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Thriller: A celebration of Michael Jackson’s demonic possession

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Michael Joseph Jackson, who passed away on June 25, 2009, was the most abused Monarch slave in the history of mankind. He was sacrificed when it became impossible to contain his madness, and he was no longer of any use to his handlers and puppet masters.

Michael and his siblings were enslaved as children, when their father Joe Jackson sold them to the Illuminati/Freemasons, to become Monarch slaves, which involves the installation of demons, which become the alter personas of slaves (see Monarch slaves, Duality/Black Mass, Female alters and Beta Kittens).

Michael’s sixth album Thriller, released on November 30, 1982, remains the best selling album of all time, with estimated sales surpassing 65 million copies.

Thriller, and its music video, is a celebration of Michael Jackson’s demonic possession and enslavement. The video symbolically represents the invocation of demons from hell to possess Michael in a Satanic ritual.

Thriller album cover

25th Annivesary edition of Thriller album cover

In the video for this song, Michael transforms first into a werewolf (werewolves are demons who shape-shift into this form when they enter our physical world from the spiritual realm; this transformation is a symbolic portrayal of how Michael was possessed by demonic entities), then to a zombie/living dead, symbolising total submission to a powerful master. At the end of the video, we see Michael transformed back to his original self, but with the eyes of a werewolf, symbolising an undetectable total Monarch slave. The zombies on the Thriller album cover represent the legion of demons that possessed Michael. The number 25 (in 25th anniversary) in occult represents the multiplication of creatures which overlap on the double world of the spirit and the matter — or the demons that live in hell and roam the earth

Michael Jackson thriller movie theatre

The video begins with Michael Jackson in a movie theatre showing the film Thriller

Etymology of thriller:

Etymology of the word thrill comes from English root meaning ‘to pierce’. A thrill is a sharp sensation.

When a demon enters a person’s body — during demonic possession — the person experiences a burning sensation.

Hyponym of thriller: horror movie

Here’s an excerpt from the lyrics:

[Bridge:]
Night creatures call
And the dead start to walk in their masquerade
There’s no escapin’ the jaws of the alien this time (they’re open wide)
This is the end of your life

[Verse 3:]
They’re out to get you, there’s demons closing in on every side
They will possess you unless you change the number on your dial
Now is the time for you and I to cuddle close together
All thru the night I’ll save you from the terrors on the screen,
I’ll make you see

[Chorus:]
That it’s a thriller, thriller night
‘Cause I can thrill you more than any ghost would dare to try
Girl, this is thriller, thriller night
So let me hold you tight and share a killer, diller, chiller
Thriller here tonight

‘The dead’, ‘alien’, ‘ghost’ and ‘ghouls’ are code names for demons.

thriller movie theatre

Michael and his date (who represents his female alter persona/demons that possess him) are inside the movie theatre, watching Thriller, in which Michael is starring — this symbolises dissociation during torture; Michael is going mad

Michael turns into a werewolf

On the screen Michael turns into a werewolf, symbolising demonic possession

thriller movie theatre

Michael and his date (alter personas/demons) leave the movie theatre

thriller Ola Ray and Michael

Michael and his female alter/demons are walking home; note that her hairstyle is the same as his (jheri curl), the black trim of their jackets is identical and she’s wearing a red top, red belt, red shoes and earrings; the leopard print pattern on her outfit identifies Michael as a sex slave

thriller graveyard

They walk past a graveyard

zombie graveyard

Gravestones are pushed open and zombies crawl out, representing the dead or demons that have been invoked leaving hell to enter earth

zombie 2

More zombies crawl out of sewers, which represents demons leaving the underworld or hell

Michael thriller

Zombies closing in on Michael and his alter persona/demons — symbolising the invocation of demons to possess Michael

Michael zombies

Michael is dancing with the zombies in a choreographed sequence, symbolising demonic installation during witchcraft

Michael zombie

Michael’s clothes and face are morphing to resemble those of the zombies, symbolising the demons taking complete control over Michael to become his alter personas (Michael’s insanity and demonic possession occurred when he was five years old)

Michael zombie dance

Michael now looks exactly like the zombies — the demonic installation/possession is complete

Michael thriller dance

Michael and the zombies dancing — symbolising the complete control of the demons over Michael

Michael werewolf thriller

At the end of the video, Michael is transformed back to his original self but with the eyes of a werewolf or demon — symbolising the undetectable total Monarch slave

Marionette

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Marionette is another name for Monarch slaves (also Dolls, Puppets and Zombies). Monarch slaves, who are demonically possessed, become puppets that are controlled by the evil spirits that possess them (see Monarch slaves, Duality/Black Mass and What are graven images?)).

The mascot/identifier of Monarch slaves is dolls, teddy bears, mannequins and puppets — dolls, teddy bears and mannequins represent the demons that possess Monarch slaves. Slaves become puppets that are fully controlled by demons. The bodyguards that always accompany slaves are actually their handlers or puppet masters.

Christina Aguilera

Christina Aguilera

 L'Wren Scott

L’Wren Scott

Jimmie Walker with the Talking J.J. Doll

Jimmie Walker with the Talking J.J. Doll (his character/alter persona on Good Times)

Marla Gibbs Doll

Marla Gibbs Doll

Sugarbabes

Sugarbabes

Kerli

Kerli

Jaleel White as Steve Urkel with a dummy look-alike

Jaleel White as Steve Urkel with a dummy look-alike

Album cover for Jack Off Jill's Sexless Demons and Scars

Album cover for Jack Off Jill’s Sexless Demons and Scars

Adam Levine, GQ

Adam Levine, photographed for GQ magazine

Megan Fox

Megan Fox with a look-alike mannequin

Megan Fox

Megan Fox

Kesha

Kesha with doll paper cut-outs; the green hair identifies her as an aquatic hunter, the blue hair identifies her as a hacker and the purple hair represents dissociation/madness. Note the All-Seeing Eye on her palm and the skull and crossbones on her wrist. The striped cushion: stripes signify Monarch slaves multiple alter personas, which are the demons that ;possess them; the necklace and red string are amulets

