Tag Archives: torture

Hotel California

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Cover for the Eagles' single Hotel California

Cover for the Eagles’ single Hotel California; note the sun, denoting sun worship

Hotel California is the title track from the Eagles’ album of the same name and was released as a single in February 1977.

‘Hotel California’ is a metaphor for the madness and demonic possession of Monarch slaves (see Monarch slaves and Roman Holiday).

It is a song that causes a lot of debate, because its lyrics are esoteric; full of symbolism like all music (see The Music Man).

However, if you interpret the symbols, you will see that it is a song about drugs, witchcraft, Monarch slaves, Satan, demons, and human sacrifice.

Here are the lyrics:

On a dark desert highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
“This could be Heaven or this could be Hell.”
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say…

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year (Any time of year)
You can find it here

Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
“Please bring me my wine.”
He said, “We haven’t had that spirit here since nineteen sixty nine.”
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say…

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
They livin’ it up at the Hotel California
What a nice surprise (what a nice surprise)
Bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said, “We are all just prisoners here, of our own device.”
And in the master’s chambers,
They gathered for the feast
They stab it with their steely knives,
But they just can’t kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
“Relax,” said the night man,
“We are programmed to receive.
You can check-out any time you like,
But you can never leave!”

There are many references to demonic possession in the song. First of all, the narrator is on a ‘dark desert highway’, he is isolated in a location where no one will see what is going on — the demons that possess Monarch slaves become their alter personas and mimic their voice and mannerisms; they steal the slaves’ identities. The slaves are lunatics who are spiritually bound by demons and live in a permanent state of dissociation or a ‘dark desert highway’.

Here are the original symbolic lines in order:

…warm smell of colitas’ — The term ‘colitas’ means ‘little tails’ in Spanish; in Mexican slang it refers to buds of the cannabis (marijuana) plant — the tip of a marijuana branch, where it is more potent and with more sap.

Marijuana colitas

Marijuana colitas

Hallucinogens like marijuana are used to open the pineal gland or third eye to demonic influence — After Monarch slaves are driven insane, they are drugged before being ritually sodomised to open spiritual doors for demons to possess them.

…rising up through the air’ — demonic spirits. Satan is the prince of the power of the air (Ephesians 2:2)

…my head grew heavy and my sight grew dim’ — he was drugged

I heard the mission bell’ — bells are associated with rituals; Monarch slaves are subjected to Satanic rituals.

…this could be Heaven and this could be Hell’ — so the state of dissociation in which Monarch slaves live can be ‘heaven’, which is a blissful state where the boundaries between reality and fiction are blurred (dissociation). It can also be ‘hell’ or a nightmare due to the Satanic rituals, horrific abuse, the mental anguish and spiritual torment.

‘…then she lit up a candle’ — The Mother of Darkness who is assigned to a slave who is being ritually sodomised; candles are used in Satanic rituals/witchcraft

‘…and she showed me the way’ — to enlightenment (via ritual sodomy, which is used to open the pineal gland or third eye to attain gnosis (false knowledge), not to his room

Such a lovely place, such a lovely face’ — dissociation, over the rainbow, into wonderland (Monarch slaves are spiritually bound by the demons that possess them, to contain their madness)

Plenty of room at the Hotel California’ — Hotel California refers to hell, which is where the demons that possess Monarch slaves come from, and what Monarch slaves experience ~ an existence of pure hell. It is also code for the Church of Satan in San Francisco, California, U.S., which was a Victorian home built in 1905 known as the Black House.

California State in U.S. is named after Kali, the Hindu goddess of time, doomsday and death. California  is named after this goddess (see Pagan gods).

(The Notorious B.I.G.’s song Going Back to Cali refers to the pre-flood world being revived in this second world: whereby the fallen angels will once more rule the earth and corrupt the DNA of all creatures. Destruction is the opposite of creation, and Satan and his angels and demons want to destroy all that Almighty Yahweh, the LIVING GOD, created.)

Any time of year, you can find it here’ — they are Monarch slaves and cannot escape their mental, emotional, physical and spiritual prisons

‘…her mind is… twisted’ — lack of morals and deriving pleasure from torturing slaves

‘…she got a lot of pretty, pretty boys’ — male prostitution

Some dance to remember, some dance to forget’ — ‘dance’ symbolises electrocution used to subdue Monarch slaves when they fight their demonic possession in a spiritual battle and their lunacy manifests:

Etymology of dance:

verb

2. (intransitive) To leap or move lightly and rapidly.

So I called up the Captain’ —  invocation of demons, summoned to possess a slave during ritual sodomy

Please bring me my wine‘ — wine is code for demonic possession or spiritual binding

Etymology of wine:

From Latin vieō ‎(to bind, interweave), (compare Norwegian vegg ‎(wall).

We haven’t had that spirit here since 1969’ — a spirit is a demon. ‘69’ represents a magickal sigil; sigils are used to invoke demons

Mirrors on the ceiling’: Mirrors represent duality — the demons that possess Monarch slaves steal their identity and mimic them in every way.

‘…those voices are calling from far away, wake you up in the middle of the night’ — when a person is mad, he or she constantly hears voices in their head; when the lunacy of Monarch slaves manifests, they hear the sounds of the music, pornographic and horror films they were forced to watch to drive them insane, as well as the verbal abuse hurled at them during torture ~ this ‘wakes them up’ from their dissociation.

‘…bring your alibis’ — In Latin, the word alibi means ‘elsewhere’ — Monarch slaves are demonically possessed, dysfunctional lunatics who live in a state of permanent dissociation or spiritual binding.

The pink champagne on ice…’ — ‘pink’ symbolises the brain; ‘on ice’ represents the mental brain freeze of the Monarch slave, or their madness and helplessness.

We are all just prisoners here, of our own device’ — Monarch slaves are insane; they are tortured until they minds shatter or fracture or explode.

Etymology of device:

Noun:

4. (Ireland) An improvised explosive device, home-made bomb.

‘…in the master’s chambers’ — the demons that possess Monarch slaves become their controllers or masters. A chamber is a room, in this context it refers to Monarch slaves’ bodies which are occupied by the demons or ‘masters’.

