Tag Archives: madness

Hotel California

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Cover for the Eagles' single Hotel California

Cover for the Eagles’ single Hotel California; note the sun, denoting sun worship

Hotel California is the title track from the Eagles’ album of the same name and was released as a single in February 1977.

‘Hotel California’ is a metaphor for the madness and demonic possession of Monarch slaves (see Monarch slaves and Roman Holiday).

It is a song that causes a lot of debate, because its lyrics are esoteric; full of symbolism like all music (see The Music Man).

However, if you interpret the symbols, you will see that it is a song about drugs, witchcraft, Monarch slaves, Satan, demons, and human sacrifice.

Here are the lyrics:

On a dark desert highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
“This could be Heaven or this could be Hell.”
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say…

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year (Any time of year)
You can find it here

Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
“Please bring me my wine.”
He said, “We haven’t had that spirit here since nineteen sixty nine.”
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say…

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
They livin’ it up at the Hotel California
What a nice surprise (what a nice surprise)
Bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said, “We are all just prisoners here, of our own device.”
And in the master’s chambers,
They gathered for the feast
They stab it with their steely knives,
But they just can’t kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
“Relax,” said the night man,
“We are programmed to receive.
You can check-out any time you like,
But you can never leave!”

There are many references to demonic possession in the song. First of all, the narrator is on a ‘dark desert highway’, he is isolated in a location where no one will see what is going on — the demons that possess Monarch slaves become their alter personas and mimic their voice and mannerisms; they steal the slaves’ identities. The slaves are lunatics who are spiritually bound by demons and live in a permanent state of dissociation or a ‘dark desert highway’.

Here are the original symbolic lines in order:

…warm smell of colitas’ — The term ‘colitas’ means ‘little tails’ in Spanish; in Mexican slang it refers to buds of the cannabis (marijuana) plant — the tip of a marijuana branch, where it is more potent and with more sap.

Marijuana colitas

Marijuana colitas

Hallucinogens like marijuana are used to open the pineal gland or third eye to demonic influence — After Monarch slaves are driven insane, they are drugged before being ritually sodomised to open spiritual doors for demons to possess them.

…rising up through the air’ — demonic spirits. Satan is the prince of the power of the air (Ephesians 2:2)

…my head grew heavy and my sight grew dim’ — he was drugged

I heard the mission bell’ — bells are associated with rituals; Monarch slaves are subjected to Satanic rituals.

…this could be Heaven and this could be Hell’ — so the state of dissociation in which Monarch slaves live can be ‘heaven’, which is a blissful state where the boundaries between reality and fiction are blurred (dissociation). It can also be ‘hell’ or a nightmare due to the Satanic rituals, horrific abuse, the mental anguish and spiritual torment.

‘…then she lit up a candle’ — The Mother of Darkness who is assigned to a slave who is being ritually sodomised; candles are used in Satanic rituals/witchcraft

‘…and she showed me the way’ — to enlightenment (via ritual sodomy, which is used to open the pineal gland or third eye to attain gnosis (false knowledge), not to his room

Such a lovely place, such a lovely face’ — dissociation, over the rainbow, into wonderland (Monarch slaves are spiritually bound by the demons that possess them, to contain their madness)

Plenty of room at the Hotel California’ — Hotel California refers to hell, which is where the demons that possess Monarch slaves come from, and what Monarch slaves experience ~ an existence of pure hell. It is also code for the Church of Satan in San Francisco, California, U.S., which was a Victorian home built in 1905 known as the Black House.

California State in U.S. is named after Kali, the Hindu goddess of time, doomsday and death. California  is named after this goddess (see Pagan gods).

(The Notorious B.I.G.’s song Going Back to Cali refers to the pre-flood world being revived in this second world: whereby the fallen angels will once more rule the earth and corrupt the DNA of all creatures. Destruction is the opposite of creation, and Satan and his angels and demons want to destroy all that Almighty Yahweh, the LIVING GOD, created.)

Any time of year, you can find it here’ — they are Monarch slaves and cannot escape their mental, emotional, physical and spiritual prisons

‘…her mind is… twisted’ — lack of morals and deriving pleasure from torturing slaves

‘…she got a lot of pretty, pretty boys’ — male prostitution

Some dance to remember, some dance to forget’ — ‘dance’ symbolises electrocution used to subdue Monarch slaves when they fight their demonic possession in a spiritual battle and their lunacy manifests:

Etymology of dance:

verb

2. (intransitive) To leap or move lightly and rapidly.

So I called up the Captain’ —  invocation of demons, summoned to possess a slave during ritual sodomy

Please bring me my wine‘ — wine is code for demonic possession or spiritual binding

Etymology of wine:

From Latin vieō ‎(to bind, interweave), (compare Norwegian vegg ‎(wall).

We haven’t had that spirit here since 1969’ — a spirit is a demon. ‘69’ represents a magickal sigil; sigils are used to invoke demons

Mirrors on the ceiling’: Mirrors represent duality — the demons that possess Monarch slaves steal their identity and mimic them in every way.

‘…those voices are calling from far away, wake you up in the middle of the night’ — when a person is mad, he or she constantly hears voices in their head; when the lunacy of Monarch slaves manifests, they hear the sounds of the music, pornographic and horror films they were forced to watch to drive them insane, as well as the verbal abuse hurled at them during torture ~ this ‘wakes them up’ from their dissociation.

‘…bring your alibis’ — In Latin, the word alibi means ‘elsewhere’ — Monarch slaves are demonically possessed, dysfunctional lunatics who live in a state of permanent dissociation or spiritual binding.

The pink champagne on ice…’ — ‘pink’ symbolises the brain; ‘on ice’ represents the mental brain freeze of the Monarch slave, or their madness and helplessness.

We are all just prisoners here, of our own device’ — Monarch slaves are insane; they are tortured until they minds shatter or fracture or explode.

Etymology of device:

Noun:

4. (Ireland) An improvised explosive device, home-made bomb.

‘…in the master’s chambers’ — the demons that possess Monarch slaves become their controllers or masters. A chamber is a room, in this context it refers to Monarch slaves’ bodies which are occupied by the demons or ‘masters’.

‘…they gather for the feast, they stab it with their steely knives but they just can’t kill the Beast’ –this refers to the manifestation of Monarch slaves’ madness, when they are fighting their demonic possession or spiritual binding. Slaves are then drugged by injecting them with hallucinogens (steely knives), then ritually sodomised for spiritual doors to open for more demons to possess them (the feast):

Etymology of feast:

From Proto-Indo-European *dʰēs- ‎(god, godhead, deity).

Demons are worshipped as gods.

Etymology of beast:

A person who behaves in a violent, antisocial or uncivilised manner.

Insane Monarch slaves fighting demonic possession are like beasts that are hard to control (just can’t kill the beast).

‘…last thing I remember’ — Monarch slaves are insane and cannot remember anything

‘…I was running for the door’ — he tries to break free of his demonic possession

‘…the Night Man’ — Gatekeeper or watchman: the demons that possess Monarch slaves are like soldiers or gatekeepers that bind them spiritually.

‘…we are programmed to receive’ — they are ritually sodomised to facilitate demonic possession or to ‘receive’ demons into their bodies.

You can check-out any time you like, but you can never leave’ — ‘Check out’ is slang for die, so a Monarch slave can be sacrificed or die during torture, but they will never be free of their demonic possession or madness as long as they are alive.