Matthew MacFadyen

Robert Downey Jr, photographed for Esquire magazine

Robert Downey Jr, photographed for Esquire magazine

Eliza Dushku

Eliza Dushku

 Angelina Jolie, photographed for Vanity Fair magazine in July 2008

Angelina Jolie, photographed for Vanity Fair magazine in July 2008; the mannequin heads represent the demons that possess her. The blue wig identifies her as a hacker, the wig with an orange tint identifies her as a cryptoanalyst and the green wig identifies her as an aquatic hunter

Angelina Jolie

Angelina Jolie

Britney Spears photographed for Rolling Stone magazine

Britney Spears photographed for Rolling Stone magazine; note the stuffed rabbits (see Alice in Wonderland)

Katharine Ross Stepford Wives (1975)

Katharine Ross in The Stepford Wives (1975)

Mariah Carey and Nicki Minaj

Mariah Carey (Mimi represents the demons that possess Mariah) and Nicki Minaj. The butterflies represent the demons that possess them

Avril Lavigne

Avril Lavigne

 Justin Timberlake has a tattoo on his right leg that depicts a marionette wreathed in flame, and wrapped up in red ropes

Justin Timberlake with a look-alike marionette; Justin also has a tattoo on his right leg (inset) that depicts a marionette wreathed in flame, and wrapped up in red ropes. The green star on top represents Satan ~ star is metaphor for angel, Satan is a fallen angel

Lady Gaga as a doll in a dress made up of Hello Kitty toys

Lady Gaga as a doll wearing a dress made up of Hello Kitty toys (see Beta Kittens)

Ashley Ladies' Code Hate You

Chi Bi Na, known by her stage name Ashley, in the music video for Ladies’ Code’s Hate You

EunB Ladies' Code Hate You

Go Eun Bi, known by her stage name EunB, in the music video for Ladies’ Code’s Hate You

Sojung Ladies' Code Hate You

Lee So Jung, known by her stage name Sojung, in the music video for Ladies’ Code’s Hate You

Zuny Ladies' Code Hate You

Kim Joo Mi, known by her stage name Zuny, in the music video for Ladies’ Code’s Hate You

RiSe Ladies' Code Hate You

Kwon Ri Sae, known by her stage name RiSe, in the music video for Ladies’ Code’s Hate You

Karl Lagerfeld

Martin Short with an Ed Grimley doll

Martin Short with an Ed Grimley doll (his character on Saturday Night Live, which represents the demons that possess him)

Milla Jovovich

Milla Jovovich as a doll

Alexa Yudina, photographed by Giovanni Squatriti for Elle Italia

Alexa Yudina, photographed by Giovanni Squatriti for Elle Italia

Candice Bergen's look-alike doll in Boston Legal, named 'Shirley Schmidt Ho' after her character Shirley Schmidt. The doll represents Candice's Sex Kitten alter persona

Candice Bergen in American series Boston Legal with a life size look-alike inflatable doll, right, named ‘Shirley Schmidt-Ho’ after her character Shirley Schmidt. ‘Ho’ is slang for ‘whore’. The doll identifies Candice as a sex slave

A promotional image for Germany’s Next Top Model; their being packed in a crate labelled ‘CARGO’ signifies the models, who are mind control slaves, being shipped off all over the world as couriers, sex slaves, interpreters, etc

A promotional image for Germany’s Next Top Model; their being packed in a crate labelled ‘CARGO’ signifies the models, who are Monarch slaves, being shipped off all over the world as couriers, sex slaves, interpreters, etc. The colour yellow symbolises the constant state of fear Monarch slaves live in (see Dissociation/Fear)

Leonardo DiCaprio

Coco Rocha

Coco Rocha

Huguette Clark

Huguette Clark at four or five years old; the dolls represent the demons that possessed her

Huguette Clark

Huguette Clark

Doe Deere

Doe Deere; the blue hair identifies her as a hacker

Margarita Babina

Margarita Babina; the mannequin heads represent the demons that possess her

Ginger Rogers in the film Magnificent Doll

Ginger Rogers in the film Magnificent Doll

Kate Moss, photographed for Alexander McQueen

Kate Moss with a look-alike doll, photographed for Alexander McQueen; note the masks, which also represent the demons that possess Kate

Kate Moss by Ellen von Unwerth Vogue Italia, 1992

Kate Moss, photographed by Ellen von Unwerth for Vogue Italia, 1992

Britt Ekland

Britt Ekland

Esther Rolle

Esther Rolle

Miley Cyrus with a look-alike doll

Mary Jane Russell

Beyoncé in the music video for Diva

Sasha Luss photographed by Patrick Demarchelie for Vogue Russia's January 2014 edition

Sasha Luss photographed by Patrick Demarchelie for Vogue Russia’s January 2014 edition; note the hands beneath her breasts (handlers). The lips around her neck signify a ‘kiss’, which represents ritual sodomy in witchcraft

Juliette Binoche on the cover of Playboy France

Juliette Binoche on the cover of Playboy France; note the hands on either side of her arms (handlers). Sans interdits is French for ‘nothing prohibited’. Juliette is a sex slave or Beta Kitten

 Marion Cotillard on the cover of W magazine's December 2012 edition. Note the 'invisible' hands on her shoulders and waist (handlers)

Marion Cotillard on the cover of W magazine’s December 2012 edition. Note the ‘invisible’ hands on her shoulders and waist (handlers)

Aline Weber by Txema Yeste for Tush Magazine Fall 2013

Aline Weber, photographed by Txema Yeste for TUSH magazine Fall 2013. Note the hands on her face (handlers)