‘…they gather for the feast, they stab it with their steely knives but they just can’t kill the Beast’ –this refers to the manifestation of Monarch slaves’ madness, when they are fighting their demonic possession or spiritual binding. Slaves are then drugged by injecting them with hallucinogens (steely knives), then ritually sodomised for spiritual doors to open for more demons to possess them (the feast):

Etymology of feast:

From Proto-Indo-European *dʰēs- ‎(god, godhead, deity).

Demons are worshipped as gods.

Etymology of beast:

A person who behaves in a violent, antisocial or uncivilised manner.

Insane Monarch slaves fighting demonic possession are like beasts that are hard to control (just can’t kill the beast).

‘…last thing I remember’ — Monarch slaves are insane and cannot remember anything

‘…I was running for the door’ — he tries to break free of his demonic possession

‘…the Night Man’ — Gatekeeper or watchman: the demons that possess Monarch slaves are like soldiers or gatekeepers that bind them spiritually.

‘…we are programmed to receive’ — they are ritually sodomised to facilitate demonic possession or to ‘receive’ demons into their bodies.

You can check-out any time you like, but you can never leave’ — ‘Check out’ is slang for die, so a Monarch slave can be sacrificed or die during torture, but they will never be free of their demonic possession or madness as long as they are alive.

 

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Dissociation/Fear

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Witchcraft is performed to create Monarch slaves (see Monarch slaves and Duality/Black Mass). Slaves are subjected to intense trauma through Satanic Ritual Abuse, which involves unbearable torture which causes their minds to dissociate and fragment until they become insane. After that, demons are invoked to possess the slave — these demons become the slave’s alter personas.

The colour purple (and its associate colours — maroon, violet, indigo, blue, lavender…) represents magic and mystery, suggestive of shadows, and is also the colour used to symbolise the dissociation of Monarch slaves.

Any shade of purple represents complete dissociation or madness.

Yellow is the colour of fear.

Note the lyrics to The Beatles’ song Yellow Submarine:

We all live in a yellow submarine,
Yellow submarine, yellow submarine.
We all live in a yellow submarine,
Yellow submarine, yellow submarine.

The Beatles holding a yellow submarine. Paul is making the '666' hand sign and John is making the 'devil's horns' sign

The Beatles (John Lennon, Paul McCartney, Richard Starkley (known as Ringo Starr), George Harrison). George and Ringo are holding a yellow submarine. Paul is making the ‘666’ hand sign and John is making the ‘devil’s horns’ sign (see Satanic Hand Signs)

The yellow submarine signifies subconscious fear — Monarch slaves live in a permanent state of terror.

Let’s take a look at where these colours appear:

The Color Purple film poster

Whoopi Goldberg on The Color Purple film poster

The Colour Purple Broadway musical (2005) poster

The Color Purple Broadway musical (2005) poster

Album cover for Iggy Pop's Nude & Rude: The Best of Iggy Pop

Iggy Pop on the album cover for Nude & Rude: The Best of Iggy Pop

Carla Bruni on the cover of Elle France in September 2009

Lily Donaldson on the cover of Vogue China in June 2009

Lily Donaldson on the cover of Vogue China in June 2009

Beyoncé in the music video for Party

Alice in Wonderland film poster

Alice in Wonderland film poster

John Stamos

John Stamos

Camilla Akrans Vogue July 2009

Camilla Akrans on the cover of Vogue China in July 2009; note the serpentine bracelet ~ Satan is the serpent

Cover for The Jimi Hendrix Experience's album Are You Experienced

The Jimi Hendrix Experience (James ‘Jimi’ Hendrix, John ‘Mitch’ Mitchell,  David Noel Redding) on the cover for the album Are You Experienced

Freddie Highmore Attitude magazine

Freddie Highmore on the cover of Attitude magazine; the stripes signify his multiple alter personas, which are the legion of demons that possess him

 Beyoncé and Kelly Rowland in the music video for Party

Beyoncé and Kelly Rowland in the music video for Party

Shu Pei Vogue China

Shu Pei, photographed for Vogue China

Janis Joplin U.S. Postal Stamp

Janis Joplin U.S. Postal Stamp

El DeBarge

El DeBarge

Ray Petri, photographed for The Face magazine

Lisa Kudrow on the cover of Marie Claire magazine

Aaron Hall Don't Be Afraid

Aaron Hall on the cover of the single Don’t Be Afraid

Keanu Reeves and River Phoenix on the cover of Interview magazine in November 1991. Keanu’s eyes are covered by his hair, symbolising that we do not see the ‘real Keanu’

Teyona Anderson

Charlie Chaplin on the poster for Chaplin the Musical

Lisa Bonet on the cover of Interview magazine; the colour orange identifies her as a cryptanalyst (see Betelgeuse)

Winona Ryder by Craig McDean for Vogue in August 2007

Winona Ryder, photographed by Craig McDean for Vogue magazine in August 2007

A Piece of the Action movie poster

Bill Cosby and Sidney Poitier in A Piece of the Action

Ace Of Base Beautiful Life single

Ace Of Base on the cover for the single Beautiful Life — the colours red and black symbolise Black Mass

Lupita Nyong'o on the cover of Elle France magazine

Lupita Nyong’o on the cover of Elle France magazine

Album cover for Double You's We All Need Love

William Naraine on the album cover for Double You’s We All Need Love

Demi Lovato Complex magazine October 2015

Demi Lovato on the cover of Complex magazine in October 2015. The banana is a phallic symbol and her butt is pressed against the banana, symbolising ritual sodomy. The word ‘bananas’ below her name is slang for madness; her animal print shoes identify her as a sex slave

James Brown - The Singles, Volume 4: 1966-1967

James Brown on the album cover for James Brown – The Singles, Volume 4: 1966-1967

Alexander O'Neal All Mixed Up

Alexander O’Neal on the album cover for All Mixed Up

Anamika Khanna Vogue India

Anamika Khanna on the cover of Vogue India’s November 2012 issue; the masks represent her alter personas, which are the demons that possess her

Kareena Kapoor Vogue India

Kareena Kapoor on the cover of Vogue India in March 2008

Gary Coleman The Kid With the 200 I.Q.