 

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Dissociation/Fear

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Witchcraft is performed to create Monarch slaves (see Monarch slaves and Duality/Black Mass). Slaves are subjected to intense trauma through Satanic Ritual Abuse, which involves unbearable torture which causes their minds to dissociate and fragment until they become insane. After that, demons are invoked to possess the slave — these demons become the slave’s alter personas.

The colour purple (and its associate colours — maroon, violet, indigo, blue, lavender…) represents magic and mystery, suggestive of shadows, and is also the colour used to symbolise the dissociation of Monarch slaves.

Any shade of purple represents complete dissociation or madness.

Yellow is the colour of fear.

Note the lyrics to The Beatles’ song Yellow Submarine:

We all live in a yellow submarine,
Yellow submarine, yellow submarine.
We all live in a yellow submarine,
Yellow submarine, yellow submarine.

The Beatles holding a yellow submarine. Paul is making the '666' hand sign and John is making the 'devil's horns' sign

The Beatles (John Lennon, Paul McCartney, Richard Starkley (known as Ringo Starr), George Harrison). George and Ringo are holding a yellow submarine. Paul is making the ‘666’ hand sign and John is making the ‘devil’s horns’ sign (see Satanic Hand Signs)

The yellow submarine signifies subconscious fear — Monarch slaves live in a permanent state of terror.

Let’s take a look at where these colours appear:

The Color Purple film poster

Whoopi Goldberg on The Color Purple film poster

The Colour Purple Broadway musical (2005) poster

The Color Purple Broadway musical (2005) poster

Album cover for Iggy Pop's Nude & Rude: The Best of Iggy Pop

Iggy Pop on the album cover for Nude & Rude: The Best of Iggy Pop

Carla Bruni on the cover of Elle France in September 2009

Lily Donaldson on the cover of Vogue China in June 2009

Lily Donaldson on the cover of Vogue China in June 2009

Beyoncé in the music video for Party

Alice in Wonderland film poster

Alice in Wonderland film poster

John Stamos

John Stamos

Camilla Akrans Vogue July 2009

Camilla Akrans on the cover of Vogue China in July 2009; note the serpentine bracelet ~ Satan is the serpent

Cover for The Jimi Hendrix Experience's album Are You Experienced

The Jimi Hendrix Experience (James ‘Jimi’ Hendrix, John ‘Mitch’ Mitchell,  David Noel Redding) on the cover for the album Are You Experienced

Freddie Highmore Attitude magazine

Freddie Highmore on the cover of Attitude magazine; the stripes signify his multiple alter personas, which are the legion of demons that possess him

 Beyoncé and Kelly Rowland in the music video for Party

Beyoncé and Kelly Rowland in the music video for Party

Shu Pei Vogue China

Shu Pei, photographed for Vogue China

Janis Joplin U.S. Postal Stamp

Janis Joplin U.S. Postal Stamp

El DeBarge

El DeBarge

Ray Petri, photographed for The Face magazine

Lisa Kudrow on the cover of Marie Claire magazine

Aaron Hall Don't Be Afraid

Aaron Hall on the cover of the single Don’t Be Afraid

Keanu Reeves and River Phoenix on the cover of Interview magazine in November 1991. Keanu’s eyes are covered by his hair, symbolising that we do not see the ‘real Keanu’

Teyona Anderson

Charlie Chaplin on the poster for Chaplin the Musical

Lisa Bonet on the cover of Interview magazine; the colour orange identifies her as a cryptanalyst (see Betelgeuse)

Winona Ryder by Craig McDean for Vogue in August 2007

Winona Ryder, photographed by Craig McDean for Vogue magazine in August 2007

A Piece of the Action movie poster

Bill Cosby and Sidney Poitier in A Piece of the Action

Ace Of Base Beautiful Life single

Ace Of Base on the cover for the single Beautiful Life — the colours red and black symbolise Black Mass

Lupita Nyong'o on the cover of Elle France magazine

Lupita Nyong’o on the cover of Elle France magazine

Album cover for Double You's We All Need Love

William Naraine on the album cover for Double You’s We All Need Love

Demi Lovato Complex magazine October 2015

Demi Lovato on the cover of Complex magazine in October 2015. The banana is a phallic symbol and her butt is pressed against the banana, symbolising ritual sodomy. The word ‘bananas’ below her name is slang for madness; her animal print shoes identify her as a sex slave

James Brown - The Singles, Volume 4: 1966-1967

James Brown on the album cover for James Brown – The Singles, Volume 4: 1966-1967

Alexander O'Neal All Mixed Up

Alexander O’Neal on the album cover for All Mixed Up

Anamika Khanna Vogue India

Anamika Khanna on the cover of Vogue India’s November 2012 issue; the masks represent her alter personas, which are the demons that possess her

Kareena Kapoor Vogue India

Kareena Kapoor on the cover of Vogue India in March 2008

Gary Coleman The Kid With the 200 I.Q.

Gary Coleman on the VHS cover for The Kid With the 200 I.Q. (1983 TV movie)

John Legend

Macy Gray on the cover of her single Sweet Baby

Jim Parsons New York magazine May 2014

Jim Parsons on the cover of New York magazine in May 2014

Neil Patrick Harris on the cover of the April 2014 issue of Out magazine

Neil Patrick Harris on the cover of the April 2014 issue of Out magazine, covered in purple and yellow glitter — glitter is fairy dust ~ fairies are demons. The glitter represents demonic possession

Christina Milian b3 magazine

Christina Milian on the cover of b3 magazine

Linda Gray Photographic magazine

Linda Gray on the cover of Photographic magazine

Bros (Matt Goss, Luke Goss, and Craig Logan) on the cover of Music Life magazine. Note the number 8 on the right corner — eight is the occult number for rebirth, transformation and power (the boys were transformed into Monarch slaves). The words above ‘a-ha’ form an arc, symbolising  an interdimensional portal for demons to cross over from hell to earth. The arch, plus the blue scribble and the words ‘a-ha’ also form an All-Seeing Eye

Francesco Gabbani on the album cover for Magellan

Hair:

Chris Brown

Chris Brown

Lady Gaga

Lady Gaga

Rita Ora

Rita Ora

 Kate Moss, photographed for Alexander McQueen's SpringSummer 2014 campaign

Kate Moss, photographed for Alexander McQueen’s SpringSummer 2014 campaign; the metal bracelets represent prison bars — enslavement

Lily Allen

Lily Allen

Sasha Pivovarova for Vogue Italia April 2007 photographed by Mario Sorrenti

Sasha Pivovarova, photographed by Mario Sorrenti for Vogue Italia in April 2007

Miley Cyrus

Miley Cyrus

Cassie in the music video for The Boys

Cassie in the music video for The Boys

Madeline Rae Mason

Madeline Rae Mason

Kesha

Kesha

Josh Dun (Twenty One Pilots)

Josh Dun (Twenty One Pilots)

The rainbow is an interdimensional gateway or portal to the spiritual world (see Alchemy and The Rainbow Portal). Witchcraft is performed to create Monarch slaves. Slaves are ritually sodomised for spiritual doors to open for demons to possess them — the rainbow is a symbol of demonic possession.

Barack Obama, photographed by White House photographer Pete Souza

Barack Obama, photographed by White House photographer Pete Souza

Album cover for Mariah Carey's Rainbow

Album cover for Mariah Carey’s Rainbow

Mariah is standing against an obfuscated panelled wall. The panels represent the rainbow portal through which demons transit from hell to come to earth.