Sanja Miletic for Vogue Hellas February 2012

Sanja Miletic, photographed for Vogue Hellas in February 2012; the hands represent her handlers

Kylie and Kendall Jenner, holding the hands of two invisible, shadowy men, representing the sinister unseen handlers controlling their lives

Kylie and Kendall Jenner, holding the hands of two invisible, shadowy men, representing the unseen handlers controlling their lives

Amy Schumer GQ August 2015 wearing the Princess Leia slave outfit from Return of the Jedi. C-3PO

Amy Schumer, photographed for GQ in August 2015, wearing the Princess Leia slave outfit from Return of the Jedi. C-3PO and Chewbaca represent her handlers; the chain is a symbol of her enslavement. C-3PO’s finger in her mouth signifies oral sex

Janet Jackson on the cover of Rolling Stone magazine

Janet Jackson on the cover of Rolling Stone magazine; note the hands on her breasts (handlers)

Mimi Rogers on the cover of Playboy magazine

Mimi Rogers on the cover of Playboy magazine; note the hands on her breasts (handlers)

Sinitta Touch Me (All Night Long)

Sinitta on the cover of her single Touch Me (All Night Long); the faceless men represent her handlers

Maryna Linchuk by Ellen von Unwerth Vogue Turkey December 2010

Maryna Linchuk, photographed by Ellen von Unwerth for Vogue Turkey in December 2010; note the golden hands (handlers)

Anna Mariya Urajevskaya Vogue

Anna Mariya Urajevskaya, photographed for Vogue magazine; the hands represent her handlers

Zhou Dongyu

Zhou Dongyu (photographed left for iLook magazine); the hands represent her handlers. Blue and yellow are the colours of dissociaton/fear (see Dissociation/Fear)

Masha Novoselova by Txema Yeste for V Magazine Spain, April 2010

Masha Novoselova, photographed by Txema Yeste for V magazine Spain, April 2010. Note the extra pair of hands (handlers), and the bruises on her thighs (abuse)

Tyra Banks

Tyra Banks; note the hands with the All-Seeing Eye (handlers). The stripes represent the demons that possess her; the necklace is an amulet; the long black nails are talons, representing the demons that possess her

Lina Zhang, photographed by Julia Noni for Vogue Russia September 2013

Lina Zhang, photographed by Julia Noni for Vogue Russia, September 2013; the extra pair of hands represent her handlers. The sapphires identify her as an assassin

Jason Derulo Talk Dirty

Jason Derulo on the cover of his album Talk Dirty; the hands represent his handlers

Frida Gustavsson Elle Sweden photographed by Andreas Sjodin

Frida Gustavsson on the cover of Elle Sweden, photographed by Andreas Sjodin; the hands represent her handlers, the cut-out eyes and pictures of Frida signify her alter personas, which are the demons that possess her

Katy Perry Harper's Bazaar

Katy Perry, photographed for Harper’s Bazaar. The hand represents her handlers, the broken glass fragments are symbols of her shattered/fragmented mind — insanity

Laura Branigan in the music video for Self Control

Laura Branigan in the music video for Self Control; the masked man undressing her symbolises her handlers

Kate Moss Vogue Paris

Kate Moss on the cover of Vogue Paris; the hands represent her handlers

Clueso on the cover of the single Keinen Zentimeter

Clueso on the cover of the single Keinen Zentimeter (No Centimeter); the hand represents his handlers

Clones and Zombies

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“As it was in the days of Noah, so shall it be at the coming of the Son of Man.” Matthew 24:37

Is it really possible to clone humans and animals?

The answer is… Yes. Not only can it be done, it has been done and is still been done. The technology has not just been ‘discovered’, it has always been available, and came from knowledge stolen from heaven and taught to mankind by the fallen angels in antediluvian times (see Transhumanism and Cyborgism and Welcome to Oblivion).

Clones were present in the pre-flood world, as were all sorts of hybrids. The evil in this world mirrors that of the first one, which was destroyed by the flood.

Since clones do not have spirits and souls, which can only be created by Almighty Yahweh, they are able to achieve locomotion through the performing of Satanic rituals to invoke evil spirits/demons to possess them. This is true for both animal and human clones.

Also, clones HAVE NO BLOOD. Blood cannot be cloned or manufactured, and without it, man cannot live (see Your Blood, Your Life).

(Many invertebrate animals such as coral, jelly fish and flat worms do not have blood because they are able to absorb nutrients and move gases and wastes directly to the outside of their bodies.)

The hidden purpose for cloning is to provide ‘meat suits’ for these evil beings, so that they are able to walk the earth and experience the joys of eating, drinking and copulating, which they cannot do since their spirits were condemned to roam the earth after their death (a judgement against their fathers the Watchers/fallen angels for their rebellion in leaving heaven and corrupting life on earth) before the pre-flood world was washed away (see Aliens are Demons!). However, these cloned bodies deteriorate quickly, as they are unnatural.

What is cloning?

The term cloning describes a number of different processes that can be used to produce genetically identical copies of a biological entity through nonsexual means. The copied material, which has the same genetic makeup as the original, is referred to as a clone.

There are three different types of artificial cloning:

Gene cloning, which produces copies of genes or segments of DNA.
Reproductive cloning, which produces copies of whole animals.
Therapeutic cloning, which produces embryonic stem cells for experiments aimed at creating tissues to replace injured or diseased tissues.
(Cloning also occurs naturally. Certain plants and single-cell organisms, such as bacteria, produce genetically identical offspring through a process known as asexual reproduction, whereby a new individual is generated from a copy of a single cell from the parent organism.
Identical twins, which occur in humans and other mammals, are also natural clones. They are produced when a fertilised egg splits, creating two embryos that carry almost identical DNA. Identical twins have almost the same genetic makeup as each other, but are genetically different from each parent.)