Gary Coleman on the VHS cover for The Kid With the 200 I.Q. (1983 TV movie)

John Legend

Macy Gray on the cover of her single Sweet Baby

Jim Parsons New York magazine May 2014

Jim Parsons on the cover of New York magazine in May 2014

Neil Patrick Harris on the cover of the April 2014 issue of Out magazine

Neil Patrick Harris on the cover of the April 2014 issue of Out magazine, covered in purple and yellow glitter — glitter is fairy dust ~ fairies are demons. The glitter represents demonic possession

Christina Milian b3 magazine

Christina Milian on the cover of b3 magazine

Linda Gray Photographic magazine

Linda Gray on the cover of Photographic magazine

Bros (Matt Goss, Luke Goss, and Craig Logan) on the cover of Music Life magazine. Note the number 8 on the right corner — eight is the occult number for rebirth, transformation and power (the boys were transformed into Monarch slaves). The words above ‘a-ha’ form an arc, symbolising  an interdimensional portal for demons to cross over from hell to earth. The arch, plus the blue scribble and the words ‘a-ha’ also form an All-Seeing Eye

Francesco Gabbani on the album cover for Magellan

Hair:

Chris Brown

Chris Brown

Lady Gaga

Lady Gaga

Rita Ora

Rita Ora

 Kate Moss, photographed for Alexander McQueen's SpringSummer 2014 campaign

Kate Moss, photographed for Alexander McQueen’s SpringSummer 2014 campaign; the metal bracelets represent prison bars — enslavement

Lily Allen

Lily Allen

Sasha Pivovarova for Vogue Italia April 2007 photographed by Mario Sorrenti

Sasha Pivovarova, photographed by Mario Sorrenti for Vogue Italia in April 2007

Miley Cyrus

Miley Cyrus

Cassie in the music video for The Boys

Cassie in the music video for The Boys

Madeline Rae Mason

Madeline Rae Mason

Kesha

Kesha

Josh Dun (Twenty One Pilots)

Josh Dun (Twenty One Pilots)

The rainbow is an interdimensional gateway or portal to the spiritual world (see Alchemy and The Rainbow Portal). Witchcraft is performed to create Monarch slaves. Slaves are ritually sodomised for spiritual doors to open for demons to possess them — the rainbow is a symbol of demonic possession.

Barack Obama, photographed by White House photographer Pete Souza

Barack Obama, photographed by White House photographer Pete Souza

Album cover for Mariah Carey's Rainbow

Album cover for Mariah Carey’s Rainbow

Mariah is standing against an obfuscated panelled wall. The panels represent the rainbow portal through which demons transit from hell to come to earth.

Over the Rainbow (the debut Japanese album of South Korean girl group Rainbow)

Cover for Over the Rainbow (the debut Japanese album of South Korean girl group Rainbow)

Lana Del Rey on The Endless Summer Tour 2015 poster

Lana Del Rey on The Endless Summer Tour 2015 poster

Karen Elson photographed by Tim Walker for Vogue Italia

Karen Elson, photographed by Tim Walker for Vogue Italia

Lady Antebellum Downtown

Cover for Lady Antebellum’s single Downtown

Album cover for Madonna's MDNA

Album cover for Madonna’s MDNA

Kelis

Kelis

Gisele Bündchen on the cover of Vogue

Gisele Bündchen on the cover of Vogue magazine; note the balloons, which signify the Monarch slave as a vessel or receptacle for demons to possess them

Dolly Parton on stage

Dolly Parton on stage

Miley Cyrus 2015 MTV VMAs

Miley Cyrus at the 2015 MTV VMAs

Album cover for Alice Nine's Rainbows

Alice Nine on the cover for the album Rainbows

Beyoncé in the music video for Sweet Dreams

Beyoncé in the music video for Sweet Dreams; note the light source ~ representing Lucifer

An excerpt from the lyrics:

“You could be a sweet dream or a beautiful nightmare
Either way I don’t wanna wake up from you
(Turn the lights on).”

‘Lights out’ is slang for bedtime or going to sleep — in this case it means dissociation or madness; therefore, ‘lights on’ would mean to wake up or be free of demonic possession and madness.

Irina Shayk on the cover of Vogue Brazil in January 2017

Barbie Hsu, photographed for Vogue magazine

Chrissie Chau on a C2010UREVOLUTION calendar; note the purple and yellow glitter on her face —  glitter is fairy dust ~ fairies are demons. The glitter represents demonic possession

Then we have purple hair:

Christina Milian, photographed for Rolling Out magazine

Wiz Khalifa

Wiz Khalifa

Ireland Baldwin

Ireland Baldwin

Nicole Richie

Nicole Richie

Vanessa Hudgens

Vanessa Hudgens

Coco Arquette with purple and blue streaked hair

Coco Arquette with purple and blue streaked hair

Kelly Osbourne

Kelly Osbourne

Katy Perry

Katy Perry

Naomi Campbell Vogue Russia April 2010

Naomi Campbell on the cover of Vogue Russia April 2010; note the candles — candles are used in witchcraft

Madeline Rae Mason, wearing a skeleton spine necklace

Etymology of skeleton:

From Ancient Greek σκελετός ‎(skeletós, meaning ‘dried up, withered, dried body, parched, mummy‘), from σκελλώ ‎(skellṓ, meaning ‘dry, dry up, make dry, parch’), from Proto-Indo-European *(s)kelh₁– ‎(to parch, wither); compare Greek σκληρός ‘hard’.

The skeleton represents the demons that possess Madeline — demons are dead, zombies, dried up like a mummy.

Kim Kardashian

Kim Kardashian

Jessie J

Jessie J

Balloons symbolise the Monarch slave as a vessel or receptacle to receive the demons that possess them

Etymology of balloon:

(chemistry) A round vessel, usually with a short neck, to hold or receive whatever is distilled; a glass vessel of a spherical form.

Alcoholic beverages such as brandy, whisky, rum or arrack are called spirits and are obtained by distillation of wine — demons are spirits.