Over the Rainbow (the debut Japanese album of South Korean girl group Rainbow)

Cover for Over the Rainbow (the debut Japanese album of South Korean girl group Rainbow)

Lana Del Rey on The Endless Summer Tour 2015 poster

Lana Del Rey on The Endless Summer Tour 2015 poster

Karen Elson photographed by Tim Walker for Vogue Italia

Karen Elson, photographed by Tim Walker for Vogue Italia

Lady Antebellum Downtown

Cover for Lady Antebellum’s single Downtown

Album cover for Madonna's MDNA

Album cover for Madonna’s MDNA

Kelis

Kelis

Gisele Bündchen on the cover of Vogue

Gisele Bündchen on the cover of Vogue magazine; note the balloons, which signify the Monarch slave as a vessel or receptacle for demons to possess them

Dolly Parton on stage

Dolly Parton on stage

Miley Cyrus 2015 MTV VMAs

Miley Cyrus at the 2015 MTV VMAs

Album cover for Alice Nine's Rainbows

Alice Nine on the cover for the album Rainbows

Beyoncé in the music video for Sweet Dreams

Beyoncé in the music video for Sweet Dreams; note the light source ~ representing Lucifer

An excerpt from the lyrics:

“You could be a sweet dream or a beautiful nightmare
Either way I don’t wanna wake up from you
(Turn the lights on).”

‘Lights out’ is slang for bedtime or going to sleep — in this case it means dissociation or madness; therefore, ‘lights on’ would mean to wake up or be free of demonic possession and madness.

Irina Shayk on the cover of Vogue Brazil in January 2017

Barbie Hsu, photographed for Vogue magazine

Chrissie Chau on a C2010UREVOLUTION calendar; note the purple and yellow glitter on her face —  glitter is fairy dust ~ fairies are demons. The glitter represents demonic possession

Then we have purple hair:

Christina Milian, photographed for Rolling Out magazine

Wiz Khalifa

Wiz Khalifa

Ireland Baldwin

Ireland Baldwin

Nicole Richie

Nicole Richie

Vanessa Hudgens

Vanessa Hudgens

Coco Arquette with purple and blue streaked hair

Coco Arquette with purple and blue streaked hair

Kelly Osbourne

Kelly Osbourne

Katy Perry

Katy Perry

Naomi Campbell Vogue Russia April 2010

Naomi Campbell on the cover of Vogue Russia April 2010; note the candles — candles are used in witchcraft

Madeline Rae Mason, wearing a skeleton spine necklace

Etymology of skeleton:

From Ancient Greek σκελετός ‎(skeletós, meaning ‘dried up, withered, dried body, parched, mummy‘), from σκελλώ ‎(skellṓ, meaning ‘dry, dry up, make dry, parch’), from Proto-Indo-European *(s)kelh₁– ‎(to parch, wither); compare Greek σκληρός ‘hard’.

The skeleton represents the demons that possess Madeline — demons are dead, zombies, dried up like a mummy.

Kim Kardashian

Kim Kardashian

Jessie J

Jessie J

Balloons symbolise the Monarch slave as a vessel or receptacle to receive the demons that possess them

Etymology of balloon:

(chemistry) A round vessel, usually with a short neck, to hold or receive whatever is distilled; a glass vessel of a spherical form.

Alcoholic beverages such as brandy, whisky, rum or arrack are called spirits and are obtained by distillation of wine — demons are spirits.

Holly Willoughby, photographed for Cosmopolitan magazine

Erin Heatherton at a Victoria's Secret fashion show

Erin Heatherton wearing angel wings made from balloons at a Victoria’s Secret fashion show, and a purple beanie

Paulina Vega, Miss Universe 2014, photographed by Martin Schoeller for People en Español's Los 50 Más Bellos

Paulina Vega, Miss Universe 2014, photographed by Martin Schoeller for People en Español‘s ‘Los 50 Más Bellos’ (The 50 Most Beautiful)

Hugh Laurie

Hugh Laurie

Sam Rollinson, photographed by Tim Walker for Vogue Italia magazine in January 2001

Angelina Jolie with her daughter Zahara, left, and Vivienne, right, photographed for Vanity Fair in October 2011

Angelina Jolie with her daughters Zahara, left, and Vivienne, right, photographed for Vanity Fair in October 2011

Magdalena Frackowiak by Sølve Sundsbø for Vogue China's April 2009 issue

Magdalena Frackowiak, photographed by Sølve Sundsbø for Vogue China’s April 2009 issue

Ming Xi

Margot Robbie, photographed by by Matthew Brookes for Vogue Australia magazine’s November 2013 edition

Dana Plato

Dana Plato; blue and red are the colours of duality. Stripes signify Monarch slaves’ multiple alter personas, which are the demons that possess them

Naomi Campbell on a hot air balloon, photographed by Ellen von Unworth for Vogue US magazine’s March 1998 issue

Olya Ivanisevic, photographed by Ellen von Unwerth for Vogue Italia magazine

Anna Maria Jagodzinska and Viktoriya Sasonkina, photographed by Steven Miesel for Vogue magazine in February 2009

Sarah Pauley in a hot air balloon, photographed by Mazen Abusrour for Vogue India magazine

Fearne Cotton, photographed for Cosmopolitan magazine

Eniko Mihalik, photographed by Matt Jones for Elle Italia magazine’s November 2015 issue

 

Roman Holiday

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roman_holiday_poster

Roman Holiday is a 1953 film shot in Rome, Italy. ‘Roman holiday’ is a metaphor for dissociation and madness (see Monarch slaves).

Let’s take a look at the film:

While in Rome during a multi-city goodwill tour, Princess Anne (Audrey Hepburn), the youthful heir to a European crown, impresses the guests of an embassy ball with her charm and poise.

Some children from royal families are turned into Monarch slaves. They are driven mad through torture, rape and severe beatings, then demons are installed during a Satanic ritual using witchcraft. These demons possess the slave and take control of their life, becoming their alter personas (see The Great Deception, Pagan gods and Pagan feasts).

Later, as she is preparing for bed, Anne, feeling overwhelmed by her tedious, endless, schedule, starts to scream uncontrollably at her efficient secretary, Countess Vereberg.

Anne is fighting her demonic possession. When Monarch slaves fight their demonic possession, their lunacy manifests, the madness becomes uncontrollable, and they become destructive — screaming, lashing out, smashing objects, etc. Countess Vereberg is her handler.

To calm her, Anne’s doctor injects her with a sedative, but before the drug takes effect, Anne sneaks out of the palatial embassy and hides in the back of a truck.

roman-holiday8

The doctor is also a witch and handler. The sedative is a hallucinogen to calm the slave’s madness before ritual sodomy is performed to facilitate demonic possession. Anne ‘sneaking out’ is the beginning of the ‘roman holiday’ or dissociation, she has been sodomised and more demons invoked to possess her — she has now resumed state of a Monarch slave, whereby slaves live in a permanently dissociative state of fear and terror.

Anne jumps out when the truck reaches a lively part of town, but is already starting to yawn from the sedative. Soon after, American reporter Joe Bradley (Gregory Peck) spots her prostrate on some stairs and hears her mumbling in English.

roman holiday9

Joe represents the doctor, who is the chief witch/abuser/handler.