One method of producing clones is Additive Manufacturing or 3D Printing, a process which, although claimed to have been around since the 1980s, has been available for centuries.

It involves making a three-dimensional solid object of virtually any shape from a digital model. 3D Printing is achieved using an additive process, where successive layers of material are laid down in different shapes.

This technology is currently being used to secretly clone humans and animals, but, as usual, we are being fed its progress in small doses.

Here’s a related article:

The emerging process of 3-D printing, which uses computer-created digital models to create real world objects, has produced everything from toys to jewellery to food.

Soon, however, 3-D printers may be spitting out something far more complex, and controversial: Human organs.

For years now, medical researchers have been producing human cells in laboratories by hand to create blood vessels, urine tubes, skin tissues and other living body parts. But engineering full organs, with their complicated cell structures, is much more difficult.

Enter 3-D printers, which, because of their precise process, can produce the vascular systems required to make organs viable. Scientists are already using the machines to print tiny strips of organ tissue. And while printing whole human organs for surgical transplants is still years away, the technology is rapidly developing.

“The mechanical process isn’t all that complicated. The tricky part is the materials, which are biological in nature,” said Mike Titsch, editor-in-chief of 3D Printer World, which covers the industry. “It isn’t like 3-D printing plastic or metal. Plastic doesn’t die if you leave it sitting on an open-air shelf at room temperature for too long.”

The idea of printing a human kidney or liver in a lab may seem incomprehensible, even creepy. But to many scientists in the field, bioprinting holds great promise.

Bioprinting works like this: Scientists harvest human cells from biopsies or stem cells, then allow them to multiply on a petri dish. The resulting mixture, a sort of biological ink, is fed into a 3-D printer, which is programmed to arrange different cell types, along with other materials, into a precise three-dimensional shape. Doctors hope that when placed in the body, these 3-D printed cells will integrate with existing tissues.
Not everyone is comfortable with this bold new future of lab-built body parts, however.

A research director at Gartner Inc., the information-technology research and advisory firm, believes 3-D bioprinting is advancing so quickly it will spark a major ethical debate by 2016.

“Three-D bioprinting facilities with the ability to print human organs and tissue will advance far faster than general understanding and acceptance of the ramifications of this technology,” Peter Basiliere said in a recent report.

Bioprinting also creates complex ‘enhanced’ organs involving non-human cells, in a bid to develop transhumans.

3D printer to be used to print miniature organs

3D printer to be used to print miniature organs

A zombie is a corpse said to be revived by witchcraft, esp. in certain African and Caribbean regions.

However, it is impossible for the body of any creature to achieve locomotion after death, and as soon as the human spirit leaves the body of flesh, the flesh begins to decompose and emanate a terrible stench.

A witch doctor is a witch who practices divination (communication with evil spirits), also known as a shaman or kahuna, and uses these demons to devise ways of ‘healing’ people. These witches invoke demons from hell to possess human beings.

 

 

 

 

 

Monarch slaves

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In witchcraft, there is a technique used to create undetectable total slaves. Victims are dehumanised and debased — they are subjected to extreme torture and trauma, using verbal, physical and sexual abuse, then subjected to Satanic Ritual abuse (SRA).

Within the occult world, the entire study of demonology is wrapped around the geometric shapes that serve as focal points for demons (such as made by crystals and pyramids), and the portals by which demons can enter the human body. A demon has to be materialised (conjured) to enter into a body/possess a slave. Geometric shapes which are believed to attract demons are placed in the room where the witchcraft is being conducted.

Torture attaches and layers in demons within the body. Sex and blood sacrifices are used to attach demons. All of the chakra points and the orifices to the human body serve as portals (eyes, ears, mouth (what you see and hear and the words you speak, such as watching pornography, listening to music and cursing and swearing, attract demons), anus, vagina).

Demonic possession is accompanied by a burning sensation. The Mother of Darkness who is assigned to a slave who is being programmed has to oil the slave periodically to protect him/her from this burning. Demonic possession has been practised since the early times of mankind.

There are Kabbalistic grades within Freemasonry. Sexual slaves are used by the higher and more occult Masonic rites. These sexual slaves are subjected to all types of perverse magical rituals. The Kabbalah teaches intercourse with demons (Monarch slaves are given to demons for their sexual gratification).

Theurgy is the skill or ability to invoke demons variously called angels of light or genii or elemental spirits. Demons come with a price and that price is blood. Satanism and Luciferianism and other similar blood cults are blood cults that require blood to be sacrificed to pull in demons. For instance, blood may be taken from both the tongue and the genital area and mixed in a certain ceremony to invoke a particular demon. Demons are not bought with gold or silver, they are bought with blood.

Some spirits are invoked by placing alcoholic enemas into the child; these children get totally intoxicated, some to the point that they die from the ceremony. An example of an important ritual for the victim is the baptism of the victim to Satan; Satan may be called Set in the ritual. There are variations to this ceremony, so a victim’s personal baptism may vary in some or all of the details.

This is an actual variation of the ritual performed on Monarch slaves:

The victim is stripped and given a purple robe, then he/she is placed inside a pentagram, and an altar, then a nude woman or child is brought forward. A horse or jackal is inscribed with the word ‘nebebka’ on the neck of forehead. Then the animal is sacrificed to whatever name the group is using for Satan (such as Set or Saman). The abdomen of the animal is split open completely, and the liver removed, then the four spirits of the four watchtowers are invoked. The slave being baptised is smeared with fat from the dead animal, and then a demon is summoned by ringing a bell to possess the slave. The slave is then placed into the animal’s belly. A part of the raw liver is given to the child and the rest eaten by the group.

The slave is then baptised by blood. A cut called the ‘Devil’s Seal’ is placed on the slave’s left hand, on the armpit or on the upper part of the head. This in Kabbalism is the ‘Mark of Foundation’. The priest reads out the Book of Satan and the Book of Names and the victim repeats after the priest. In this way the priest ritually gives the victim a new name.