Holly Willoughby, photographed for Cosmopolitan magazine

Erin Heatherton at a Victoria's Secret fashion show

Erin Heatherton wearing angel wings made from balloons at a Victoria’s Secret fashion show, and a purple beanie

Paulina Vega, Miss Universe 2014, photographed by Martin Schoeller for People en Español's Los 50 Más Bellos

Paulina Vega, Miss Universe 2014, photographed by Martin Schoeller for People en Español‘s ‘Los 50 Más Bellos’ (The 50 Most Beautiful)

Hugh Laurie

Hugh Laurie

Sam Rollinson, photographed by Tim Walker for Vogue Italia magazine in January 2001

Angelina Jolie with her daughter Zahara, left, and Vivienne, right, photographed for Vanity Fair in October 2011

Angelina Jolie with her daughters Zahara, left, and Vivienne, right, photographed for Vanity Fair in October 2011

Magdalena Frackowiak by Sølve Sundsbø for Vogue China's April 2009 issue

Magdalena Frackowiak, photographed by Sølve Sundsbø for Vogue China’s April 2009 issue

Ming Xi

Margot Robbie, photographed by by Matthew Brookes for Vogue Australia magazine’s November 2013 edition

Dana Plato

Dana Plato; blue and red are the colours of duality. Stripes signify Monarch slaves’ multiple alter personas, which are the demons that possess them

Naomi Campbell on a hot air balloon, photographed by Ellen von Unworth for Vogue US magazine’s March 1998 issue

Olya Ivanisevic, photographed by Ellen von Unwerth for Vogue Italia magazine

Anna Maria Jagodzinska and Viktoriya Sasonkina, photographed by Steven Miesel for Vogue magazine in February 2009

Sarah Pauley in a hot air balloon, photographed by Mazen Abusrour for Vogue India magazine

Fearne Cotton, photographed for Cosmopolitan magazine

Eniko Mihalik, photographed by Matt Jones for Elle Italia magazine’s November 2015 issue

 

Spiritual Dangers of Pornography

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Pornography, child pornography and sexual slavery are so widespread they have become almost commonplace, and human trafficking a global menace.

What happened to protecting our children? Their innocence is their most precious quality; it should be preserved and nurtured, not exploited.

Apart from children, there are others who are either forced or enticed into working in the porn industry. The evil people who run these organisations either buy slaves (human trafficking), kidnap hapless victims or prey upon people with low self-esteem and use them to create sick videos; others are Monarch slaves.

The porn industry is a booming business. They have literature, such as Hustler magazine, DVDs and ‘peep shows’, but the easiest way to access porn is online. Pornography reduces men and women into sex objects to be used and discarded, it is a key element fuelling the demand for human trafficking, child exploitation, Internet predators, and other perverse sexual acts and even murder. It is highly addictive, but as with all intoxicating substances, the high of one drug diminishes its potency leading to the desire for a stronger one.

At one point the addicted victim ceases being stimulated even by the hardest core pornography. To satisfy the indwell beast, the drive manifests to physically act out the deviances on women and children, continuing deeper and deeper.

Ted Bundy, an infamous serial killer, granted an interview to psychologist James Dobson just before he was executed on January 24, 1989. In that interview, he described the agony of his addiction to pornography. Bundy went back to his roots, explaining the development of his compulsive behaviour. He revealed his addiction to hardcore pornography and how it fuelled the terrible crimes he committed. When Bundy was 13 years old, he discovered ‘dirty magazines’ in a dump near his home. He was instantly captivated by them. In time, he became more and more addicted to violent images in magazines and videos. He got his kicks from seeing women being tortured and murdered. When he tired of that, there was only one place his addiction could go — from fantasy to reality.

Pornography is DEMONISM. When you watch porn videos, you are opening doors for Satan and his demons to gain access to and control your life.

“The thief comes only to steal and kill and destroy; I have come that they may have life, and have it to the full.” John 10:10

Pornography appeals to man’s lowest impulses, reducing him to a beast with no self-control or dignity. When you watch pornography, you are participating in the evil committed by those engaging in the anything-they-can-think-of sex acts. Pornography is a ritual, and different positions generate different energy. This energy is harnessed by demons, it strengthens them, so that they will be able to regain their physical bodies and be able to manifest themselves in physical form — and appear on earth in the future as ‘aliens’, to rule us.

This world is Satan’s kingdom and the Illuminati are behind the porn industry. April Garris, a young American woman and a former porn star, spoke of how Yahshua revealed the evil of pornography to her in a vision. She was on set, high on drugs, performing hardcore sex acts, and around her were demons watching and prowling, guarding the set.

Satan wants to destroy mankind, and since woman is Yahweh’s most magnificent creation — she brings forth life, nurtures it and protects it all her life — he seeks to humiliate and disgrace her. Pornography features deviant sex acts, rape, torture and horrific abuse, including bondage and electrocution. Pornography and prostitution debase us and harm us spiritually. We should protect our eyes, as they are the windows to our souls and the point at which evil enters our minds and corrupts our thoughts. We abuse our bodies when we engage in sexual acts, such as masturbation and fornication, as a result of the images we view.

“Do you not know that your bodies are temples of the Holy Spirit, Who is in you, Whom you have received from Yahweh? You are not your own, you were bought at a price. Therefore, honour Yahweh with your body.” 1 Corinthians 6:19-20

There are different levels of porn: Erotica (which includes simulated sex and one-on-one sex acts), Soft porn, Hardcore porn, BDSM (bondage and sadomasochism) and Snuff porn (which ends with the rape victim being murdered. Snuff porn is featured in Sidney Sheldon’s novel Bloodline). Each level worse than the last.

(In movie making, whenever there’s a ‘Closed Set’ — which means there’s nude filming going on — and there’s a sex scene, it’s really pornography, and not simulated sex.)

Snuff pornography films are human sacrifices, conducted when a slave has become too difficult to handle or angered his/her handlers or powerful clients. There is a huge market for these Satanic sacrifice films among the exclusive, connected and wealthy circles (devil worshippers and Illuminati).

There are also gay videos and images available. In Illuminati/occult symbolism, the triangle is the anal triangle, the portion of the perineal region surrounding the anus. The eye in the triangle represents the anus and the Eye of Horus and also relates to the ‘third eye’ — the chakra vortex in the centre of the forehead through which we connect with our psychic sight, the symbol of enlightenment and gnosis — the illumination that is their precious mystery attained through ritual sodomy.

eye-of-horus-tri

Porn stimulates but does not satisfy. We must seek guidance from Yahweh, Yahshua and the Angels and Archangels to escape the clutches of evil that will eventually destroy us and condemn our souls to eternal suffering.