Joe is unaware of her identity and assumes she is drunk, but reluctantly drags her into a cab. When Joe asks the increasingly groggy Anne for an address, she insists that she lives in the Colosseum. Not knowing what else to do, Joe takes Anne to his tiny apartment. There, while trying to undress herself so that she can don Joe’s pajamas, Anne admits that she has never been alone with a man and starts to recite poetry.

romanholiday11

roman holiday14

The car/cab is a symbolic chariot — chariots are heavenly vehicles used in transiting from one dimension to another; Anne is transitioning from the world of reality (madness) to the world of fantasy (dissociation/spiritual binding through demonic possession). The Colosseum is where Roman slaves used to perform. Pajamas symbolise the relaxed state surrounding sleep; Anne has now completely dissociated. Monarch slaves are forced to dissociate so that more demons can be installed to control them, or so that the demons that already possess them can regain control.  So Anne, who surfaced when the madness manifested, and who is a dysfunctional maniac, has been calmed. The reciting of poetry represents the texts and pictures from certain books, such as The Wonderful Wizard of Oz and Alice in Wonderland used in witchcraft to create Monarch slaves.

Frustrated, Joe goes out for coffee, after instructing her to sleep on his couch. When he returns, however, he finds her curled up on his bed and rolls her onto the couch.

roman holiday5

Coffee is taken in the morning to help one ‘wake up’: It represents the awakening; Anna has been possessed by a new demon. The couch is a metaphor for the grave, Anne’s real self has been ‘buried’.

The next day, Joe, who was scheduled to interview the princess that morning, wakes up late and rushes out, leaving behind the still sleeping Anne. At his newspaper office, Joe, unaware that the princess’ activities for the day have been cancelled, lies to Hennessey, his editor, that he conducted the interview. When Hennessey shows him a newspaper report about the princess’ sudden ‘illness’, Joe stares at the accompanying photograph and realises that the princess is the woman on his couch. Seeing his opportunity, the perpetually broke Joe gets Hennessey to agree to pay him $5,000 dollars if he produces an exclusive, revealing interview with the princess, complete with photographs.

Back at Joe’s apartment, Anne finally wakes up and introduces herself as Anya.

roman holiday15

Anya is Anne’s alter persona or the demons that possess her.

After drawing Anne a bath, Joe slips out and telephones his photographer friend, Irving Radovich, telling him only that he needs him for an important story. Now bathed and dressed, a grateful Anne borrows 1,000 lire from Joe and leaves on foot. Joe follows her, watching with amusement as she buys herself a pair of shoes from a street vendor.

During torture, slaves are locked in cells, strapped into strait-jackets and half drowned in ice baths. Anne is being subjected to this method of torture. Telephones represent demonic invocation from hell. In occult symbolism, 1000 is the number of completeness. So Anne’s madness has been successfully contained.

Shoes in symbolism represent authority and power, but they can also represent humility and servitude. So here we see Anne being subdued as a slave.

Anne then enters a barber shop and insists that the barber, Mario Delani, cut her long hair into a stylish bob.

roman_holiday3

Anne with a different hairstyle represents demonic installation.

Mario is taken with the transformed Anne and invites her to a barge dance that night. With her last bit of money, Anne buys a gelato and at the Trevi Fountain, is joined by Joe, who pretends he has run into her.

An ice cream cone represents the mental brain freeze of the Monarch slave, or their madness and helplessness; the gelato in this case is an alternate of the ice cream cone (in Italian, gelato means ‘frozen’). The central figure of the Trevi Fountain, standing in a large niche, is Neptune, god of the Sea. He rides a shell-shaped chariot that is pulled by two sea horses. Each sea horse is guided by a Triton. One of the horses is calm and obedient, the other one restive. They represent the fluctuating moods of the sea.

Restive horse

Restive horse

Calm horse

Calm horse

This is an allusion to Anne fighting her demonic possession (restive horse), then her madness being contained (calm, obedient horse).

Anne, in turn, claims she is a runaway schoolgirl and admits that her only desire is to spend the day having fun. Anxious to please, Joe takes her to a nearby café, where she meets Irving, who, unaware of Joe’s scheme, almost reveals Joe’s identity. After Joe fills him in, Irving, using a miniature camera hidden inside a cigarette lighter, snaps pictures of Anne smoking her first cigarette.

roman holiday12

Etymology of school:

From Middle English schole ‎(group of persons, multitude, host).

Anne is a ‘schoolgirl’ — symbolising that she is possessed by a multitude or legion of demons.

To create Monarch slaves, demons possess the slaves and completely control every aspect of their lives. A cigarette is a symbol of this ‘taking of the body’. The smoke from the cigarette represents the spirit/demon (all alters personas are demons) replacing the slaves.

The three then go sightseeing, and Anne, whom Irving nicknames ‘Smitty’ after she states that her last name is Smith, jumps on a motorscooter Joe has rented and takes a wild ride around the plaza.

roman holiday 11

Etymology of Smith:

From Middle English smithen ‎(to work metal, forge, beat into, torment, refine, create).

Monarch slaves are created by tormenting or torturing the slaves until they become mad, then they are drugged and ritually sodomised for spiritual doors to open for demons to possess them.

The sightseeing and wild ride is the assignment or mission undertaken by the demons that possess the Monarch slave.

The ride gets them arrested, but when Joe claims that he and Anne were on their way to get married, the police let them go. Anne and Joe test their truthfulness at the ancient sculpture Bocca della Veritá, or Mouth of Truth, and then visit a wall on which passersby post their hopes and wishes.

roman holiday16

‘Getting arrested’ is code for electrocution. High voltage electroshock is used to subdue Monarch slaves fighting their demonic possession when the lunacy manifests.

Bocca della Veritá is a round medallion made of Pavonozzetto marble, which comes from Dominium in Frigia (modern Turkey). It is a worn mask of a deity in the shape of a bearded man, with two oddly shaped horns and two round protuberances on the lower part of the beard (testicles). It has two holes mid-height on both sides, indicating that L-shaped chips were used to hold it in position or to prevent it from falling.

The medallion depicts The Roman Forest god Faunus, the equivalent of the Greek god Pan, who is Satan. It was originally in the temple of Jupiter Juranius in the Tiberian island, where oaths were taken, as the cover of a temple water collector, hanging in the middle with an opening in the roof.

Witches force Monarch slaves to make blood covenants, contracts, oaths and to shed innocent blood. What various witchcraft and Illuminati slaves experience is Satan drawing blood from their left hand, and causing them to write in their own blood a formal contract entering his service in the Great White Book; an important Illuminati document.

The medallion in the film represents Anne taking an oath to bind her with Satan, which is what is referred to as ’on their way to get married’.

Having made her wish, Anne asks to be taken to the barge dance near the Castel Saint Angelo and there enjoys a romantic dance with Joe.

The barge dance is yet another assignment or mission undertaken by the demons that possess Anne, given by the barber who represents one of the handlers or witches in the real world.

When Mario shows up and cuts in, Joe and Irving become excited imagining the publicity potential of the headline ‘The Princess and the Barber’. Just then, secret service agents from Anne’s homeland grab her and try to drag her away. Anne screams for Joe, who races to the rescue and instigates a brawl. Anne gleefully joins in the fracas and jumps in the Tiber River with Joe to escape capture. After swimming to safety, Joe and Anne embrace and kiss, then return to Joe’s apartment. There, Anne hears a radio report about the distress her illness is causing her people and sadly tells Joe she must leave. Stopping near the embassy, Joe and Anne share a final, passionate kiss before Anne runs off into the night.

Etymology of kiss:

The word ‘kiss’ is derived from the French baiser (from Latin basiare), which means ‘to have sex’.

Monarch slaves are created during a Satanic ritual that involves ritually sodomising the slave in order to open up spiritual doors for demons to possess the slave.

Roman Holiday 13

roman-holiday-audrey-hepburn-g-peck-after-fight

The river stands for the irreversible passage of time and, in consequence, for a sense of loss and oblivion. It symbolises the loss of her identity or free will.