The Dance of Hod (Glory — the sphere on the bottom left of the C Tree of Sephiroth) is then began in a circular motion by the cult, to oppose Netsah (Victory — the sphere on the bottom right of the tree). The priest of the coven will then dismiss the demon(s) he has conjured. Sometimes the ritual is performed with a child sacrifice instead of an animal, and sometimes it is done in conjunction with another ritual, such as that of All Hallow’s Eve.

To empower demonic possession, special rings which have been dipped in the blood of sacrificed victims are given to the slave with instructions to wear it faithfully. The rings are used as focal points to ensure the continued demonisation of the slave. Some examples of this would be a Blue Topaz ring, a Black Onyx ring or a Diamond ring. Slaves are also given amulets to wear to reinforce demonic possession, such as crosses, winged discs, feathers, rosaries, birds, bird’s wings, eyes, charm bracelets, beads, gemstones, pentagrams, etc.

Witches force the slave to make blood covenants, contracts, oaths and to shed innocent blood. What various witchcraft and Illuminati slaves experience is Satan drawing blood from their left hand, and causing them to write in their own blood a formal contract entering his service in the Great White Book; an important Illuminati document.

After the Satanic Ritual Abuse is completed, slaves are imprisoned in a room with bright lights, playing incessant loud music and transmitting radio waves, and forced to watch horror movies and pornography.

Radio waves are quite different from the acoustic waves our ears detect. However, it is possible for radio waves with frequencies within or near the spectrum of hearing to produce electrical effects within our bodies or mechanical vibrations from the surrounding environment to be sensed as sound. High-power Extremely Low Frequency (ELF) radio frequency (RF) with electric field levels in the low kV/m range are known to induce perceivable currents within the human body that create an annoying tingling sensation. These currents will typically flow to ground through a body contact surface such as the feet, or arc to ground where the body is well insulated.

 Natalie Portman, holding a radio, symbolising radio waves used to torture Monarch slaves

Natalie Portman, holding a radio, symbolising radio waves used to torture Monarch slaves

Torture is also conducted through double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with hallucinogens which alter certain cerebral functions (such as LSD).

In 1958, Freemason Dr Patrick Flanagan invented a device he called the Neurophone, an electronic nervous system excitation instrument that transmits sound through the skin directly to the brain. It can successfully programme suggestions directly through contact with the skin. The skin (the largest organ of the integumentary system, which consists of hair, nails, nerves and exocrine glands) contains more sensors for heat, touch, pain, vibration, and electrical fields than any other part of the human anatomy.

This instrument is used in the torture of Monarch slaves.

When they become mad as a result of this treatment, they are ritually sodomised for spiritual doors to open and allow in demons that are invoked from hell to possess them and control them. These demons become their alter personas that mimic their voice and mannerisms, and carry out their missions.

Monarch slaves are dysfunctional maniacs who are possessed by a legion of demons that bind them spiritually. Witchcraft is used to create robots/puppets who are controlled by demons; these robots/puppets are then called Monarch slaves and zombies.

The Cranberries’ song titled Zombie talks about Monarch slaves (The Cranberries are Monarch slaves) — the violence that leads to silence is the torture that drives Monarch slaves insane, who are then silenced by the spiritual binding of demonic possession.

‘It’s not me’ means that the Monarch slave has been replaced by the demons that possess him or her.

‘It’s not my family’ refers to the legion of demons that possess and control Monarch slaves. The fighting refers to the constant spiritual battle between Monarch slaves and the demons that possess them.

The crying refers to the screams of Monarch slaves when they ‘wake up’ and are fighting their demonic possession. These are the screams of a lunatic.

The bombs exploding symbolises the process of becoming insane.

Nineteen-sixteen (1916) — in occult symbolism, the number 19 symbolises the unit being established between the multiplied parts and by an act of reciprocal solidarity, or legion of demons invoked; the number 16 is considered as the final number of the emanation, it represents the incarnation completed, or demonic possession:

Zombie

Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken

But you see it’s not me
It’s not my family
In your head, in your
Head they are fighting
With their tanks and their bombs
And their bombs and their guns
In your head,
In your head they are cryin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey, oh
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou
Dou, dou, dou, dou

Another mother’s breakin’
Heart is taking over
When the violence causes silence
We must be mistaken

It’s the same old theme since nineteen-sixteen
In your head,
In your head they’re still fightin’
With their tanks and their bombs
And their bombs and their guns
In your head, in your head they are dyin’

In your head, in your head
Zombie, zombie, zombie
Hey, hey
What’s in your head, in your head
Zombie, zombie, zombie
Hey, hey, hey
Oh, oh, oh, oh, oh, oh, oh
Hey, oh, ya, ya-a

Whenever Monarch slaves fight their demonic possession and their lunacy manifests, they become wild and are drugged, then subdued with electrocution using the Electrocardiogram (EEG) machine and the electroconvulsive therapy (ECT) machine, then ritually sodomised to open up spiritual doors for more demons to possess them. These demons spiritually bind the slave (see Duality/Black Mass and Roman Holiday).

EEG Skull Caps that are able to read your brain waves for MK ULTRA projects

EEG Skull Caps that used to electrocute Monarch slaves to subdue them when they fight their demonic possession

There is no such thing as mind control programming, Monarch slaves are driven COMPLETELY INSANE and it is impossible to manipulate them mentally.

Monarch slaves are named after the Monarch butterfly (Danaus plexippus) –which represents the demons that possess them.

Monarch butterfly

Monarch butterfly

The techniques go back to ancient Babylon, Persia, Greece, Rome and Egypt to the ancient mystery religions, and further back — to antediluvian times and the knowledge taught to mankind by the fallen angels. The alter personas of a Monarch slave are different demons.