“Be sober, be vigilant; because your adversary the devil walks about like a roaring lion, seeking whom he may devour.” 1 Peter 5:8

Monarch slaves who are demonically possessed are used to symbolise the anal triangle (see Monarch slaves):

Peter Gabriel

Peter Gabriel (Genesis)

Jessie J

Jessie J

Michael Jackson; note the discolouration around his fingernails, indicating nail trauma as a result of abuse

Lady Gaga

Lady Gaga in the music video for Bad Romance

Paul McCartney

Paul McCartney

Cristiano Ronaldo

Cristiano Ronaldo in an advertisement for Emporio Armani

Madonna

Madonna

Andrej Pejic

Nicki Minaj in the music video for Moment 4 Life

Nicki Minaj in the music video for Moment 4 Life

Rihanna

Rihanna

Samuel L. Jackson

Samuel L. Jackson

Ciara

Ciara

Kesha in the music video for Die Young

Kesha in the music video for Die Young

Lottie Tomlinson

Lottie Tomlinson

Boomkat Boomkatalog. One

Boomkat (Kellin and Taryn Manning) on the cover of their album Boomkatalog. One

Maryna Linchuk, photographed for Vogue Japan magazine

 

Monarch slaves

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In witchcraft, there is a technique used to create undetectable total slaves. Victims are dehumanised and debased — they are drugged and subjected to Satanic Ritual Abuse (SRA), then extreme torture and trauma, using verbal, physical and sexual abuse.

Within the occult world, the entire study of demonology is wrapped around the geometric shapes that serve as focal points for demons (such as made by crystals and pyramids), and the portals by which demons can enter the human body. A demon has to be materialised (conjured) to enter into a body/possess a slave. Geometric shapes which are believed to attract demons are placed in the room where the witchcraft is being conducted.

There are Kabbalistic grades within Freemasonry. Sex slaves are used by the higher and more occult Masonic rites. These sex slaves are subjected to all types of perverse magical rituals. The Kabbalah teaches intercourse with demons (Monarch slaves are given to demons for their sexual gratification).

Theurgy is the skill or ability to invoke demons variously called angels of light or genii or elemental spirits. Demons come with a price and that price is blood. Satanism and Luciferianism and other similar blood cults are cults that require blood to be sacrificed to pull in demons. For instance, blood may be taken from both the tongue and the genital area and mixed in a certain ceremony to invoke a particular demon (called ‘spirit cooking’). Demons are not bought with gold or silver, they are bought with blood.

Some spirits are invoked by placing alcoholic enemas into the child; these children get totally intoxicated, some to the point that they die from the ceremony. An example of an important ritual for the victim is the baptism of the victim to Satan; Satan may be called Set in the ritual. There are variations to this ceremony, so a victim’s personal baptism may vary in some or all of the details.

This is an actual variation of the ritual performed on Monarch slaves:

The victim is stripped and given a purple robe, then he/she is placed inside a pentagram, and an altar, then a nude woman or child is brought forward. A horse or jackal is inscribed with the word ‘nebebka’ on the neck of forehead. Then the animal is sacrificed to whatever name the group is using for Satan (such as Set or Saman). The abdomen of the animal is split open completely, and the liver removed, then the four spirits of the four watchtowers are invoked. The slave being baptised is smeared with fat from the dead animal, and then a demon is summoned by ringing a bell to possess the slave. The slave is then placed into the animal’s belly. A part of the raw liver is given to the child and the rest eaten by the group.

The slave is then baptised by blood. A cut called the ‘Devil’s Seal’ is placed on the slave’s left hand, on the armpit or on the upper part of the head. This in Kabbalism is the ‘Mark of Foundation’. The priest reads out the Book of Satan and the Book of Names and the victim repeats after the priest. In this way the priest ritually gives the victim a new name.

The Dance of Hod (Glory — the sphere on the bottom left of the C Tree of Sephiroth) is then began in a circular motion by the cult, to oppose Netsah (Victory — the sphere on the bottom right of the tree). The priest of the coven will then dismiss the demon(s) he has conjured. Sometimes the ritual is performed with a child sacrifice instead of an animal, and sometimes it is done in conjunction with another ritual, such as that of All Hallow’s Eve.

To empower demonic possession, special rings which have been dipped in the blood of sacrificed victims are given to the slave. The rings are used as focal points to ensure the continued demonisation of the slave. Some examples of this would be a Blue Topaz ring, a Black Onyx ring or a Diamond ring. Slaves are also given amulets to wear to reinforce demonic possession, such as crosses, winged discs, feathers, rosaries, birds, bird’s wings, eyes, charm bracelets, beads, gemstones, pentagrams, etc.

Witches force the slave to make blood covenants, contracts, oaths and to shed innocent blood. What various witchcraft and Illuminati slaves experience is Satan drawing blood from their left hand, and causing them to write in their own blood a formal contract entering his service in the Great White Book; an important Illuminati document.

After the Satanic Ritual Abuse is completed, slaves are imprisoned in a room with bright lights, playing incessant loud music and transmitting radio waves, and forced to watch horror movies and pornography.

Radio waves are quite different from the acoustic waves our ears detect. However, it is possible for radio waves with frequencies within or near the spectrum of hearing to produce electrical effects within our bodies or mechanical vibrations from the surrounding environment to be sensed as sound. High-power Extremely Low Frequency (ELF) radio frequency (RF) with electric field levels in the low kV/m range are known to induce perceivable currents within the human body that create an annoying tingling sensation. These currents will typically flow to ground through a body contact surface such as the feet, or arc to ground where the body is well insulated.

 Natalie Portman, holding a radio, symbolising radio waves used to torture Monarch slaves

Natalie Portman holding a radio, symbolising radio waves used to torture Monarch slaves

Torture is also conducted through double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with hallucinogens which alter certain cerebral functions (such as LSD).

In 1958, Freemason Dr Patrick Flanagan invented a device he called the Neurophone, an electronic nervous system excitation instrument that transmits sound through the skin directly to the brain. It can successfully programme suggestions directly through contact with the skin. The skin (the largest organ of the integumentary system, which consists of hair, nails, nerves and exocrine glands) contains more sensors for heat, touch, pain, vibration, and electrical fields than any other part of the human anatomy.

This instrument is used in the torture of Monarch slaves.

When they become mad as a result of this treatment, they are ritually sodomised for spiritual doors to open and allow in demons that are invoked from hell to possess them and control them (demonic possession is accompanied by a burning sensation). These demons become their alter personas that mimic their voice and mannerisms, and carry out their missions.

Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies. Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually.Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies. Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually.

The Cranberries’ song titled Zombie talks about Monarch slaves (The Cranberries are Monarch slaves) — the violence that leads to silence is the torture that drives Monarch slaves insane, who are then silenced by the spiritual binding of demonic possession.