In the embassy, Anne’s advisors scold her for neglecting her duty, but Anne silences them by stating that duty was the only reason she came back. The next day, Hennessey drops by Joe’s apartment, anxious to collect his story, and is dismayed when Joe insists he does not have one. Irving then shows up with the pictures he took of Anne, but Joe refuses to use them. Later, Anne appears at the previously scheduled press conference and is pleasantly surprised to see Joe and Irving there. After Joe lets her know through his public comments that her secrets are safe with him, Anne deviates from protocol and shakes hands with the reporters. Irving then gives her the photos he took, and with tears in her eyes she tells Joe how much she has enjoyed meeting him. Heartbroken, Joe watches Anne retreat with her advisors and walks out of the embassy alone.

roman holiday7

All this represents the dissociative state in which Anne permanently lives, as a demonically possessed dysfunctional maniac. The photos represent the pictures of Akashic records taken by the slave during time travel (see Time Travel).

Betelgeuse

Standard

Betelgeuse is used to identify Monarch slaves who are cryptanalysts (see Monarch slaves).

Masons, magicians and Illuminati revere in particular the orange star, Betelgeuse — the second brightest in the constellation of Orion. This is the ninth brightest star in the night sky and, most unusually, is visible from any place on earth at one time or another in the course of the year. This bright star represents Nimrod or Satan (see Halloween and Betelgeuse and Pagan feasts).

Betelgeuse

Monarch slaves are possessed by demons that can decipher, translate and analyse coded information and data. These slaves are known as cryptanalysts.

Cryptanalysis (from the Greek kryptόs, meaning ‘hidden’, and analýein, meaning ‘to loosen’ or ‘to untie’) is the study of analysing information systems in order to study the hidden aspects of the systems. Cryptanalysis is used to breach cryptographic security systems and gain access to the contents of encrypted messages, even if the cryptographic key is unknown.

These slaves are hired out to clients who desire to decode faxes, emails, recordings retrieved from bugging devices and intercepted phone calls.

The mascot/identifier for cryptanalysts is orange hair:

Kristen Stewart on the cover of Interview magazine

Kristen Stewart on the cover of Interview magazine in February 2015

Cher

Cher

Soulja Boy

Soulja Boy

Lady Gaga

Lady Gaga

Hayley Williams

Hayley Williams

Pixie Geldof

Pixie Geldof

Michael Clifford (5 Seconds of Summer)

Michael Clifford (5 Seconds of Summer)

Andrej Pejic

Nicki Minaj

Nicki Minaj

Vivienne Westwood

Vivienne Westwood

Willow Smith

Jared Leto

Jared Leto

Kimberly Michelle

Kimberly Michelle

Vanessa Williams in the music video for Happiness

Lily Allen

Lily Allen with horns on her head (see The Music Man)

Cover for Faith Evan's single Gone Already

Cover for Faith Evan’s single Gone Already

Rumer Willis

Rumer Willis

Dennis Rodman

Parrot

Standard

Parrots are used to symbolise Monarch slaves who are interpreters (see Monarch slaves).

Parrots are symbolic of an individual who lacks a personality of his/her own. One who is dependent on another for views, opinions and ideas. Parrots are known to be imitators.

Parrots

Some parrots are taught to mimic humans. Because of this ability the parrot is considered a link or bridge between the bird kingdom and the human one. In this sense, parrots can be viewed as ambassadors, diplomats or interpreters.

Monarch slaves have several alter personas which are the demons that possess them and mimic their core personas — the Monarch slaves are completely mad and dysfunctional and so lack individualism, or their own personality. Their different alters/demons possess several skills, and one of these is the ability to speak foreign languages (see Duality/Black Mass).

Celebrities who are Monarch slaves are used as interpreters by their handlers, and hired out for secret meetings between world leaders, politicians, clergy, business tycoons, bankers, etc.

The mascot/identifier of interpreters is the parrot:

Jennifer Lawrence; the pool is symbolic of an occult baptismal pool

Lauren Bacall

Natalie Wood

Natalie Wood

Barbie Hsu, photographed for Elle Taiwan magazine

Paris Hilton

Paris Hilton

Mary Pickford

Salman Khan

Salman Khan

Doris Day

Doris Day

John Lennon and Paul McCartney

John Lennon and Paul McCartney

Julianne Moore; the emeralds identify her her as a drug mule

Joan Collins

Joan Collins

Chevy Chase on the cover of Rolling Stone magazine

Chevy Chase on the cover of Rolling Stone magazine. ‘New’ and ‘improved’ refers to his demonic possession

Anne Francis

Anne Francis

Hilary Swank

Hilary Swank

Ringo Starr

Ringo Starr

Amanda Seyfried

Amanda Seyfried

Paul Rudd

Paul Rudd

Jayne Mansfield

Jayne Mansfield

Vincent Price

Vincent Price

Elizabeth Taylor

Elizabeth Taylor; the pool is symbolic of an occult baptismal pool

Rita Hayworth

Rita Hayworth

Brooke Shields

Brooke Shields

Steven Tyler

Steven Tyler

Maisie Williams, photographed for Dazed & Confused magazine in 2015

Maisie Williams, photographed for Dazed & Confused magazine in 2015

Lana Turner

Lana Turner

Charlie Chaplin

Charlie Chaplin

Robert Blake in the TV show Baretta

Robert Blake in the TV show Baretta

Brigitte Bardot

David Hasselhoff

David Hasselhoff

Conan O'Brien

Conan O’Brien

Mickey Rourke

Mickey Rourke; note the cross

Tatjana Patitz

Tatjana Patitz

Neelan Johal Vogue India 2014

Neelan Johal, photographed for Vogue India in 2014

Michael Jackson

Michael Jackson

Frank Zappa

Frank Zappa

Jan-Michael Vincent

Jan-Michael Vincent

Monarch slaves

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In witchcraft, there is a technique used to create undetectable total slaves. Victims are dehumanised and debased — they are drugged and subjected to Satanic Ritual Abuse (SRA), then extreme torture and trauma, using verbal, physical and sexual abuse.

Within the occult world, the entire study of demonology is wrapped around the geometric shapes that serve as focal points for demons (such as made by crystals and pyramids), and the portals by which demons can enter the human body. A demon has to be materialised (conjured) to enter into a body/possess a slave. Geometric shapes which are believed to attract demons are placed in the room where the witchcraft is being conducted.

There are Kabbalistic grades within Freemasonry. Sex slaves are used by the higher and more occult Masonic rites. These sex slaves are subjected to all types of perverse magical rituals. The Kabbalah teaches intercourse with demons (Monarch slaves are given to demons for their sexual gratification).

Theurgy is the skill or ability to invoke demons variously called angels of light or genii or elemental spirits. Demons come with a price and that price is blood. Satanism and Luciferianism and other similar blood cults are cults that require blood to be sacrificed to pull in demons. For instance, blood may be taken from both the tongue and the genital area and mixed in a certain ceremony to invoke a particular demon (called ‘spirit cooking’). Demons are not bought with gold or silver, they are bought with blood.

Some spirits are invoked by placing alcoholic enemas into the child; these children get totally intoxicated, some to the point that they die from the ceremony. An example of an important ritual for the victim is the baptism of the victim to Satan; Satan may be called Set in the ritual. There are variations to this ceremony, so a victim’s personal baptism may vary in some or all of the details.