Titles used to refer to the various techniques of a Monarch slave are steeped in demonism: Alice in Wonderland symbolises ritual sodomy, Wizard of Oz symbolises Satan, Mickey Mouse symbolises witchcraft (see Looney Tunes), Smurf symbolises demons, Betelgeuse symbolises Satan, Peter Pan symbolises Satan, Frog symbolises the aquatic hybrids created in the pre-flood world by the fallen angels that taught post-flood mankind the forbidden knowledge stolen from heaven.

Some labels used to symbolise Monarch slaves are Beta (Sex slave or prostitute), Delta (special agents or elite soldiers/assassins, Theta (Psychic warfare or the use of thought energy to kill someone at a distance, and Omega (Self-destruct).

(Keep in mind that the REAL handlers and masters are: DEMONS, FALLEN ANGELS and SATAN. Even those who are not Monarch slaves; such as the Freemasons/Illuminati, including the bloodline families, are still slaves. As long as you are serving demons/fallen angels you will always be enslaved, no matter how rich and powerful you are. ANYONE can be a slave/handler: Lawyers, doctors, journalists, astronauts, scientists, teachers, news anchors, actors/actresses, musicians, writers, poets, dancers, engineers, mechanics, waiters/waitresses, shopkeepers, athletes, politicians, presidents, prime ministers, royalty, soldiers, even homeless people; all used to further the Illuminati’s evil agenda.)

Slaves are sodomised to open spiritual doors for demons to possess them. After that they live in a permanent state of dissociation and fear. The rabbit hole is a metaphor for the rectum, and traversing it with ritual sodomy has been the standard means of creating Monarch slaves for thousands of years. In Alice’s Adventures in Wonderland, Lewis Carroll’s white rabbit with the pocket watch was obsessed with time. He was in and out of the rabbit hole, as the psychopomp Hermes, and Anubis, and his going in and out of the rabbit hole signifies sodomy.

Masks represent different alter personas/demons behind which the slave’s persona is isolated. The slave’s spirit is detached and isolated inside, behind the multiple alters/demons who interface with the outside world. These alters are demons who mimic the slave’s persona and steal the slave’s identity. Monarch slaves are identified by a wide array of odd names — code names for the different alters or demons.

Each alter persona is a different demon, and this why Monarch slaves are able to converse in multiple languages, even ancient languages, known to demons.

Monarch  slaves are driven to madness by their torture, before demonic installation — the demons then have complete control of the slaves and turn them into robots, so even if a slave were to be delivered from their demonic possession, they would be dysfunctional maniacs because they are completely mad. This is why whenever they are fighting their demonic possession in a spiritual battle against the demons — they become wild; destructive, aggressive, self injurious and maniacal.

The 27 Club is a a myth created by Monarch slave handlers. There is no mystery as to why certain number of celebrity Monarch slaves die at the age of 27 — these slaves die while being electrocuted to subdue their madness when it manifests as they are fighting their demonic possession. It is simply a coincidence that a number of celebrity slaves have died at the age of 27.

Wigs, hair cuts, changing hair colour and eye colour are used to symbolise a slave’s different alter personas or the demons that possess them.

Lady Gaga with a wig

Lady Gaga with a wig; the necklaces are amulets

Charlize Theron

Charlize Theron with long hair, left, and shorter hair, right (see Roman Holiday)

Jennifer Lopez with her natural hair colour, left, and with blonde hair, right

Jennifer Lopez with brunette hair, left, and blonde hair, right

Paris Hilton

Paris Hilton with brunette, blonde and red hair, all symbolising her alter personas/demons (Paris’ hair is naturally dirty-blonde)

Kanye West with his natural eye colour, left, and with blue contact lenses, right, to identify his alter persona

Kanye West with his natural eye colour, left, and with blue contact lenses, right

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right, to identify her alter persona

Kim Kardashian, left, with her natural eye colour, and with blue contact lenses, right

As different demons take over the Monarch slave, there is an almost imperceptible facial distortion, and the face is slightly altered with each switch.

 Beyoncé; the demons that possess her can be seen in the distortion on her face

Beyoncé; the demons that possess her can be seen in the distortion on her face

In some instances, the eyes of the demons are visible during the switch:

Oprah Winfrey

Oprah Winfrey

Michelle Obama

Michelle Obama

Barack Obama

Barack Obama

Patricia Velasquez Eyes and Face Shift on the show Arrested Development

Patricia Velasquez on the American sitcom Arrested Development; note her teeth and facial distortion

Nicki Minaj

Nicki Minaj

Many of the celebrities we idolise are Monarch slaves and can be identified by symbols evident in their dressing, music videos, movies and the brands they promote/advertisements. When we idolise them, we are really idolising the demons that possess them, which enable them to perform; a good example of this is Michael Jackson, whose gravity defying dance moves are a result of the demons that controlled him from within. Whenever you watch movies with Monarch slaves or listen to their music and watch the videos, you are condoning this barbaric, Satanic practice (see The Music Man and Movies and Magic).

The butterfly is the mascot/identifier of Monarch slaves. The agenda of the Illuminati is to use these slaves to colonise our minds through the media:

Muse Drones

Album cover for Muse’s Drones; an unseen handler controlling a slave

A drone is someone who follows a schedule and doesn’t change it — a slave with no free will of their own, used to brainwash the public into mindlessly following orders, adhere to ideologies and uncritically obey laws; thereby creating more drones.

The noun’s original meaning is used in context with ‘social’ insects such as bees, which are ordered into a hive structure. In an insect hive, drones are the workers – the ones gathering food, building the hive — in short: maintaining the hive, controlled by the queen, or driven by some common instinctual fellowship and hierarchical order.