‘It’s not me’ means that the Monarch slave has been replaced by the demons that possess him or her.

‘It’s not my family’ refers to the legion of demons that possess and control Monarch slaves. The fighting refers to the constant spiritual battle between Monarch slaves and the demons that possess them.

The crying refers to the screams of Monarch slaves when they ‘wake up’ and are fighting their demonic possession. These are the screams of a lunatic.

The bombs exploding symbolises the process of becoming insane.

Nineteen-sixteen (1916) — in occult symbolism, the number 19 symbolises the unit being established between the multiplied parts and by an act of reciprocal solidarity, or legion of demons invoked; the number 16 is considered as the final number of the emanation, it represents the incarnation completed, or demonic possession:

Zombie

Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken

But you see it’s not me
It’s not my family
In your head, in your
Head they are fighting
With their tanks and their bombs
And their bombs and their guns
In your head,
In your head they are cryin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey, oh
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou

Another mother’s breakin’
Heart is taking over
When the violence causes silence
We must be mistaken

It’s the same old theme since nineteen-sixteen
In your head,
In your head they’re still fightin’
With their tanks and their bombs
And their bombs and their guns
In your head, in your head they are dyin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey
Oh, oh, oh, oh, oh, oh, oh
Hey, oh, ya, ya-a

Whenever Monarch slaves fight their demonic possession and their lunacy manifests, they become wild and are drugged, then subdued with electrocution using the Electrocardiogram (EEG) machine and the electroconvulsive therapy (ECT) machine, then ritually sodomised to open up spiritual doors for more demons to possess them. These demons spiritually bind the slave (see Duality/Black Mass and Roman Holiday).

EEG Skull Caps that are able to read your brain waves for MK ULTRA projects

EEG Skull Caps that used to electrocute Monarch slaves to subdue them when they fight their demonic possession

There is no such thing as mind control programming, Monarch slaves are driven COMPLETELY INSANE and it is impossible to manipulate them mentally.

Monarch slaves are named after the Monarch butterfly (Danaus plexippus) –which represents the demons that possess them.

Monarch butterfly

Monarch butterfly

The techniques go back to ancient Babylon, Persia, Greece, Rome and Egypt to the ancient mystery religions, and further back — to antediluvian times and the knowledge taught to mankind by the fallen angels. The alter personas of a Monarch slave are different demons.

Titles used to refer to the various techniques of a Monarch slave are steeped in demonism: Alice in Wonderland symbolises ritual sodomy, Wizard of Oz symbolises Satan, Mickey Mouse symbolises witchcraft (see Looney Tunes), Smurf symbolises demons, Betelgeuse symbolises Satan, Peter Pan symbolises Satan, Frog symbolises the aquatic hybrids created in the pre-flood world by the fallen angels that taught post-flood mankind the forbidden knowledge stolen from heaven.

Some labels used to symbolise Monarch slaves are Beta (Sex slave or prostitute), Delta (special agents or elite soldiers/assassins, Theta (Psychic warfare or the use of thought energy to kill someone at a distance, and Omega (Self-destruct).

(Keep in mind that the REAL handlers and masters are: DEMONS, FALLEN ANGELS and SATAN. Even those who are not Monarch slaves; such as the Freemasons/Illuminati, including the bloodline families, are still slaves. As long as you are serving demons/fallen angels you will always be enslaved, no matter how rich and powerful you are. ANYONE can be a slave/handler: Lawyers, doctors, journalists, astronauts, scientists, teachers, news anchors, actors/actresses, musicians, writers, poets, dancers, engineers, mechanics, waiters/waitresses, shopkeepers, athletes, politicians, presidents, prime ministers, royalty, soldiers, even homeless people; all used to further the Illuminati’s evil agenda.)

Slaves are sodomised to open spiritual doors for demons to possess them. After that they live in a permanent state of dissociation and fear. The rabbit hole is a metaphor for the rectum, and traversing it with ritual sodomy has been the standard means of creating Monarch slaves for thousands of years. In Alice’s Adventures in Wonderland, Lewis Carroll’s white rabbit has a pocket watch he keeps checking (demons travel through time and space from their spiritual realm to get to our physical realm). He was in and out of the rabbit hole, as the psychopomp Hermes, and Anubis, and his going in and out of the rabbit hole signifies sodomy.

Masks represent the demons behind which the slave’s spirit is isolated. The slave’s spirit is detached and isolated inside, behind the demons who interface with the outside world. These demons mimic the slave’s persona and steal the slave’s identity. Monarch slaves are identified by a wide array of odd names — code names for the different alters or demons.

This is why Monarch slaves are able to converse in multiple languages, even ancient languages, known to demons.

Monarch  slaves are driven to madness by their torture, before demonic installation — the demons then have complete control of the slaves and turn them into robots, so even if a slave were to be delivered from their demonic possession, they would be dysfunctional maniacs because they are completely mad. This is why whenever they are fighting their demonic possession in a spiritual battle against the demons — they become wild; destructive, aggressive, self injurious and maniacal.

The 27 Club is a a myth created by Monarch slave handlers. There is no mystery as to why a certain number of celebrity Monarch slaves die at the age of 27 — these slaves die while being electrocuted to subdue their madness when it manifests as they are fighting their demonic possession. It is simply a coincidence that a number of celebrity slaves have died at the age of 27.

Wigs, hair cuts, changing hair colour and eye colour are used to symbolise a slave’s different alter personas or the demons that possess them.

Lady Gaga with a wig

Lady Gaga with a wig; the necklaces are amulets

Charlize Theron

Charlize Theron with long hair, left, and shorter hair, right (see Roman Holiday)

Jennifer Lopez with her natural hair colour, left, and with blonde hair, right

Jennifer Lopez with brunette hair, left, and blonde hair, right

Paris Hilton

Paris Hilton with brunette, blonde and red hair, all symbolising her alter personas/demons (Paris’ hair is naturally dirty-blonde)

Kanye West with his natural eye colour, left, and with blue contact lenses, right

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right, to identify her alter persona

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right

As different demons take over the Monarch slave, there is an almost imperceptible facial distortion, and the face is slightly altered with each switch.