This is an actual variation of the ritual performed on Monarch slaves:

The victim is stripped and given a purple robe, then he/she is placed inside a pentagram, and an altar, then a nude woman or child is brought forward. A horse or jackal is inscribed with the word ‘nebebka’ on the neck of forehead. Then the animal is sacrificed to whatever name the group is using for Satan (such as Set or Saman). The abdomen of the animal is split open completely, and the liver removed, then the four spirits of the four watchtowers are invoked. The slave being baptised is smeared with fat from the dead animal, and then a demon is summoned by ringing a bell to possess the slave. The slave is then placed into the animal’s belly. A part of the raw liver is given to the child and the rest eaten by the group.

The slave is then baptised by blood. A cut called the ‘Devil’s Seal’ is placed on the slave’s left hand, on the armpit or on the upper part of the head. This in Kabbalism is the ‘Mark of Foundation’. The priest reads out the Book of Satan and the Book of Names and the victim repeats after the priest. In this way the priest ritually gives the victim a new name.

The Dance of Hod (Glory — the sphere on the bottom left of the C Tree of Sephiroth) is then began in a circular motion by the cult, to oppose Netsah (Victory — the sphere on the bottom right of the tree). The priest of the coven will then dismiss the demon(s) he has conjured. Sometimes the ritual is performed with a child sacrifice instead of an animal, and sometimes it is done in conjunction with another ritual, such as that of All Hallow’s Eve.

To empower demonic possession, special rings which have been dipped in the blood of sacrificed victims are given to the slave. The rings are used as focal points to ensure the continued demonisation of the slave. Some examples of this would be a Blue Topaz ring, a Black Onyx ring or a Diamond ring. Slaves are also given amulets to wear to reinforce demonic possession, such as crosses, winged discs, feathers, rosaries, birds, bird’s wings, eyes, charm bracelets, beads, gemstones, pentagrams, etc.

Witches force the slave to make blood covenants, contracts, oaths and to shed innocent blood. What various witchcraft and Illuminati slaves experience is Satan drawing blood from their left hand, and causing them to write in their own blood a formal contract entering his service in the Great White Book; an important Illuminati document.

After the Satanic Ritual Abuse is completed, slaves are imprisoned in a room with bright lights, playing incessant loud music and transmitting radio waves, and forced to watch horror movies and pornography.

Radio waves are quite different from the acoustic waves our ears detect. However, it is possible for radio waves with frequencies within or near the spectrum of hearing to produce electrical effects within our bodies or mechanical vibrations from the surrounding environment to be sensed as sound. High-power Extremely Low Frequency (ELF) radio frequency (RF) with electric field levels in the low kV/m range are known to induce perceivable currents within the human body that create an annoying tingling sensation. These currents will typically flow to ground through a body contact surface such as the feet, or arc to ground where the body is well insulated.

 Natalie Portman, holding a radio, symbolising radio waves used to torture Monarch slaves

Natalie Portman holding a radio, symbolising radio waves used to torture Monarch slaves

Torture is also conducted through double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with hallucinogens which alter certain cerebral functions (such as LSD).

In 1958, Freemason Dr Patrick Flanagan invented a device he called the Neurophone, an electronic nervous system excitation instrument that transmits sound through the skin directly to the brain. It can successfully programme suggestions directly through contact with the skin. The skin (the largest organ of the integumentary system, which consists of hair, nails, nerves and exocrine glands) contains more sensors for heat, touch, pain, vibration, and electrical fields than any other part of the human anatomy.

This instrument is used in the torture of Monarch slaves.

When they become mad as a result of this treatment, they are ritually sodomised for spiritual doors to open and allow in demons that are invoked from hell to possess them and control them (demonic possession is accompanied by a burning sensation). These demons become their alter personas that mimic their voice and mannerisms, and carry out their missions.

Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies. Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually.Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies. Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually.

The Cranberries’ song titled Zombie talks about Monarch slaves (The Cranberries are Monarch slaves) — the violence that leads to silence is the torture that drives Monarch slaves insane, who are then silenced by the spiritual binding of demonic possession.

‘It’s not me’ means that the Monarch slave has been replaced by the demons that possess him or her.

‘It’s not my family’ refers to the legion of demons that possess and control Monarch slaves. The fighting refers to the constant spiritual battle between Monarch slaves and the demons that possess them.

The crying refers to the screams of Monarch slaves when they ‘wake up’ and are fighting their demonic possession. These are the screams of a lunatic.

The bombs exploding symbolises the process of becoming insane.

Nineteen-sixteen (1916) — in occult symbolism, the number 19 symbolises the unit being established between the multiplied parts and by an act of reciprocal solidarity, or legion of demons invoked; the number 16 is considered as the final number of the emanation, it represents the incarnation completed, or demonic possession:

Zombie

Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken

But you see it’s not me
It’s not my family
In your head, in your
Head they are fighting
With their tanks and their bombs
And their bombs and their guns
In your head,
In your head they are cryin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey, oh
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou

Another mother’s breakin’
Heart is taking over
When the violence causes silence
We must be mistaken

It’s the same old theme since nineteen-sixteen
In your head,
In your head they’re still fightin’
With their tanks and their bombs
And their bombs and their guns
In your head, in your head they are dyin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey
Oh, oh, oh, oh, oh, oh, oh
Hey, oh, ya, ya-a

Whenever Monarch slaves fight their demonic possession and their lunacy manifests, they become wild and are drugged, then subdued with electrocution using the Electrocardiogram (EEG) machine and the electroconvulsive therapy (ECT) machine, then ritually sodomised to open up spiritual doors for more demons to possess them. These demons spiritually bind the slave (see Duality/Black Mass and Roman Holiday).

EEG Skull Caps that are able to read your brain waves for MK ULTRA projects

EEG Skull Caps that used to electrocute Monarch slaves to subdue them when they fight their demonic possession

There is no such thing as mind control programming, Monarch slaves are driven COMPLETELY INSANE and it is impossible to manipulate them mentally.

Monarch slaves are named after the Monarch butterfly (Danaus plexippus) –which represents the demons that possess them.

Monarch butterfly

Monarch butterfly

The techniques go back to ancient Babylon, Persia, Greece, Rome and Egypt to the ancient mystery religions, and further back — to antediluvian times and the knowledge taught to mankind by the fallen angels. The alter personas of a Monarch slave are different demons.

Titles used to refer to the various techniques of a Monarch slave are steeped in demonism: Alice in Wonderland symbolises ritual sodomy, Wizard of Oz symbolises Satan, Mickey Mouse symbolises witchcraft (see Looney Tunes), Smurf symbolises demons, Betelgeuse symbolises Satan, Peter Pan symbolises Satan, Frog symbolises the aquatic hybrids created in the pre-flood world by the fallen angels that taught post-flood mankind the forbidden knowledge stolen from heaven.

Some labels used to symbolise Monarch slaves are Beta (Sex slave or prostitute), Delta (special agents or elite soldiers/assassins, Theta (Psychic warfare or the use of thought energy to kill someone at a distance, and Omega (Self-destruct).

(Keep in mind that the REAL handlers and masters are: DEMONS, FALLEN ANGELS and SATAN. Even those who are not Monarch slaves; such as the Freemasons/Illuminati, including the bloodline families, are still slaves. As long as you are serving demons/fallen angels you will always be enslaved, no matter how rich and powerful you are. ANYONE can be a slave/handler: Lawyers, doctors, journalists, astronauts, scientists, teachers, news anchors, actors/actresses, musicians, writers, poets, dancers, engineers, mechanics, waiters/waitresses, shopkeepers, athletes, politicians, presidents, prime ministers, royalty, soldiers, even homeless people; all used to further the Illuminati’s evil agenda.)