Tattoos are put on celebrities who are Monarch slaves as hexes to bind them spiritually/keep them in line when they begin to fight their demonic possession (then they are required to attend ‘rehabilitation’ for electrocution and more demonic installation). These tattoos are etched on by shamans, who chant ancient incantations and burn incense to facilitate the spiritual binding of the tattoos.

(Amy Winehouse’s song Rehab is about her fighting her demonic possession, and a prelude to her her subsequent sacrificing.)

Celebrity charity boards/foundations are fronts for prostitution, human trafficking and drug peddling.

Just as the Monarch butterfly is the mascot/identifier of Monarch slaves, there are other mascots to identify slaves:

Dogs for Couriers/Wizard of Oz

Cats for Prostitutes/Beta Kittens

Rabbits and Mirrors for Prostitutes/Alice in Wonderland

Mickey Mouse Ears for Spies/Mickey Mouse (Disney’s role in Project Monarch is widely known among people who are aware of Project Monarch. Many of Disney’s amusement parks double as torture centres for Monarch slaves.)

Guns, knives and swords for assassins/Delta

Gun or knife held to the self for suicide/Omega

Blue hair for hackers/Smurf

Orange hair for cryptoanalysts/Betelgeuse

Green hair for aquatic hunters/Frog

Grey hair for psychic assassins/Theta

Red hair for prostitutes/Sex slaves

Pink hair for prostitutes or sex slaves/Pink Panther

White glove for no free will/Peter Pan

Bird cages, cages, chains, dog collars and buckles for enslavement

Marionettes, puppets, dolls and mannequins for enslavement

Purple for dissociation or madness

Blue and Yellow hair for dissociation/fear

Black and White for duality or demonic possession

Black and Red for sacrifice/Black Mass

Blue and Red for duality or demonic possession

(see Wizard of Oz, Beta Kitten, Alice in Wonderland, Peter Pan and Mickey Mouse)

The Disney Channel constantly makes announcements encouraging parents to take their children for auditions. During recruitment, they target mainly children from single-parent and abusive homes, since the parents overworked and will often be relieved to have the child taken off their hands and into the custody of a ‘mentor’ (handler).

Here are some of the places where the Monarch butterfly appears:

Cover for Mariah Carey's album Butterfly

Cover for Mariah Carey’s album Butterfly. The butterfly waist chain is an amulet

Advertisement for Mariah's Luscious Pink perfume

Advertisement for Mariah’s Luscious Pink perfume

Mariah's butterfly tattoos

Mariah’s butterfly tattoos

Mariah Carey I Want To Know What Love Is

Mariah Carey in the music video for I Want To Know What Love Is (2009)

Mariah Carey I Want To Know What Love Is2

Poster for film Silence of the Lambs

Jodie Foster in the film Silence of the Lambs

Album cover for Emiliana Torrini's Merman

Emiliana Torrini on the album cover for Merman

Hilary Duff

Hilary Duff

Erykah Badu

Erykah Badu

Monica Laura Leon aka 'Butterfly' aka 'Danger'. The prominent cat tattoo symbolises special Beta Kitten or Sex Kitten programming

Monica Laura Leon aka ‘Butterfly’ aka ‘Danger’. The ring is an amulet

Jacquelyn Jablonski Vogue Russia October 2012

Jacquelyn Jablonski, photographed for Vogue Russia magazine’s October 2012 issue

Abbey Lee Kershaw in Russian Vogue

Abbey Lee Kershaw in Vogue Russia

Miranda Kerr

Miranda Kerr

Barbara Palvin

Barbara Palvin

Anne Vyalitsyna at the 2011 Victoria's Secret Fashion Show

Anne Vyalitsyna at the 2011 Victoria’s Secret Fashion Show

Karlie Kloss

Karlie Kloss

Ana Beatriz Barros

Ana Beatriz Barros

Gigi Hadid at Victoria's Secret Fashion Show 2015

Gigi Hadid at Victoria’s Secret Fashion Show 2015

Devon Windsor at the 2014 Victoria's Secret Fashion Show

Devon Windsor at the 2014 Victoria’s Secret Fashion Show

Heidi Klum wearing a Monarch Butterfly bracelet

Heidi Klum wearing a Monarch butterfly bracelet; the ring is an amulet

Heidi in an advertisement for LG phones

Heidi in an advertisement for LG phones

Poster fo Michael Jackson's Immortal world tour

Poster for Michael Jackson’s Immortal world tour; bursting from Michael are butterflies, which represent the demons that possess him

Monarch Butterfly topiary on Michael's Neverland Ranch

Monarch butterfly topiary on Michael’s Neverland Ranch, Santa Barbara County, California, U.S.

Cover for Michael's single Butterflies

Cover for Michael’s single Butterflies. The colours black, white and red symbolise Black Mass and Duality; and the butterfly is partly a mirror image of a facial profile, representing duality

Cover for Taylor Swift's debut album

Cover for Taylor Swift’s debut album

Cover for Mylene Farmer's single L'Histoire D'une Fée C'est ... (The Story of a Fairy Is...)

Cover for Mylene Farmer’s single L’Histoire D’une Fée C’est… (The Story of a Fairy Is…)

Alizée

Alizée

Uma Thurman

Uma Thurman

Amber Anderson in the Madly Kenzo advertisement

Amber Anderson in a Madly Kenzo advertisement

Salma Hayek

Salma Hayek

salma-hayek-tattoo

Beyonce with a Monarch Butterfly covering her left eye, symbolising the 'eye of horus'

Beyoncé with a Monarch butterfly covering her left eye, symbolising the ‘Eye of Horus’

Carla Bruni on the cover of Elle magazine

Carla Bruni on the cover of Elle magazine

Katy Perry

Katy Perry

Drew Barrymore

Drew Barrymore

Drew Barrymore on the cover of Jane magazine in September 1997

Drew Barrymore on the cover of Jane magazine in September 1997

Take That (Gary Barlow, Howard Donald and Mark Owen)

Take That (Gary Barlow, Howard Donald and Mark Owen); note the cross, and the sun denoting sun worship (see The cross and Sun worship)

Mel B on the cover for the single For Once In My Life

Naomi Campbell

Naomi Campbell

Joanna McCormick on the cover of Vogue magazine in July 1957

Michelle Obama painting a Monarch butterfly on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C.