Beyoncé; the demons that possess her can be seen in the distortion on her face

In some instances, the eyes of the demons are visible during the switch:

Oprah Winfrey

Oprah Winfrey

Michelle Obama

Michelle Obama

Barack Obama

Barack Obama

Patricia Velasquez Eyes and Face Shift on the show Arrested Development

Patricia Velasquez on the American sitcom Arrested Development; note her teeth and facial distortion

Nicki Minaj

Nicki Minaj

Many of the celebrities we idolise are Monarch slaves and can be identified by symbols evident in their dressing, music videos, movies and the brands they promote/advertisements. When we idolise them, we are really idolising the demons that possess them, which enable them to perform; a good example of this is Michael Jackson, whose gravity defying dance moves are a result of the demons that controlled him from within. Whenever you watch movies with Monarch slaves or listen to their music and watch the videos, you are condoning this barbaric, Satanic practice (see The Music Man and Movies and Magic).

The butterfly is the mascot/identifier of Monarch slaves. The agenda of the Illuminati is to use these slaves to colonise our minds through the media:

Muse Drones

Album cover for Muse’s Drones; an unseen handler controlling a slave

A drone is someone who follows a schedule and doesn’t change it — a slave with no free will of their own, used to brainwash the public into mindlessly following orders, adhere to ideologies and uncritically obey laws; thereby creating more drones.

The noun’s original meaning is used in context with ‘social’ insects such as bees, which are ordered into a hive structure. In an insect hive, drones are the workers – the ones gathering food, building the hive — in short: maintaining the hive, controlled by the queen, or driven by some common instinctual fellowship and hierarchical order.

Tattoos are put on celebrities who are Monarch slaves as hexes to bind them spiritually/keep them in line when they begin to fight their demonic possession (then they are required to attend ‘rehabilitation’ for electrocution and more demonic installation). These tattoos are etched on by shamans, who chant ancient incantations and burn incense to facilitate the spiritual binding of the tattoos.

(Amy Winehouse’s song Rehab is about her fighting her demonic possession, and a prelude to her her subsequent sacrificing.)

Celebrity charity boards/foundations are fronts for prostitution, human trafficking and drug peddling.

Just as the Monarch butterfly is the mascot/identifier of Monarch slaves, there are other mascots to identify slaves:

Dogs for Couriers/Wizard of Oz

Cats for Prostitutes/Beta Kittens

Rabbits and Mirrors for Prostitutes/Alice in Wonderland

Mickey Mouse Ears for Spies/Mickey Mouse

Guns, knives and swords for assassins/Delta

Gun or knife held to the self for suicide/Omega

Blue hair for hackers/Smurf

Orange hair for cryptanalysts/Betelgeuse

Green hair for aquatic hunters/Frog

Grey hair for psychic assassins/Theta

Red hair for prostitutes/Sex slaves

Pink hair for prostitutes or sex slaves/Pink Panther

White glove for no free will/Peter Pan

Bird cages, cages, chains, dog collars and buckles for enslavement

Marionettes, puppets, dolls and mannequins for enslavement

Purple for dissociation or madness

Blue and Yellow hair for dissociation/fear

Black and White for duality or demonic possession

Black and Red for sacrifice/Black Mass

Blue and Red for duality or demonic possession

(see Wizard of Oz, Beta Kitten, Alice in Wonderland, Peter Pan and Mickey Mouse)

The Disney Channel constantly makes announcements encouraging parents to take their children for auditions. During recruitment, they target mainly children from single-parent and abusive homes, since the parents overworked and will often be relieved to have the child taken off their hands and into the custody of a ‘mentor’ (handler).

Here are some of the places where the Monarch butterfly appears:

Cover for Mariah Carey's album Butterfly

Cover for Mariah Carey’s album Butterfly. The butterfly belly chain is an amulet

Advertisement for Mariah's Luscious Pink perfume

Advertisement for Mariah’s Luscious Pink perfume

Mariah's butterfly tattoos

Mariah’s butterfly tattoos

Mariah Carey I Want To Know What Love Is

Mariah Carey in the music video for I Want To Know What Love Is (2009)

Mariah Carey I Want To Know What Love Is2

Album cover for Emiliana Torrini's Merman

Emiliana Torrini on the album cover for Merman

Hilary Duff

Hilary Duff

Erykah Badu

Jacquelyn Jablonski Vogue Russia October 2012

Jacquelyn Jablonski, photographed for Vogue Russia magazine’s October 2012 issue

Abbey Lee Kershaw in Russian Vogue

Abbey Lee Kershaw in Vogue Russia

Miranda Kerr

Miranda Kerr

Barbara Palvin

Barbara Palvin

Anne Vyalitsyna at the 2011 Victoria's Secret Fashion Show

Anne Vyalitsyna at the 2011 Victoria’s Secret Fashion Show

Karlie Kloss

Karlie Kloss

Ana Beatriz Barros

Ana Beatriz Barros

Gigi Hadid at Victoria's Secret Fashion Show 2015

Gigi Hadid at Victoria’s Secret Fashion Show 2015

Devon Windsor at the 2014 Victoria's Secret Fashion Show

Devon Windsor at the 2014 Victoria’s Secret Fashion Show

Heidi Klum wearing a Monarch butterfly bracelet; the ring is an amulet

Heidi in an advertisement for LG phones

Heidi in an advertisement for LG phones

Poster fo Michael Jackson's Immortal world tour

Poster for Michael Jackson’s Immortal world tour; bursting from Michael are butterflies, which represent the demons that possess him

Monarch Butterfly topiary on Michael's Neverland Ranch

Monarch butterfly topiary on Michael’s Neverland Ranch, Santa Barbara County, California, U.S.

Cover for Michael's single Butterflies

Cover for Michael’s single Butterflies. The colours black, white and red symbolise Black Mass and Duality; and the butterfly is partly a mirror image of a facial profile, representing duality

Cover for Taylor Swift's debut album

Cover for Taylor Swift’s debut album

Cover for Mylene Farmer's single L'Histoire D'une Fée C'est ... (The Story of a Fairy Is...)