Slaves are sodomised to open spiritual doors for demons to possess them. After that they live in a permanent state of dissociation and fear. The rabbit hole is a metaphor for the rectum, and traversing it with ritual sodomy has been the standard means of creating Monarch slaves for thousands of years. In Alice’s Adventures in Wonderland, Lewis Carroll’s white rabbit has a pocket watch he keeps checking (demons travel through time and space from their spiritual realm to get to our physical realm). He was in and out of the rabbit hole, as the psychopomp Hermes, and Anubis, and his going in and out of the rabbit hole signifies sodomy.

Masks represent the demons behind which the slave’s spirit is isolated. The slave’s spirit is detached and isolated inside, behind the demons who interface with the outside world. These demons mimic the slave’s persona and steal the slave’s identity. Monarch slaves are identified by a wide array of odd names — code names for the different alters or demons.

This is why Monarch slaves are able to converse in multiple languages, even ancient languages, known to demons.

Monarch  slaves are driven to madness by their torture, before demonic installation — the demons then have complete control of the slaves and turn them into robots, so even if a slave were to be delivered from their demonic possession, they would be dysfunctional maniacs because they are completely mad. This is why whenever they are fighting their demonic possession in a spiritual battle against the demons — they become wild; destructive, aggressive, self injurious and maniacal.

The 27 Club is a a myth created by Monarch slave handlers. There is no mystery as to why a certain number of celebrity Monarch slaves die at the age of 27 — these slaves die while being electrocuted to subdue their madness when it manifests as they are fighting their demonic possession. It is simply a coincidence that a number of celebrity slaves have died at the age of 27.

Wigs, hair cuts, changing hair colour and eye colour are used to symbolise a slave’s different alter personas or the demons that possess them.

Lady Gaga with a wig

Lady Gaga with a wig; the necklaces are amulets

Charlize Theron

Charlize Theron with long hair, left, and shorter hair, right (see Roman Holiday)

Jennifer Lopez with her natural hair colour, left, and with blonde hair, right

Jennifer Lopez with brunette hair, left, and blonde hair, right

Paris Hilton

Paris Hilton with brunette, blonde and red hair, all symbolising her alter personas/demons (Paris’ hair is naturally dirty-blonde)

Kanye West with his natural eye colour, left, and with blue contact lenses, right

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right, to identify her alter persona

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right

As different demons take over the Monarch slave, there is an almost imperceptible facial distortion, and the face is slightly altered with each switch.

Beyoncé; the demons that possess her can be seen in the distortion on her face

In some instances, the eyes of the demons are visible during the switch:

Oprah Winfrey

Oprah Winfrey

Michelle Obama

Michelle Obama

Barack Obama

Barack Obama

Patricia Velasquez Eyes and Face Shift on the show Arrested Development

Patricia Velasquez on the American sitcom Arrested Development; note her teeth and facial distortion

Nicki Minaj

Nicki Minaj

Many of the celebrities we idolise are Monarch slaves and can be identified by symbols evident in their dressing, music videos, movies and the brands they promote/advertisements. When we idolise them, we are really idolising the demons that possess them, which enable them to perform; a good example of this is Michael Jackson, whose gravity defying dance moves are a result of the demons that controlled him from within. Whenever you watch movies with Monarch slaves or listen to their music and watch the videos, you are condoning this barbaric, Satanic practice (see The Music Man and Movies and Magic).

The butterfly is the mascot/identifier of Monarch slaves. The agenda of the Illuminati is to use these slaves to colonise our minds through the media:

Muse Drones

Album cover for Muse’s Drones; an unseen handler controlling a slave

A drone is someone who follows a schedule and doesn’t change it — a slave with no free will of their own, used to brainwash the public into mindlessly following orders, adhere to ideologies and uncritically obey laws; thereby creating more drones.

The noun’s original meaning is used in context with ‘social’ insects such as bees, which are ordered into a hive structure. In an insect hive, drones are the workers – the ones gathering food, building the hive — in short: maintaining the hive, controlled by the queen, or driven by some common instinctual fellowship and hierarchical order.

Tattoos are put on celebrities who are Monarch slaves as hexes to bind them spiritually/keep them in line when they begin to fight their demonic possession (then they are required to attend ‘rehabilitation’ for electrocution and more demonic installation). These tattoos are etched on by shamans, who chant ancient incantations and burn incense to facilitate the spiritual binding of the tattoos.

(Amy Winehouse’s song Rehab is about her fighting her demonic possession, and a prelude to her her subsequent sacrificing.)

Celebrity charity boards/foundations are fronts for prostitution, human trafficking and drug peddling.

Just as the Monarch butterfly is the mascot/identifier of Monarch slaves, there are other mascots to identify slaves:

Dogs for Couriers/Wizard of Oz

Cats for Prostitutes/Beta Kittens

Rabbits and Mirrors for Prostitutes/Alice in Wonderland

Mickey Mouse Ears for Spies/Mickey Mouse

Guns, knives and swords for assassins/Delta

Gun or knife held to the self for suicide/Omega

Blue hair for hackers/Smurf

Orange hair for cryptanalysts/Betelgeuse

Green hair for aquatic hunters/Frog

Grey hair for psychic assassins/Theta

Red hair for prostitutes/Sex slaves

Pink hair for prostitutes or sex slaves/Pink Panther

White glove for no free will/Peter Pan

Bird cages, cages, chains, dog collars and buckles for enslavement

Marionettes, puppets, dolls and mannequins for enslavement

Purple for dissociation or madness

Blue and Yellow hair for dissociation/fear

Black and White for duality or demonic possession

Black and Red for sacrifice/Black Mass

Blue and Red for duality or demonic possession

(see Wizard of Oz, Beta Kitten, Alice in Wonderland, Peter Pan and Mickey Mouse)

The Disney Channel constantly makes announcements encouraging parents to take their children for auditions. During recruitment, they target mainly children from single-parent and abusive homes, since the parents overworked and will often be relieved to have the child taken off their hands and into the custody of a ‘mentor’ (handler).

Here are some of the places where the Monarch butterfly appears:

Cover for Mariah Carey's album Butterfly

Cover for Mariah Carey’s album Butterfly. The butterfly belly chain is an amulet

Advertisement for Mariah's Luscious Pink perfume

Advertisement for Mariah’s Luscious Pink perfume

Mariah's butterfly tattoos

Mariah’s butterfly tattoos

Mariah Carey I Want To Know What Love Is

Mariah Carey in the music video for I Want To Know What Love Is (2009)

Mariah Carey I Want To Know What Love Is2

Album cover for Emiliana Torrini's Merman

Emiliana Torrini on the album cover for Merman

Hilary Duff

Hilary Duff

Erykah Badu

Jacquelyn Jablonski Vogue Russia October 2012

Jacquelyn Jablonski, photographed for Vogue Russia magazine’s October 2012 issue

Abbey Lee Kershaw in Russian Vogue

Abbey Lee Kershaw in Vogue Russia

Miranda Kerr

Miranda Kerr

Barbara Palvin

Barbara Palvin

Anne Vyalitsyna at the 2011 Victoria's Secret Fashion Show

Anne Vyalitsyna at the 2011 Victoria’s Secret Fashion Show

Karlie Kloss

Karlie Kloss

Ana Beatriz Barros

Ana Beatriz Barros

Gigi Hadid at Victoria's Secret Fashion Show 2015

Gigi Hadid at Victoria’s Secret Fashion Show 2015

Devon Windsor at the 2014 Victoria's Secret Fashion Show

Devon Windsor at the 2014 Victoria’s Secret Fashion Show

Heidi Klum wearing a Monarch butterfly bracelet; the ring is an amulet

Heidi in an advertisement for LG phones

Heidi in an advertisement for LG phones

Poster fo Michael Jackson's Immortal world tour

Poster for Michael Jackson’s Immortal world tour; bursting from Michael are butterflies, which represent the demons that possess him

Monarch Butterfly topiary on Michael's Neverland Ranch

Monarch butterfly topiary on Michael’s Neverland Ranch, Santa Barbara County, California, U.S.