Michelle Obama painting a Monarch butterfly on a mural on April 28, 2010, at the Marie Reed Community Learning Center, Washington D.C., U.S.

 Bronze statue of a young Barack Obama holding a Monarch butterfly, in Indonesia. Obama, a Monarch slave, was groomed from childhood to be the first Black American president

Bronze statue of a young Barack Obama holding a Monarch butterfly, Menteng Park, Jakarta, Indonesia, celebrating Obama as a Monarch slave

Poster for the film Mama

Jessica Chastain in the film Mama

Brandy Norwood

Brandy Norwood

A masked Mia Farrow at Truman Capote's Black and White Ball in 1966

A masked Mia Farrow at Truman Capote’s Black and White Ball in 1966

Mohammad Ali, whose symbolic 1964 quote "Float like a butterfly, sting like a bee, your hands can't hit what your eyes can't see" became his trademark

Muhammad Ali, whose symbolic 1964 quote “Float like a butterfly, sting like a bee. Your hands can’t hit what your eyes can’t see” became his trademark. This is coded language that means Muhammad Ali, who was insane, was not the real boxer since he ‘can’t see’, so the fighting was being conducted by the demons (butterflies) that possessed him

Shia Labeouf

Shia LaBeouf

Cover for Justin Timberlake's album The 20/20 Experience

Cover for Justin Timberlake’s album The 20/20 Experience

Madonna

Madonna

Queen Latifah

Queen Latifah

Twiggy on the cover of Vogue magazine

Twiggy on the cover of Vogue magazine

Shakira

Shakira

James Corden with fake tattoos, photographed for WSJ magazine in March 2016

Harry Styles

Cover album for Dolly Parton's Love Is Like A Butterfly

Cover album for Dolly Parton’s Love Is Like A Butterfly

Azealia Banks

Azealia Banks

Album cover for Janis Joplin's Rare Pearls

Album cover for Janis Joplin’s Rare Pearls; note the sun (sun worship) and the All-Seeing Eye on the car’s bonnet

Will Ferrell, photographed by Mark Seliger for New York Magazine

Will Ferrell, photographed by Mark Seliger for New York Magazine

Gemma Ward, photographed for Vogue Paris, October 2005

Gemma Ward, photographed for Vogue Paris, October 2005

Britney Spears

Britney Spears

Martha Stewart on the cover of the special annual Halloween issue of her magazine

Martha Stewart on the cover of the special annual Halloween issue of her magazine

André 3000

André 3000

LeAnn Rimes

LeAnn Rimes

The Very Best Of Deee-Lite

Album cover for The Very Best Of Deee-Lite

Mae West

Mae West

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff butterfly

Vera Gräfin von Lehndorff-Steinort or Veruschka von Lehndorff

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Tuppence Middleton and Cara Theobold, photographed for InStyle UK in December 2012

Moa Åberg by Camilla Akrans for Vogue Italia March 2013

Moa Åberg, photographed by Camilla Akrans for Vogue Italia in March 2013

Natasha Poly by Txema Yeste

Natasha Poly, photographed by Txema Yeste for Vogue Russia

Tisha Campbell-Martin in the Steel Here music video

Tisha Campbell-Martin in the Steel Here music video

Anastacia

Anastacia

Barbara Palvin

Barbara Palvin, photographed for Vogue magazine; the emeralds identify Barbara as a drug mule, the diamonds represent the demons that possess her (see Metals and Jewels)

Lady Gaga at the Museum of Contemporary Art

Lady Gaga performing at the Museum of Contemporary Art

Lina Zhang by Julia Noni for Vogue Russia September 2013

Lina Zhang, photographed by Julia Noni for Vogue Russia, September 2013

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Jodie Foster and Robert DeNiro in Taxi Driver (1976)

Farrah Fawcett releases a live Monarch butterfly in commemoration of comedian Rodney Dangerfield's one year anniversary death at the comedian's home in West Hollywood, California, October 5, 2005

Farrah Fawcett releasing a live Monarch butterfly from a designer box

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Farrah Fawcett, photographed in Vanity Fair magazine, primps on the set of Charlie’s Angels

Mo'Nique

Mo’Nique

Tom Felton

Tom Felton

Janelle Monáe

Janelle Monáe, photographed for Teen Vogue in 2010. Janelle is wearing a bow tie, which in French is nœud papillon — ‘butterfly knot’. She is wearing black and white, symbolising duality/demonic possession. The reference to Tim Burton movies, which are horror films, symbolises the horror movies used to  drive her mad

Rihanna with a bow tie

Rihanna with a bow tie, which in French is nœud papillon — ‘butterfly knot’. The leopard print identifies her as a Beta Kitten, the three rows of rhinestones that form the knot and the diamond earring represent the demons that possess her; the black and white stripes signify duality

Madonna with a diamante encrusted bow

Madonna with a diamanté encrusted bow tie, which in French is nœud papillon — ‘butterfly knot’

Willow Smith Teen Vogue, May 2016

Willow Smith on the cover of Teen Vogue in May 2016, with a pink bow tie, which in French is nœud papillon — ‘butterfly knot’

Miley Cyrus - Butterfly Fly Away

Miley Cyrus on the cover of her single Butterfly Fly Away

Brooke Kinsella

Brooke Kinsella

Vanessa Hudgens

Vanessa Hudgens; note the sun burst earring

Christina Aguilera

Christina Aguilera

Trudie Styler

Trudie Styler

 

Open Your Eyes.