Cover for Mylene Farmer’s single L’Histoire D’une Fée C’est… (The Story of a Fairy Is…)

Alizée

Alizée

Uma Thurman

Uma Thurman

Amber Anderson in the Madly Kenzo advertisement

Amber Anderson in a Madly Kenzo advertisement

Salma Hayek

Salma Hayek

salma-hayek-tattoo

Beyonce with a Monarch Butterfly covering her left eye, symbolising the 'eye of horus'

Beyoncé with a Monarch butterfly covering her left eye, symbolising the ‘Eye of Horus’

Carla Bruni on the cover of Elle magazine

Carla Bruni on the cover of Elle magazine

Katy Perry

Katy Perry

Drew Barrymore

Drew Barrymore

Drew Barrymore on the cover of Jane magazine in September 1997

Drew Barrymore on the cover of Jane magazine in September 1997

Take That (Gary Barlow, Howard Donald and Mark Owen)

Take That (Gary Barlow, Howard Donald and Mark Owen); note the cross, and the sun denoting sun worship (see The cross and Sun worship)

Mel B on the cover for the single For Once In My Life

Naomi Campbell

Naomi Campbell

Joanna McCormick on the cover of Vogue magazine in July 1957

Paris Hilton at NBC’s Access Hollywood Golden Globe Party in 2004

Paris Hilton

Michelle Obama painting a Monarch butterfly on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C.

Michelle Obama painting a Monarch butterfly on a mural on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C., U.S.

 Bronze statue of a young Barack Obama holding a Monarch butterfly, in Indonesia. Obama, a Monarch slave, was groomed from childhood to be the first Black American president

Bronze statue of a young Barack Obama holding a Monarch butterfly, Menteng Park, Jakarta, Indonesia, celebrating Obama as a Monarch slave

Poster for the film Mama

Jessica Chastain in the film Mama

Brandy Norwood

Brandy Norwood

A masked Mia Farrow at Truman Capote's Black and White Ball in 1966

A masked Mia Farrow at Truman Capote’s Black and White Ball in 1966

Jean Shrimpton, photographed for Elle magazine circa 1960

Mohammad Ali, whose symbolic 1964 quote "Float like a butterfly, sting like a bee, your hands can't hit what your eyes can't see" became his trademark

Muhammad Ali, whose symbolic 1964 quote “Float like a butterfly, sting like a bee. Your hands can’t hit what your eyes can’t see” became his trademark. This is coded language that means Muhammad Ali, who was insane, was not the real boxer since he ‘can’t see’, so the fighting was being conducted by the demons (butterflies) that possessed him

Shia Labeouf

Shia LaBeouf

Cover for Justin Timberlake's album The 20/20 Experience

Cover for Justin Timberlake’s album The 20/20 Experience

Madonna

Madonna

Queen Latifah

Queen Latifah

Twiggy on the cover of Vogue magazine

Twiggy on the cover of Vogue magazine

Shakira

Shakira

James Corden with fake tattoos, photographed for WSJ magazine in March 2016

Harry Styles

Dolly Parton on the album cover for Love Is Like A Butterfly

Francesco Gabbani

Azealia Banks

Azealia Banks making the ‘Shhh… signal’, which is the hand sign for demonic possession, symbolising victims can’t speak/are spiritually bound/silent

Album cover for Janis Joplin's Rare Pearls

Album cover for Janis Joplin’s Rare Pearls; note the sun (sun worship) and the All-Seeing Eye on the car’s bonnet

Jenni Rivera

Jenni Rivera

Will Ferrell, photographed by Mark Seliger for New York Magazine

Will Ferrell, photographed by Mark Seliger for New York Magazine

Gemma Ward, photographed for Vogue Paris, October 2005

Gemma Ward, photographed for Vogue Paris, October 2005

Britney Spears

Britney Spears

Martha Stewart on the cover of the special annual Halloween issue of her magazine

Martha Stewart on the cover of the special annual Halloween issue of her magazine

André 3000

André 3000

LeAnn Rimes

LeAnn Rimes

The Very Best Of Deee-Lite

Album cover for The Very Best Of Deee-Lite

Mae West

Mae West

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff butterfly

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Moa Åberg by Camilla Akrans for Vogue Italia March 2013

Moa Åberg, photographed by Camilla Akrans for Vogue Italia in March 2013

Natasha Poly by Txema Yeste

Natasha Poly, photographed by Txema Yeste for Vogue Russia

Tisha Campbell-Martin in the Steel Here music video

Tisha Campbell-Martin in the Steel Here music video

Anastacia

Barbara Palvin, photographed for Vogue magazine; the emeralds identify Barbara as a drug mule, the diamonds represent the demons that possess her (see Metals and Jewels)

Lady Gaga at the Museum of Contemporary Art

Lady Gaga performing at the Museum of Contemporary Art

Lina Zhang by Julia Noni for Vogue Russia September 2013

Lina Zhang, photographed by Julia Noni for Vogue Russia, September 2013

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Farrah Fawcett releases a live Monarch butterfly in commemoration of comedian Rodney Dangerfield's one year anniversary death at the comedian's home in West Hollywood, California, October 5, 2005

Farrah Fawcett releasing a live Monarch butterfly from a designer box

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Mo'Nique

Mo’Nique

Tom Felton

Tom Felton

Janelle Monáe

Janelle Monáe, photographed for Teen Vogue in 2010. Janelle is wearing a bow tie, which in French is nœud papillon — ‘butterfly knot’. She is wearing black and white, symbolising duality/demonic possession. The reference to Tim Burton movies, which are horror films, symbolises the horror movies used to  drive her mad

Rihanna with a bow tie

Rihanna with a bow tie, which in French is nœud papillon — ‘butterfly knot’. The leopard print identifies her as a Beta Kitten, the three rows of rhinestones that form the knot and the diamond earring represent the demons that possess her; the black and white stripes signify duality

Madonna with a diamante encrusted bow

Madonna with a diamanté encrusted bow tie, which in French is nœud papillon — ‘butterfly knot’

Willow Smith Teen Vogue, May 2016

Willow Smith on the cover of Teen Vogue in May 2016, with a pink bow tie, which in French is nœud papillon — ‘butterfly knot’

Miley Cyrus - Butterfly Fly Away

Miley Cyrus on the cover of her single Butterfly Fly Away

Brooke Kinsella

Brooke Kinsella

Vanessa Hudgens

Vanessa Hudgens; note the sun burst earring

Christina Aguilera

Christina Aguilera

Robbie Williams at the Apple Music Festival at The Roundhouse, London, England in 2016. The tiger on his underwear identifies him as a sex slave; he wore the same underwear in his Rock DJ music video

Trudie Styler

Trudie Styler

 

Open Your Eyes.