Cover for Michael's single Butterflies

Cover for Michael’s single Butterflies. The colours black, white and red symbolise Black Mass and Duality; and the butterfly is partly a mirror image of a facial profile, representing duality

Cover for Taylor Swift's debut album

Cover for Taylor Swift’s debut album

Cover for Mylene Farmer's single L'Histoire D'une Fée C'est ... (The Story of a Fairy Is...)

Cover for Mylene Farmer’s single L’Histoire D’une Fée C’est… (The Story of a Fairy Is…)

Alizée

Alizée

Uma Thurman

Uma Thurman

Amber Anderson in the Madly Kenzo advertisement

Amber Anderson in a Madly Kenzo advertisement

Salma Hayek

Salma Hayek

salma-hayek-tattoo

Beyonce with a Monarch Butterfly covering her left eye, symbolising the 'eye of horus'

Beyoncé with a Monarch butterfly covering her left eye, symbolising the ‘Eye of Horus’

Carla Bruni on the cover of Elle magazine

Carla Bruni on the cover of Elle magazine

Katy Perry

Katy Perry

Drew Barrymore

Drew Barrymore

Drew Barrymore on the cover of Jane magazine in September 1997

Drew Barrymore on the cover of Jane magazine in September 1997

Take That (Gary Barlow, Howard Donald and Mark Owen)

Take That (Gary Barlow, Howard Donald and Mark Owen); note the cross, and the sun denoting sun worship (see The cross and Sun worship)

Mel B on the cover for the single For Once In My Life

Naomi Campbell

Naomi Campbell

Joanna McCormick on the cover of Vogue magazine in July 1957

Paris Hilton at NBC’s Access Hollywood Golden Globe Party in 2004

Paris Hilton

Michelle Obama painting a Monarch butterfly on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C.

Michelle Obama painting a Monarch butterfly on a mural on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C., U.S.

 Bronze statue of a young Barack Obama holding a Monarch butterfly, in Indonesia. Obama, a Monarch slave, was groomed from childhood to be the first Black American president

Bronze statue of a young Barack Obama holding a Monarch butterfly, Menteng Park, Jakarta, Indonesia, celebrating Obama as a Monarch slave

Poster for the film Mama

Jessica Chastain in the film Mama

Brandy Norwood

Brandy Norwood

A masked Mia Farrow at Truman Capote's Black and White Ball in 1966

A masked Mia Farrow at Truman Capote’s Black and White Ball in 1966

Jean Shrimpton, photographed for Elle magazine circa 1960

Mohammad Ali, whose symbolic 1964 quote "Float like a butterfly, sting like a bee, your hands can't hit what your eyes can't see" became his trademark

Muhammad Ali, whose symbolic 1964 quote “Float like a butterfly, sting like a bee. Your hands can’t hit what your eyes can’t see” became his trademark. This is coded language that means Muhammad Ali, who was insane, was not the real boxer since he ‘can’t see’, so the fighting was being conducted by the demons (butterflies) that possessed him

Shia Labeouf

Shia LaBeouf

Cover for Justin Timberlake's album The 20/20 Experience

Cover for Justin Timberlake’s album The 20/20 Experience

Madonna

Madonna

Queen Latifah

Queen Latifah

Twiggy on the cover of Vogue magazine

Twiggy on the cover of Vogue magazine

Shakira

Shakira

James Corden with fake tattoos, photographed for WSJ magazine in March 2016

Harry Styles

Dolly Parton on the album cover for Love Is Like A Butterfly

Francesco Gabbani

Azealia Banks

Azealia Banks making the ‘Shhh… signal’, which is the hand sign for demonic possession, symbolising victims can’t speak/are spiritually bound/silent

Album cover for Janis Joplin's Rare Pearls

Album cover for Janis Joplin’s Rare Pearls; note the sun (sun worship) and the All-Seeing Eye on the car’s bonnet

Jenni Rivera

Jenni Rivera

Will Ferrell, photographed by Mark Seliger for New York Magazine

Will Ferrell, photographed by Mark Seliger for New York Magazine

Gemma Ward, photographed for Vogue Paris, October 2005

Gemma Ward, photographed for Vogue Paris, October 2005

Britney Spears

Britney Spears

Martha Stewart on the cover of the special annual Halloween issue of her magazine

Martha Stewart on the cover of the special annual Halloween issue of her magazine

André 3000

André 3000

LeAnn Rimes

LeAnn Rimes

The Very Best Of Deee-Lite

Album cover for The Very Best Of Deee-Lite

Mae West

Mae West

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff butterfly

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Moa Åberg by Camilla Akrans for Vogue Italia March 2013

Moa Åberg, photographed by Camilla Akrans for Vogue Italia in March 2013

Natasha Poly by Txema Yeste

Natasha Poly, photographed by Txema Yeste for Vogue Russia

Tisha Campbell-Martin in the Steel Here music video

Tisha Campbell-Martin in the Steel Here music video

Anastacia

Barbara Palvin, photographed for Vogue magazine; the emeralds identify Barbara as a drug mule, the diamonds represent the demons that possess her (see Metals and Jewels)

Lady Gaga at the Museum of Contemporary Art

Lady Gaga performing at the Museum of Contemporary Art

Lina Zhang by Julia Noni for Vogue Russia September 2013

Lina Zhang, photographed by Julia Noni for Vogue Russia, September 2013

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Farrah Fawcett releases a live Monarch butterfly in commemoration of comedian Rodney Dangerfield's one year anniversary death at the comedian's home in West Hollywood, California, October 5, 2005

Farrah Fawcett releasing a live Monarch butterfly from a designer box

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Mo'Nique

Mo’Nique

Tom Felton

Tom Felton

Janelle Monáe

Janelle Monáe, photographed for Teen Vogue in 2010. Janelle is wearing a bow tie, which in French is nœud papillon — ‘butterfly knot’. She is wearing black and white, symbolising duality/demonic possession. The reference to Tim Burton movies, which are horror films, symbolises the horror movies used to  drive her mad

Rihanna with a bow tie

Rihanna with a bow tie, which in French is nœud papillon — ‘butterfly knot’. The leopard print identifies her as a Beta Kitten, the three rows of rhinestones that form the knot and the diamond earring represent the demons that possess her; the black and white stripes signify duality

Madonna with a diamante encrusted bow

Madonna with a diamanté encrusted bow tie, which in French is nœud papillon — ‘butterfly knot’

Willow Smith Teen Vogue, May 2016

Willow Smith on the cover of Teen Vogue in May 2016, with a pink bow tie, which in French is nœud papillon — ‘butterfly knot’

Miley Cyrus - Butterfly Fly Away

Miley Cyrus on the cover of her single Butterfly Fly Away

Brooke Kinsella

Brooke Kinsella

Vanessa Hudgens

Vanessa Hudgens; note the sun burst earring

Christina Aguilera

Christina Aguilera

Robbie Williams at the Apple Music Festival at The Roundhouse, London, England in 2016. The tiger on his underwear identifies him as a sex slave; he wore the same underwear in his Rock DJ music video

Trudie Styler

Trudie Styler

 

Open Your Eyes.