

Madonna with a diamante encrusted bow

Madonna with a diamanté encrusted bow tie, which in French is nœud papillon — ‘butterfly knot’

Willow Smith Teen Vogue, May 2016

Willow Smith on the cover of Teen Vogue in May 2016, with a pink bow tie, which in French is nœud papillon — ‘butterfly knot’

Miley Cyrus - Butterfly Fly Away

Miley Cyrus on the cover of her single Butterfly Fly Away

Brooke Kinsella

Brooke Kinsella

Vanessa Hudgens

Vanessa Hudgens; note the sun burst earring

Christina Aguilera

Christina Aguilera

Robbie Williams at the Apple Music Festival at The Roundhouse, London, England in 2016. The tiger on his underwear identifies him as a sex slave; he wore the same underwear in his Rock DJ music video

Trudie Styler

Trudie Styler

 

Open Your Eyes.